The RL-160 Bi-Colour LED Ring Light is designed in a circular shape to fill your shot with light and create ring-shaped catch lights in your subject's eyes, making it perfect for portrait photography or video. It uses a soft light diffuser to reduce glare. The RL-160 has 4 light sections that can be individually switched on or off as desired and has a lifespan of 50,000 hours. The RL-160 is built with SMD LED technology, giving it a longer lifespan and generating greater colour than traditional lights. Designed with 60 degree LED lights, the RL-160 can centralize the light flow to your subject better than traditional lights. Dimmer Control 4 Sections of Illumination 50,000 Hour Lifespan 3200-5600K Adjustable Specifications: LEDs: 160pcs x 0.2W Power: 23W Colour Temperature: 3200K - 5600K Operating Voltage: DC-15V 3A Compatibility: AC adapter, Sony F Mount Battery x 2 (not included) Dimming: Quarter ON/OFF switch, 0-100% stepless dimming Beam Angle: 100 degrees Control Function: Switch and turning knob CRI: 95 LUX (0.5M/1M/2M): 0.5M:1320 1M:429 2M:121 Footcandles: 0.5M:123 1M:40 2M: 11 Mounting Method: Camera bracket Dimensions: 490 x 365x 50mm Weight: 1.5 kg 5 Year Warranty

CRI95+ for Natural, Pure Color: Illuminates using top of the line color rendering CRI95+ LEDs Makes it easy to capture the finer details in color-critical shooting applications Portable Natural Light 528 LEDs Color Temperature Adjustable CRI95+ for Better Color Accuracy Batteries NOT Included Smart body: Approximately the size of an iPad High color rendering LEDs: Composite color rendering index goes up to 88 with Amaran advanced LED bulbs Color temperature adjustable: Use orange filter to create 3200K and use white diffusing filter for 5500K Brightness stepless control: Freely rotate the brightness wheel to adjust brightness output. LCD displays from 10% to 99% Exquisite surface and super thin design: Amaran is only 3.2cm in thickness, which is much thinner than other LED video lights Double power supply system: Double power comes from the AC adapter and lithium batteries Use the adapter with access to a power strip, and use the batteries when shooting outside Lithium batteries are commonly used with LED video lights (Batteries include Sony F/FM/QM Series) State displays: Shows brightness output by percentage, giving you precise control over brightness And uses 4 levels to show battery power clearly, a first for our LED lights Low power warning from red blinking lights Waterproof carrying case included: Convenient case to take all accessories included with the LED light, such as filters, batteries, etc. Perfectly portable for shooting outside and on the run Specifications: Operation Current: <=2.8A Power Supply: DC 18V Average Life Span: >=100,000h Volume: 238X190X32mm Power: 30W Cooling Mode: Natural Ventilation Net Weight: 540g Beam Angle: 75 degrees Color Temperature: 5500K Brightness: Distance: 1M: 111 Footcandles, 1200 LUX; 2M: 32 Footcandles, 350 LUX; 3M: 17 Footcandles, 180 LUX Batteries NOT Included

CRI95+ Accurate, Pure Light: The color-rendering index (CRI) is a quantitative measure of the ability of a light source to reproduce the colors of various objects faithfully in comparison with an ideal or natural light source The stunning revolution in HR672 with CRI95+ ensures that its light is natural and lifelike It is perfect for color-critical applications such as fashion, documentary and short films LED Video Light 672 LEDs Dual Power System Color Temperature: 5500K Unparalleled Illumination: No matter the shutter speed or FPS, it never flickers Ultra Thin but Durable Design: The HR672 is 32-mm-thin and about the same size as iPad It's lightweight and compact, but with 672 LED bulbs It is 33% thinner than common LED lights and their geometric shape makes them easy to carry in groups Its portability and power let you create and set the atmosphere in any environment 100M Wireless Groups Control: Using 2.4G FSK technologies, the HR672 can adjust in brightness wirelessly using a remote The multiple channels and groups also ensure that several different lights can be controlled without interference or confusion Control with precision even 100m away Quiet Heat Dissipation: Designed for maximum heat dissipation, the HR672 uses ventilation holes and unique technology to cool itself Instead of using a cooling fan, we utilize natural heat dissipation, which is energy saving and safe However, perhaps even more important, the HR672 is completely silent in operation A Superior Dual Power System: Two methods can be used to power the HR672: AC adapter or lithium batteries Batteries can be recharged (even one by one) while the HR672 is powered by adapter We guarantee that either power system will keep the light constant and on-going Specifications: Output at 0.5 m: 7300 lux Output at 1 m: 2080 lux Operation Current: less than or equal to 4A Power: 45W Beam Angle: 75 degrees Color Temperature: 5500K Power Supply: DC 15V Average Life Span: greater than or equal to 100,000 hours Cooling Mode: Natural Ventilation Remote Frequency: 2.4GHz Channels: 3 Groups: 4(A/B/C/D) Remote Range: less than or equal to 100m Volume (LxWxH): 235 x 190 x 32mm Net weight: 585g

Game Changer: The Amaran 100d is a daylight point-source LED fixture with stunning brightness and wireless Bluetooth app control. Amaran provides the ultimate lights for content creators, interviews, portrait photography and video production. 100w Daylight Balanced LED Colour Temperature: 5600K Operating Frequency: 2.4 GHz Wireless Bluetooth App Control Universal Bowens Mount Built-in Umbrella Holder Ultrabright Output: When it comes to lighting, output is like horsepower. Using cutting-edge LED technology, the Amaran 100d uses its 100W COB LED output to create an equivalent to a 750w tungsten light. It also features 0% to 100% dimming control to ensure that you can always find the right level of illumination for your scene. Meet the brightest (and darkest) light in your kit. Beautiful Color Fidelity: Many do not realize that light affects the very colors that we see. Bad light can bring nasty green or magenta hues that make your subject look sick. On the flip side, great lighting has the power to bring out the most brilliant colors found in nature. Scoring a 95+ (out of 100) on the Television Lighting Consistency Index, the Amaran light series guarantees that you see beautiful colors on every shoot. All-in-One Build: Speed and portability matter. Featuring all-in-one housing, the Amaran 100d is a fully integrated fixture making it one of our easiest studio lights to adjust and transport. The total weight of the kit is only 3.4 kilograms (7.6 lb) and the built-in fan ensures that the LED remains cool no matter how long your shoot goes on for. Universal Accessory Mount: The Amaran 100d uses a Bowens Mount meaning that it can be transformed to take on the quality of almost any light. Whether you need soft light, hard light or even a spotlight, the accessory mounting system of the Amaran 100d means that it is compatible with almost all Aputure lighting modifiers like the Light Dome, Fresnel or Lantern. In addition to the Bowens Mount, the Amaran 100d also has an umbrella holder for even faster speed and softness. Built-in Effects: The Amaran 100d also launches with 8 built-in lighting FX, such as, Paparazzi, Fireworks, Lightning, Faulty Bulb, TV, Breath, Flash, and Explosion, opening up new possibilities for precise lighting control. Sidus Link Compatibility: Lighting should be fun. With the integration of Sidus Mesh, the Amaran 100d gives you professional lighting control with a single app. Mesh technology means that every light in the Aputure and Amaran series will automatically connect to each other and expand the range of your network. With the Sidus Link App, you can control up to 100 lights from your smartphone or tablet. Adjust each light to perfection by adjusting aspects like brightness, color temperature, effects, and even programming effects between multiple fixtures. Features: Up to 39,500 lux @ 1 metre with Hyper-Reflector Daylight CCT: 5600K, CRI>=95, TLCI>=95 Universal Bowens Mount: Wide Variety of Accessories Built-in Umbrella Holder Sidus Link App Control Compact Lamp Head with Built-in Controls 0-100% Brightness Control 8 Built-in Lighting FX 48V DC Power Input: AC & Battery Power Options 3m Long Power Supply Cable: No Dangling Power Bricks Specifications: CCT: 5600K CRI: 95+ TLCI: 95+ CQ: 92 SSI (D56): 72 Beam Angle, Native (COB): 105 degrees Beam Angle, w/ Hyper Reflector: 55 degrees Output Wattage: 100W Power Consumption: 130W Operating Current: 2.7A Operating Voltage, Battery: 48V/3A Operating Voltage, Power Supply Output: 48V Operating Voltage, Power Supply Input: approx. AC 100-240V 50/60HZ Operating Temperature: -20-45 degrees C Control Methods: On-board, Sidus Link (Sidus Mesh) Wireless Operating Range (Bluetooth): <= 80m Screen Type: LCD Firmware Upgradeable: Sidus Link OTA Cooling Method: Active Cooling Power Supply Head Cable: 3-pin XLR (3m) Max Head Cable Length: 3m AC Power Cable: Locking IEC AC Power Cable (1.5m) Accessory Mount: Bowens Mount Umbrella Holder: Yes Mounting: 16mm | 5/8in (Baby Pin) Weight, Lamp Head: 1400g / 3.086lb Weight, Power Supply: 487g / 1.074lb Weight, Total w/ Box: 3440g / 7.584lb Dimensions, Lamp Head w/o Mounting Column: 207 x 115 x 115mm / 8.15 x 4.528 x 4.528in Dimensions, Lamp Head w/ Mounting Column: 207 x 154 x 212mm / 8.15 x 6.063 x 8.346in Dimensions, Lamp Head w/ Mounting Column & Reflector: 313 x 185 x 247mm / 12.323 x 7.283 x 9.724in Dimensions, Power Supply: 137 x 59 x 34mm / 5.394 x 2.323 x 1.339in Dimensions, Carrying Box: 515 x 255 x 245mm / 20.276 x 10.039 x 9.646in

Extreme performance and super-telephoto reach combine in Nikon’s lightest 600mm f/4, with built-in 1.4x teleconverter to increase focal length to 840mm. Exceptional S-Line optics with immense detail and groundbreaking anti-reflection performance. Fast, silent and accurate autofocus with 5.5 stops of optical VR. All in a balanced, lightweight design optimized for hardworking professionals. This is a super-telephoto reimagined for today’s high-performance mirrorless. 600mm f/4. Built-in 1.4x teleconverter. Totally reimagined for Z series: The 600mm f/4 prime. A vital lens prized by motor sports, action and wildlife pros for its reach, speed, brightness and image quality. Empowered by the larger Z mount, Nikon has reimagined this lens for today's high-performance mirrorless cameras. Lighter. Faster. Sharper. And with a brilliant trick up its sleeve: a built-in 1.4x teleconverter that transforms the lens into a powerful yet bright 840mm f/5.6 with the flip of a switch. 600mm. 840mm. Your call: Without taking your eyes off your subject, breaking posture or even releasing the camera grip, engage the built-in teleconverter and instantly get 40% closer to your subject, 840mm f/5.6. No hurried gear changes. No loss of image quality or AF performance. No risk of missing the moment that matters. Get even more reach: Stack an external teleconverter onto the rear of the NIKKOR Z 600mm f/4 TC VR S lens and magnify your subject with no loss of image quality. Video creators can use the 2.3x Crop Mode and record 4K video from staggering distances. Astonishing sharpness: Six specialized lens elements work together to prevent light dispersion and produce the sharpest, clearest images imaginable: Two Extra-low Dispersion (ED) and one Super ED glass elements, two lightweight Fluorite (FL) elements and a Short-wavelength Refractive (SR) element. Striking subject isolation: The NIKKOR Z 600mm f/4 TC VR S produces beautiful, natural bokeh. When combined with the compression of 600mm, subjects take on a three-dimensional quality that adds drama and depth to your images. Cut through glare: Nikon's Meso Amorphous Coat achieves the highest level of anti-reflection performance in NIKKOR history. Shoot into direct light with virtually no ghosting or flare. Nano Crystal Coat (N) prevents internal reflections and cross-lighting when shooting under the lights at sporting events. Autofocus. Swift. Silent. Spot-on: Using lag-reducing magnetic force, Nikon’s Silky Swift Voice Coil Motor (VCM) is able to move large lens elements with ultra-fast acceleration and the smoothest, quietest operation of any Nikon AF drive system. An absolute encoder (ABS) monitors the system's movements with 20X more precision and speed than conventional solutions for a new level of accuracy. Powerful optical stabilization gives you the edge: Even the slightest camera shake can soften details. In-lens optical VR image stabilization counteracts vibrations from handheld shooting, panning, tripod movements, wind—anything—with an effect equivalent to shooting at a shutter speed up to 5.0 stops1 faster. When used on a camera with Synchro VR, the in-lens and in-camera VR systems work together and achieve an effect up to 5.5 stops2. SPORT Mode stabilizes the viewfinder image, making it easier to acquire and track fast-moving subjects. Outstanding for video: In-lens Optical VR gives you a stable, sharp view while recording. Use the smooth focus ring to make gradual focus changes and the click-less control ring to make iris adjustments that create a natural shift in brightness without flickering. A powerful focus-breathing compensation function maintains a consistent angle-of-view as focus position moves, an effect that virtually eliminates focus breathing. SPORT Mode is recommended for video applications. S-Line excellence: The NIKKOR Z 600mm f/4 TC VR S bears the S-Line designation, reserved for premium NIKKOR Z lenses with the most advanced optics, superior resolution, beautiful bokeh, robust weather sealing and precision design. Built for hardworking pros: 14.5% lighter 550g lighter than the Nikon F-mount 600mm f/4 prime lens, even with the built-in teleconverter. Easy to hold The center of gravity is at the tripod ring for smoother panning on monopods and tripods and more stable handheld shooting. Carry-on approved Carefully designed to meet airline carry-on size requirements. Keep it safely with you - and out of checked baggage - when flying. Weather-sealed and rugged Rubber gaskets keep dust, dirt and moisture out of all moving parts, including the mount. Magnesium alloy makes the lens barrel strong yet lightweight, and Nikon's non-stick Fluorine coat on the front element repels oil, moisture and smudges. Perfect dustproof and waterproof performance is not guaranteed under all conditions. No-look controls Comfortably access the L-Fn1, L-Fn2 and Memory Set buttons, the Fn ring, control ring and focus ring and the teleconverter switch without breaking shooting posture or taking your eye off the viewfinder. Recall stored focus positions Save a focus position with the Memory Set button. As your subject approaches the decisive moment, instantly snap back to that saved position by rotating the Fn ring—a comfortable, no-look action to ensure you land the shot. Brilliant. By design: Reorient. Tripod collar Smoothly rotate from vertical to horizontal shooting. Make it yours. Control ring Smooth, precise and clickless. Manually adjust aperture, ISO or exposure compensation. Set boundaries. Focus limit Activate to ignore foreground elements closer than 10 metres. Carry on. Strap locks Strong strap eyelets for secure carrying. Secure. Kensington slot Kensington security slot to prevent theft in remote shooting situations. Fine tune. Manual focus ring Seamlessly override the AF system with smooth, accurate adjustments. Recall it. Fn ring Twist to recall your saved focus position. Release to return to normal operation. Shortcut. L-Fn buttons Activate subject tracking, AF Lock, image playback and more. For convenient reach, L-Fn2 is available from four separate locations around the lens barrel. Save it. Memory set Press and hold to save your current focus position to the Fn ring. 1.4x more. Teleconverter on Optimally positioned to be reached with the right index finger while holding the camera grip. Convenient. Drop-in filters Holds 46mm drop-in filters.

The a7R V lets you capture your vision like never before, with dedicated AI processing to recognize and track your subjects. Image makers benefit from a new benchmark of still image quality and resolution, as well as up to 8K video capture, alongside dramatically improved 8-step image stabilization* and advanced connectivity and workflow. Full-frame High-Resolution Camera 61.0 MP 8K 24p / 4K 60p AI processing unit * CIPA standards. Pitch/yaw shake only. FE 50 mm F1.2 GM lens (Sold Separately). Long exposure NR off. Lens Not included A newly developed AI processing unit: State-of-the-art AI processing with deep learning uses detailed information about human forms and poses to dramatically improve the camera’s subject recognition accuracy and make full use of its potential resolution. AI subject recognition has been expanded to include a number of new subject types, including vehicles and insects. A new level of resolution: This newest generation of the a7R series continues the pursuit of high image resolution, delivering the highest resolution at low sensitivity in the series thus far. The 35 mm full-frame back-illuminated Exmor R™ CMOS image sensor with 61.0 million pixels and the latest BIONZ XR™ image processing engine are used to their fullest potential to deliver extraordinary resolution and fine subject detail. Illustration showing in-body 5-axis image stabilization Advanced optical 5-axis image stabilization: The entire image stabilization system has been updated with a high-precision image stabilization unit, advanced gyro sensors and optimized image stabilization algorithms. Camera shake is precisely detected and corrected by the image stabilization unit, significantly expanding the range of shooting situations in which reliable stabilization can be achieved. The body alone provides 8-step stabilization* for the first time in the a series. * CIPA standards. Pitch/yaw shake only. FE 50 mm F1.2 GM lens (Sold Separately). Long exposure NR off. Pixel Shift Multi Shooting responds to changing conditions: Pixel Shift Multi Shooting takes advantage of precision in-body image stabilization system control, capturing up to 16 pixel-shifted shots to be later composited on a computer to achieve outstanding resolution in a single image*. With the latest version of Imaging Edge Desktop™ software, small pixel-level movements are automatically detected and corrected**. * Image size after compositing is approx. 60.2 million (9504 x 6336) pixels for 4-image shots, and approx. 240.8 million pixels (19008 x 12672) for 16-image shots. ** As of the October 2022 product announcement. Applicable models: a1 and a7R V. Selectable RAW image sizes and quality: Lossless RAW image compression allows more high-quality images to be shot in continuous bursts, with a choice of three lossless-compression image sizes. The M and S sizes have the same number of pixels (26M/15M) whether shot in full-frame or APS-C mode, making it possible to seamlessly switch between full frame and APS-C angles of view within the same scene while maintaining the same image resolution. Precise, versatile external flash control: When a compatible Sony external flash unit (Sold Separately) is used with the camera’s auto white balance function, the white balance is adjusted to produce natural skin tones on faces based on the balance between the flash output and ambient light. Flash control also works with face detection to deliver the optimum flash level for the subject. Real-time Recognition AF for human: With its innovative AI processing unit, the a7R V can use Real-time Recognition AF to accurately recognize movements of people, providing an approximately 60% improvement in human eye recognition* compared to the a7R IV. Human pose estimation technology uses learned human forms and poses to recognize not just eyes but body and head position with high precision, making it possible to lock onto and track a subject facing away from the camera or wearing a mask. * Sony internal tests for human eye recognition, compared to the a7R IV. Faster, more precise AF system: The immense processing power of the new BIONZ XR engine and updated algorithms achieve notably improved AF performance, drawing on the huge amount of data generated by the image sensor and the wide-area, high-density AF system. Up to 693 phase detection points cover approximately 79% of the image area. The wider AF area also allows greater framing freedom, for example when shooting portraits in vertical orientation. High AF precision is achieved down to light levels as low as EV –4.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). Real-time Recognition AF for wider range of subjects: In addition to humans, animals and birds, the camera can now recognize insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. More types of birds are recognized, and animal recognition has been expanded to cover some grazing and small animals in addition to dogs, cats and similarly featured animals, with up to 40% greater precision. Continuous shooting: Even with the high resolution of the a7R V, continuous shooting at up to 10fps with full AF/AE tracking is possible with the mechanical shutter. This level of speed and tracking reliability makes it easy to capture the most photogenic moments and expressions with moving subjects. Up to 583 compressed RAW images can be continuously shot at 10fps. Full-time DMF: When shooting stills with AF-C or AF-S autofocus, the lens’s focus ring can be rotated to switch to manual focus mode at any time. This makes it easy to return focus to the original subject if AF switches to a different subject, for example, by simply rotating the focus ring. Focus bracketing*: The a7R V will automatically shoot up to 299 images with sequentially shifted focus points using intervals and a sequence that you specify. The best image can then be selected from the sequence, or a computer application can combine the focus bracketed images to create focus-stacked composites with deeply synthesized depth of field that take advantage of the camera’s high resolution. * A-mount lenses not supported. Full-pixel readout for 8K movies with incredible resolution: The XAVC HS format enables in-camera recording of high-resolution 8K 24p (25p)* movies with efficient HEVC/H.265 compression, bringing out the very best in Sony’s lenses and taking full advantage of the potential resolution provided by the sensor and full-pixel readout. Even the finest subject details are faithfully captured. The ability to reframe 8K footage in post-production for 4K delivery affords invaluable editing flexibility as well**. * Slow & Quick Motion is not available when recording XAVC HS 8K movies. [APS-C/S35 Shooting] is fixed at [Off]. Angle of view is approx. 1.2x. ** Recording frame rates are listed as integer values, but the actual frame rates are as follows: 24p = 23.98fps, 30p = 29.97fps, 60p = 59.94fps, and 120p = 119.88fps. Outstanding 4K movie recording: Full-frame and Super 35 mm formats can be selected for 4K movie recording, as can 4K 60p (50p)*recording. Full pixel readout in the Super 35 mm mode without the need for pixel binning makes 2.6x oversampling possible for 4K movies. The XAVC S-I (All-Intra), or the XAVC HS format is supported, as is 10-bit 4:2:2 colour sampling. * [APS-C/S35 Shooting] is fixed at [Off]. Angle of view is approx. 1.2x when shooting 4K 60 (50p) movies. 16-bit RAW output for enhanced editing flexibility*: In response to the increasing demand for RAW recording capability, the a7R V provides 16-bit RAW output to an external recorder** via an HDMI cable. Full-frame 3848 x 2168 (16:9 aspect ratio) output is available with a choice of frame rates***. It is also possible to output RAW via HDMI while recording XAVC HS 4K, XAVC S 4K or XAVC S-I 4K to internal card media. Proxy recording is also available. * A premium high-speed HDMI cable (sold separately) is recommended for RAW output. Gamma is fixed at S-Log3 during RAW output. ** Support planned for the ATOMOS NINJA V HDR and NINJA V+ HDR monitor/recorders as of the October 2022 product announcement. Please contact ATOMOS for details. *** 60p/50p/30p/25p/24p frame rates are selectable. Real-time Tracking for movies: Thanks to substantial improvements in subject recognition, the camera can provide more reliable Real-time Tracking, keeping track of specified subjects with precise focus, including focus on the subject’s eyes. Subject recognition is now enabled for movie shoots as well as still-image photography, for fast, stable focus when shooting. Even with subject recognition OFF, touch operation allows subjects to be acquired and tracked based on colour, pattern (luminance) and distance (depth). S-Log3 gamma curve with 14+ stops of latitude: The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops of latitude. Three colour gamut settings are provided: S-Gamut, S-Gamut3 and S-Gamut3.Cine. These advanced settings make it easy to match footage shot on the a7R V with footage shot on VENICE and VENICE 2 digital cinema cameras or FX series cameras equipped with S-Log3 gamma curve settings, for smooth, efficient editing. Active Mode image stabilization for handheld movie shooting : Active Mode* provides strong image stabilization for handheld movie shooting. In addition to in-body stabilization, compatible lenses with their own built-in image stabilization coordinate with the camera body for highly effective control, allowing even handheld telephoto shots. * Slight image crop in Active Mode. Active mode not available when recording XAVC HS 8K or using a frame rate of at 120 (100) fps. Designed for smooth movie making: Focus Map* makes it easier to visualize depth of field when shooting movies. In addition, a bold, clearly visible red frame appears on screen when recording is in progress. Shot Marks can be added to recorded movie clips in-camera to identify particular scenes. * The Focus Map function cannot be used in the following conditions: when shooting stills, when the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted or when using the SEL16F28. For other lenses, please use the latest software. Unique 4-axis LCD monitor for enhanced shooting flexibility: Sony’s newly developed 4-axis multi-angle monitor combines the utility of a conventional tilting monitor with side-opening vari-angle flexibility. It allows greater flexibility in shooting by providing unrestricted angle adjustment in both horizontal and vertical orientations*. * Monitor movement may be limited when cables are connected to the camera’s connectors. Do not apply excessive force when opening or rotating the monitor. Touch operations when shooting or during playback: The Touch Focus, Touch Tracking and Touch Shutter functions can be quickly activated or deactivated by touching an icon on the shooting display. During playback, images can be selected by touch, and pinch-out/pinch-in gestures can be used to enlarge or reduce the selected image. Touch sensitivity can be adjusted for optimum control response. Fast Wi-Fi for PC tethering, FTP and smartphone transfers: Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz* bands. 802.11ac provides 2x2 MIMO support for fast and stable data transfer and reliable communication. * 5-GHz communication may be restricted in some countries and regions. PC Remote shooting via wireless LAN (Wi-Fi): The camera can be connected to a computer via Wi-Fi for wireless PC Remote (tethered) shooting using the “Remote” function of Sony’s latest Imaging Edge Desktop application, giving the user greater freedom of movement on location or in the studio. 2.4 GHz or 5 GHz* Wi-Fi bands can be selected as required. In addition to wirelessly connecting the camera directly to the PC, the ability to connect via a wireless access point adds the flexibility needed to work in a variety of network environments. * 5-GHz communication may be restricted in some countries and regions. Effective heat dissipation for extended recording times: Heat generated by the image sensor, image processor and AI processing unit is effectively dissipated to prevent overheating. One element of this is the graphite material formed into a unique S (sigma) shape and built into the image stabilization unit. This structure allows the image sensor, a major source of heat inside the body, to move freely during stabilization while effectively conducting heat away, achieving five times better heat dissipation. Durable magnesium alloy chassis, reliable mechanical shutter: A lightweight, high-rigidity magnesium alloy is used for the top cover, front cover, internal frame and rear cover, with durable construction that keeps the camera operating smoothly in hard working environments. A shutter unit with a fast-response motor minimizes mechanical shutter vibration that can cause blur, while allowing high-speed continuous shooting at up to 10fps. The shutter is quiet and has been tested for durability in excess of 500,000 shutter cycles. QXGA viewfinder with the highest resolution in its class: A 9.44-million-dot OLED electronic viewfinder delivers the highest resolution, with approximately 1.6 times the resolution of previous UXGA Tru-Finder™ viewfinders. It also features significantly improved optics and mechanical design, achieving world-record 0.90x viewfinder magnification, and a 41 ° diagonal FOV (approx. 43 ° for the entire display area). Two CFexpress Type A-compatible media slots: The a7R V has two media slots that support CFexpress Type A memory cards as well as UHS-I and UHS-II SDXC/SDHC, for high capacity and fast read/write speeds. The same data can be simultaneously recorded to both slots for backup, or the user can choose to separate stills/movies or JPEG (HEIF)/RAW formats. There is also a relay mode in which still image or movie recording will automatically switch to the second media card. USB PD (Power Delivery) supports fast charging: The a7R V supports USB PD (Power Delivery), allowing higher power to be supplied from an external source. A USB charger or mobile battery that supports USB PD can be connected to the camera’s USB Type-C® port, supplying power or charging the internal battery at three to four times the rate of the previous model. Recycled materials: Sony is working toward the use of non-plastic packaging materials, with plant-based non-woven fabrics as well as recyclable materials. As for the camera itself, no non-recyclable resources are used in our SORPLAS™ material*, which is repeatedly recyclable, durable and high in quality. Recyclable plastics are also used as much as possible*, reducing stress on the environment without compromising performance or functionality in any way. * Depending on the time of production, SORPLAS™ may not be used for some parts.

Be Creative Beyond Borders: Introducing a standard full-frame camera evolved with hybrid features for still and movie shooting. The EOS R6 Mark II enables various photographic expressions that transcend boundaries between recording personal life and professional production purposes, as well as between photo shooting and movie shooting. Achieve creativity in everyday life with the EOS R6 Mark II. High Image Quality Featuring a New 24.2 Megapixel Full-Frame CMOS Sensor: The EOS R6 Mark II features improved resolution compared to its predecessor. A Canon-developed 35mm full-frame CMOS sensor with approx. 24.2 effective megapixels enables the camera to capture sharp and detailed images, even in low-light scenarios. Regardless of conditions - whether day or night, indoor or outdoor - dark portions of the image, even at high ISO speeds and increased sensitivity, are rendered with low noise. DIGIC X Image Processor: A powerful DIGIC X Image Processor enables high-performance operation and coordination of processes such as Dual Pixel CMOS AF II, Image Stabilization, image processing, and video functionality. The DIGIC X Image Processor helps ensure your photos and videos look sharp and maintain high-resolution with minimal noise or grain. High-Speed Continuous Shooting: For the first time among full-frame Canon EOS cameras, the EOS R6 Mark II introduces RAW Burst Mode*1 at up to 30 fps. By turning on RAW Burst Mode’s pre-shooting, shooting can start slightly before (about 0.5 seconds earlier) the shutter button is fully pressed. Coupled with high-speed continuous shooting at speeds of up to 12 fps with mechanical shutter, and up to 40 fps using electronic (silent) shutter, the camera can capture the split-second details between a subject’s movements. This is great for dynamic action photos such as athletes, animals, and vehicles in motion or even capturing momentary changes in facial expressions for portraits. *1 Rolling shutter distortion may occur depending on the subject and shooting conditions. Blazing Fast Autofocus: The highly responsive Dual Pixel CMOS AF II system covers up to approximately 100% x 100% of the picture area, breaking the image into up to 1,053 automatically-selected AF zones during Whole Area AF. The result is outstanding AF coverage, and the compositional freedom to focus sharply on a subject nearly anywhere in the frame. Highly Accurate Subject Detection: Developed using Deep Learning Technology, horses, trains, and airplanes are newly detectable, in addition to conventional subjects like people, animals including dogs, cats and birds, and vehicles - cars and motorcycles - especially in a motorsports environment.*2,*3 For more ease of use, Auto mode is now available, in which the camera automatically selects the type of subject without the need to switch the Subject Detection setting in the menu. *2 Effectiveness varies depending on the subject. In some cases, the camera may detect a subject other than a dog, a cat, a bird, and a horse (a zebra) as a targeted animal. *3 Some vehicles may not be detected depending on condition in some cases. In addition, the camera may detect entity as vehicle other than cars, motorcycles, trains, and airplanes for tracking. Head, Face, and Eye Detection: Even in situations where many cameras may struggle to detect a subject, the EOS R6 Mark II can locate and focus upon a person’s head, face, or eye when the Subject Detection menu is set to People, allowing more ease of use, fast acquisition of your subject, and improvements to accuracy when capturing videos or still images. Additional control is now available for detecting the subject’s left or right eye - which can be also programmed to a Custom Button making it easy to focus on the preferred eye in the moment. Animal Detection: The EOS R6 Mark II can effectively track the whole body, face, or eye of cats, dogs, birds, and now horses, for speed and precision — regardless of the animal’s size, posture, or orientation of the face.*2 *2 Effectiveness varies depending on the subject. In some cases, the camera may detect a subject other than a dog, a cat, a bird, and a horse (a zebra) as a targeted animal. Optimized for Video: With ample video recording features such as 6K oversampled uncropped 4K movie at up to 60 fps, Full-HD High-frame rate movie recording at up to 180 fps*4, and AF tracking, the EOS R6 Mark II can meet the needs of hobbyists and experienced video content creators alike. *4 High Frame Rate movie recording not available with RF-S or EF-S lenses or with movie cropping enabled. Continuous Movie Recording That Exceeds 30 Minutes: The EOS R6 Mark II can continuously record Full-HD video for up to 6 hours, allowing you to set up your video and keep your project rolling without worrying about it stopping.*5 You’ll also be able to continuously record Full-HD 179.82p up to 60 minutes or more, and 4K59.94p up to 50 minutes or more. *5 High Frame Rate movies up to 1 hr. at 179.82/150.00 fps, and up to 1:30 at 119.88/100.00 fps. Video may stop due to battery level, card capacity, or temperature. Features for Advanced Creators: Canon Log 3, HDR PQ, in-camera Full-HD proxy recording, and 6K 59.94p RAW data output to an external storage device*6 provides the image quality to support various production purposes. Focus breathing correction (with compatible Canon RF lenses)*7 automatically compensates for changes in the angle of view caused by focus operations during movie recording. Simultaneous recording of movies and stills to dual UHS-II SD card slots enables a backup to be created, so you can shoot with confidence. *6 RAW movies cannot be recorded or developed internally *7 Compatible lenses, as of November 2022: RF24mm F1.8 Macro IS STM, RF14–35mm F4 L IS USM, RF15–30mm F4.5–6.3 IS STM, RF24–70mm F2.8 L IS USM, RF70–200mm F2.8 L IS USM, and RF70–200mm F4 L IS USM. Lens firmware update required for some lenses. In-body Image Stabilizer: Equipped with movie digital IS and 5-axis in-body IS, the EOS R6 Mark II enables smooth movie shooting with less camera-shake blur. With up to 8 stops of shake correction with Coordinated IS - combining In-body Image Stabilization, and optical Image Stabilization in certain Canon RF lenses - the camera makes handheld shooting easier at slower shutter speeds and in low-light situations.*8 To counter large, low-frequency camera movements, such as recording while walking, there’s also electronic Movie Digital IS, which can be independently activated. *8 When combined with certain IS lenses such as the RF24-105mm, or when used with certain non-IS lenses as well. Vari-Angle Touchscreen LCD: Featuring a 3.0-inch, 1.62 million dot Clear View LCD II Vari-angle Touchscreen LCD, the EOS R6 Mark II makes it easy to compose and shoot from virtually any angle. 0.5-inch OLED EVF with Approx. 3.69 Million Dots: A high-precision 0.5-inch OLED (Organic Light-Emitting Diode) EVF with approx. 3.69 million dots and a 23mm eyepoint displays a bright image and extensive shooting information. The EOS R6 Mark II’s EVF supports up to a 120 fps refresh rate and has been designed to provide a bright, sharp and colorful 100% view of the subject at hand. There’s also an Optical Viewfinder (OVF) Simulation setting, which provides a higher dynamic range viewfinder image for superior viewing in harsh, contrasty lighting situations. Wired and Wireless Communications: The EOS R6 Mark II supports both wired and wireless connections to your smartphone via its USB Type-C9 port, built-in Wi-Fi®, and Bluetooth® technology, making it easy to upload and share movies and photos to your favourite social networks. Built-in Bluetooth® Capability: Bluetooth® pairing helps you connect the camera to compatible smart devices using the free Canon Camera Connect app. This low-energy wireless connection helps preserve battery life, while providing remote control of the camera. It also sends continuously updated GPS location data from your phone, letting you geotag what you've captured so you know precisely where you captured the photo. USB-C Connection: New to the EOS R6 Mark II is the ability to connect the camera to a computer or smartphone via USB-C.*9 All Canon Camera Connect app features that can be used with Wi-Fi are now available when the camera and smartphone are connected via USB, using a compatible cable for your device. *9 A compatible cable is required for wired USB communication (not included). UVC Livestreaming: UVC/UAC compatibility allows the EOS R6 Mark II to be used as a web camera and stream live video in Full HD, without additional computer software, to applications such as Zoom™, Microsoft Teams™, Skype™, and similar on-line meeting software.*9 Thanks to the full-frame CMOS sensor, you’ll be able to distribute clear live video images with low noise during remote conferences or livestreaming content. *9 A compatible cable is required for wired USB communication (not included). Canon RF24-105mm F4-7.1 IS STM Lens: Wide-Angle to Telephoto Zoom Smooth Autofocusing 12 pin Communication System Filter Diameter: 67mm Perfect for landscapes, portraits, travel and more, the RF24-105mm F4-7.1 IS STM is a compact, lightweight lens for EOS R Series cameras, offering a versatile zoom range* that captures different subjects with ease. For macro enthusiasts, the RF24-105mm F4-7.1 IS STM is particularly advantageous, featuring an impressive maximum magnification of 0.5x using Center Macro Focus - helping you snap photos from as close as one inch away. Your images and videos will remain clear and steady, too, thanks to a lead screw-type STM motor that enables smooth autofocusing, and optical image stabilization with up to 5 stops** of shake correction. And, with a control ring that allows for quick setting changes***, including shutter speed and aperture, the RF24-105mm F4-7.1 IS STM lens puts quality, convenience and control in your hands. * In order to use this lens with the EOS R or EOS RP, you must download and install the latest camera firmware from the Canon website. ** Based on CIPA (Camera & Imaging Products Association) standards. Testing performed at a focal length of 105mm using the EOS R camera. *** The Control ring is the same as the Focusing ring. Features: Compact, Lightweight and High-Quality RF Lens with a Versatile Zoom Range of 24-105mm* Maximum Magnification of 0.4x and Minimum Focusing Distance of 0.66 ft. in Auto Focus Maximum Magnification of 0.5x and Minimum Focusing Distance of 0.43 ft. when using Center Focus Macro Optical Image Stabilization at up to 5 Stops** of Shake Correction Leadscrew-type STM enables Smooth Autofocusing for Still-image and Video Shooting Control Ring for Direct Setting Changes*** 12 pin Communication System * In order to use the RF24-105mm F4-7.1 IS STM lens with the EOS R or EOS RP camera, you must download and install the latest camera firmware from the Canon website ** Based on CIPA (Camera & Imaging Products Association) standards. Testing performed at a focal length of 105mm using the EOS R camera *** The Control ring is the same as the Focusing ring. Compact and Lightweight: A dramatically compact lens, the RF24-105mm F4-7.1 IS STM packs a broad zoom range and a bright maximum aperture into a well-balanced, refined design that balances comfortably on EOS R series cameras. The RF24-105mm F4-7.1 IS STM lens makes for a lightweight and comfortable, all-day lens. Ideal Zoom Range for All-day Photography: With a zoom range covering macro-like, wide angle, normal and telephoto, RF24-105mm F4-7.1 IS STM excels in a variety of shooting situations, offering amazing versatility with the turn of a zoom ring. For example, with the RF24-105mm F4-7.1 IS STM, the EOS R series cameras can go from shooting landscapes to portraits without a single lens change. Maximum Magnification of 0.4x and Minimum Focusing Distance of 0.66 ft. in Autofocus: With a minimum focusing distance of 0.66 ft./0.20m and a maximum magnification of approx. 0.4x, the RF24-105mm F4-7.1 IS STM lens is capable of capturing detailed images from various distances. Whether you're shooting portraits or still-life, the RF24-105mm F4-7.1 IS STM lens can easily provide sharp images with minimal distortion. Maximum Magnification of 0.5x and Minimum Focusing Distance of 0.43 ft. when using Center Focus Macro: The RF24-105mm F4-7.1 IS STM lens is ideal for capturing a variety of subjects at a close ratio with. With its maximum magnification ratio of 0.5x - using Center Macro Focus. Simply switch the focus mode to "MF" (Manual Focus) on any EOS R series camera, set the focus/control ring switch to "FOCUS" and enjoy snapping shots from as close as one inch away. Optical Image Stabilization at up to 5 Stops** of Shake Correction: The RF24-105mm F4-7.1 IS STM lens is designed to work in conjunction with EOS R series cameras, with both the camera and the lens sharing data to dramatically reduce camera-shake blur, regardless of the situation, whether shooting video or stills. With up to 5 stops** of stabilization, it delivers impressively clear results. ** Based on CIPA (Camera & Imaging Products Association) standards. Testing performed at a focal length of 105mm using the EOS R camera. Lead screw-type STM enables Smooth Autofocusing for Still-image and Video Shooting: Capture fast-moving subjects without missing a moment by combining the lead screw-type STM with the EOS R series' Dual Pixel autofocus system to achieve high-speed, high-precision focus. Control Ring for Direct Setting Changes***: The RF24-105mm F4-7.1 IS STM lens incorporates a control ring on the lens barrel that can directly adjust numerous settings including shutter speed, aperture, exposure compensation and more. Located towards the front of the lens, the control ring has a tactile, easily provides tangible feedback for confident use while looking through the viewfinder. *** The Control ring is the same as the Focusing ring. 12 pin Communication System: High-speed Communication with the EOS R Camera: Designed to quickly process data, the RF24-105mm F4-7.1 IS STM features a 12 pin communication system that is the fastest yet for a Canon lens/camera combination. This accelerates AF, Image Stabilization, the Digital Lens Optimizer and more, helping to simplify complex operations and provide a quick and reliable user experience. Lens Information Display: Another helpful feature, the EOS R series cameras can display lens information right in the viewfinder, making it easy to confirm the lens's focal length without looking away from the subject at hand. In-camera Digital Lens Optimizer: The EOS R system's 12 pin communication system enables the Digital Lens Optimizer, which works in-camera to combat aberrations and image deterioration, especially in the edges of the image frame when shooting at a large aperture. Data from the RF24-105mm F4-7.1 IS STM lens is transferred automatically to the camera body, facilitating near immediate correction for clear, detailed images.

Be Creative Beyond Borders: Introducing a standard full-frame camera evolved with hybrid features for still and movie shooting. The EOS R6 Mark II enables various photographic expressions that transcend boundaries between recording personal life and professional production purposes, as well as between photo shooting and movie shooting. Achieve creativity in everyday life with the EOS R6 Mark II. High Image Quality Featuring a New 24.2 Megapixel Full-Frame CMOS Sensor: The EOS R6 Mark II features improved resolution compared to its predecessor. A Canon-developed 35mm full-frame CMOS sensor with approx. 24.2 effective megapixels enables the camera to capture sharp and detailed images, even in low-light scenarios. Regardless of conditions - whether day or night, indoor or outdoor - dark portions of the image, even at high ISO speeds and increased sensitivity, are rendered with low noise. DIGIC X Image Processor: A powerful DIGIC X Image Processor enables high-performance operation and coordination of processes such as Dual Pixel CMOS AF II, Image Stabilization, image processing, and video functionality. The DIGIC X Image Processor helps ensure your photos and videos look sharp and maintain high-resolution with minimal noise or grain. High-Speed Continuous Shooting: For the first time among full-frame Canon EOS cameras, the EOS R6 Mark II introduces RAW Burst Mode*1 at up to 30 fps. By turning on RAW Burst Mode’s pre-shooting, shooting can start slightly before (about 0.5 seconds earlier) the shutter button is fully pressed. Coupled with high-speed continuous shooting at speeds of up to 12 fps with mechanical shutter, and up to 40 fps using electronic (silent) shutter, the camera can capture the split-second details between a subject’s movements. This is great for dynamic action photos such as athletes, animals, and vehicles in motion or even capturing momentary changes in facial expressions for portraits. *1 Rolling shutter distortion may occur depending on the subject and shooting conditions. Blazing Fast Autofocus: The highly responsive Dual Pixel CMOS AF II system covers up to approximately 100% x 100% of the picture area, breaking the image into up to 1,053 automatically-selected AF zones during Whole Area AF. The result is outstanding AF coverage, and the compositional freedom to focus sharply on a subject nearly anywhere in the frame. Highly Accurate Subject Detection: Developed using Deep Learning Technology, horses, trains, and airplanes are newly detectable, in addition to conventional subjects like people, animals including dogs, cats and birds, and vehicles - cars and motorcycles - especially in a motorsports environment.*2,*3 For more ease of use, Auto mode is now available, in which the camera automatically selects the type of subject without the need to switch the Subject Detection setting in the menu. *2 Effectiveness varies depending on the subject. In some cases, the camera may detect a subject other than a dog, a cat, a bird, and a horse (a zebra) as a targeted animal. *3 Some vehicles may not be detected depending on condition in some cases. In addition, the camera may detect entity as vehicle other than cars, motorcycles, trains, and airplanes for tracking. Head, Face, and Eye Detection: Even in situations where many cameras may struggle to detect a subject, the EOS R6 Mark II can locate and focus upon a person’s head, face, or eye when the Subject Detection menu is set to People, allowing more ease of use, fast acquisition of your subject, and improvements to accuracy when capturing videos or still images. Additional control is now available for detecting the subject’s left or right eye - which can be also programmed to a Custom Button making it easy to focus on the preferred eye in the moment. Animal Detection: The EOS R6 Mark II can effectively track the whole body, face, or eye of cats, dogs, birds, and now horses, for speed and precision — regardless of the animal’s size, posture, or orientation of the face.*2 *2 Effectiveness varies depending on the subject. In some cases, the camera may detect a subject other than a dog, a cat, a bird, and a horse (a zebra) as a targeted animal. Optimized for Video: With ample video recording features such as 6K oversampled uncropped 4K movie at up to 60 fps, Full-HD High-frame rate movie recording at up to 180 fps*4, and AF tracking, the EOS R6 Mark II can meet the needs of hobbyists and experienced video content creators alike. *4 High Frame Rate movie recording not available with RF-S or EF-S lenses or with movie cropping enabled. Continuous Movie Recording That Exceeds 30 Minutes: The EOS R6 Mark II can continuously record Full-HD video for up to 6 hours, allowing you to set up your video and keep your project rolling without worrying about it stopping.*5 You’ll also be able to continuously record Full-HD 179.82p up to 60 minutes or more, and 4K59.94p up to 50 minutes or more. *5 High Frame Rate movies up to 1 hr. at 179.82/150.00 fps, and up to 1:30 at 119.88/100.00 fps. Video may stop due to battery level, card capacity, or temperature. Features for Advanced Creators: Canon Log 3, HDR PQ, in-camera Full-HD proxy recording, and 6K 59.94p RAW data output to an external storage device*6 provides the image quality to support various production purposes. Focus breathing correction (with compatible Canon RF lenses)*7 automatically compensates for changes in the angle of view caused by focus operations during movie recording. Simultaneous recording of movies and stills to dual UHS-II SD card slots enables a backup to be created, so you can shoot with confidence. *6 RAW movies cannot be recorded or developed internally *7 Compatible lenses, as of November 2022: RF24mm F1.8 Macro IS STM, RF14–35mm F4 L IS USM, RF15–30mm F4.5–6.3 IS STM, RF24–70mm F2.8 L IS USM, RF70–200mm F2.8 L IS USM, and RF70–200mm F4 L IS USM. Lens firmware update required for some lenses. In-body Image Stabilizer: Equipped with movie digital IS and 5-axis in-body IS, the EOS R6 Mark II enables smooth movie shooting with less camera-shake blur. With up to 8 stops of shake correction with Coordinated IS - combining In-body Image Stabilization, and optical Image Stabilization in certain Canon RF lenses - the camera makes handheld shooting easier at slower shutter speeds and in low-light situations.*8 To counter large, low-frequency camera movements, such as recording while walking, there’s also electronic Movie Digital IS, which can be independently activated. *8 When combined with certain IS lenses such as the RF24-105mm, or when used with certain non-IS lenses as well. Vari-Angle Touchscreen LCD: Featuring a 3.0-inch, 1.62 million dot Clear View LCD II Vari-angle Touchscreen LCD, the EOS R6 Mark II makes it easy to compose and shoot from virtually any angle. 0.5-inch OLED EVF with Approx. 3.69 Million Dots: A high-precision 0.5-inch OLED (Organic Light-Emitting Diode) EVF with approx. 3.69 million dots and a 23mm eyepoint displays a bright image and extensive shooting information. The EOS R6 Mark II’s EVF supports up to a 120 fps refresh rate and has been designed to provide a bright, sharp and colorful 100% view of the subject at hand. There’s also an Optical Viewfinder (OVF) Simulation setting, which provides a higher dynamic range viewfinder image for superior viewing in harsh, contrasty lighting situations. Wired and Wireless Communications: The EOS R6 Mark II supports both wired and wireless connections to your smartphone via its USB Type-C9 port, built-in Wi-Fi®, and Bluetooth® technology, making it easy to upload and share movies and photos to your favourite social networks. Built-in Bluetooth® Capability: Bluetooth® pairing helps you connect the camera to compatible smart devices using the free Canon Camera Connect app. This low-energy wireless connection helps preserve battery life, while providing remote control of the camera. It also sends continuously updated GPS location data from your phone, letting you geotag what you've captured so you know precisely where you captured the photo. USB-C Connection: New to the EOS R6 Mark II is the ability to connect the camera to a computer or smartphone via USB-C.*9 All Canon Camera Connect app features that can be used with Wi-Fi are now available when the camera and smartphone are connected via USB, using a compatible cable for your device. *9 A compatible cable is required for wired USB communication (not included). UVC Livestreaming: UVC/UAC compatibility allows the EOS R6 Mark II to be used as a web camera and stream live video in Full HD, without additional computer software, to applications such as Zoom™, Microsoft Teams™, Skype™, and similar on-line meeting software.*9 Thanks to the full-frame CMOS sensor, you’ll be able to distribute clear live video images with low noise during remote conferences or livestreaming content. *9 A compatible cable is required for wired USB communication (not included).