
Fujinon
Fujinon Cabrio 20-120M T3.5 without Servo Pl
$13,329.99
The PL 20-120mm Cabrio XK (XK6x20) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The XK6x20 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 20-120mm focal range, weight of only 2.9kg including servo motors, a T Stop of T3.5 end to end, The Cabrio XK is sure to become the "go-to" lens.
Videographers used to shooting video in a typical ENG-style will be very comfortable with the servo. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. Plus, the lens has all the lens data output that appeals to a Cine-style shooter. LDS and /i metadata compatibility is very useful when you want to record the position information of zoom, iris and focus for computer animation and other uses.
The digital servo on the 20-120mm Cabrio XK has 16-bit encoding, so operators can be assured that all lens data output is extremely accurate.
The 20-120mm covers S35 sensor size (Super 35 Film Format - 24.84 x 13.97mm) PL 20-120mm on a digital cinema style camera. While sensors on standard broadcast cameras are all the same size, sensors on digital cine cameras vary greatly. This new zoom ensures the image captured will cover large sensors for optimal, full-frame resolution. A nine-blade iris part of the design as well, creating the most natural-looking imagery possible.
Barrel markings are luminous for visibility in dark shooting situations. Distances are listed in feet or meters and can be changed in the field.
The 20-120mm can be controlled using cinema industry standard wireless controllers, as well as existing Fujinon wired and wireless units. Whether you are from a film background or a video one, the Premier PL 20-120mm offers uncompromising quality and unprecedented flexibility.
With Detachable Digital Drive Unit
Flange Focal Distance Adjustment
LDS & /i Compatible
Lens Hood Included - accepts M127 filter
Principal Key Features:
Wireless Control Enabled
Macro Focus
0.8 Cine gearing
9 Blade Iris
Luminous Barrel Markings
16-bit Encoders
LDS and /i Tech lens data
Hot Shoe to camera
External connections
High optical performance - lightweight and compact design:
Designed utilizing our latest optical simulation technology
Compact size and light weight with integrated drive unit with the lens
High optical performance is kept not only the center but also the corners
Latest lens Coating Technology - HT-EBC
Flexible:
Use with attached Servo Drive Unit - hand held "run & gun"
Use without the servo in Cine mode - with rods, matte box, and a host of industry standard motors and controls, wired or wireless!


Fujinon
Fujinon Mk 18-55mm T2.9 Sony E-Mnt Cine
$5,299.00
Outstanding optical performance and low distortion with T2.9 speed across the entire zoom range
Ultra-compact and "less than 1kg" lightweight design thanks to Super 35mm/APS-C sensor compatibility with dedicated E-mount design
Fully manual lens rings for focus, zoom, and iris with 0.8M gear pitch
200 degree focus rotation angle for accurate focusing
Seamless iris to avoid vibrations and noise that you get with clicking mechanism
Resolves issues of interchangeable lenses for still digital cameras such as "focus shift and optical axis shift while zooming" and "lens breathing"
85mm front diameter, 82mm filter diameter, and position of 0.8M
Features macro function
Features flange focal length adjustment function
Standard Zoom Lens
Ultra-compact and Lightweight
Consistent T2.9 Speed
Filter Diameter: 82mm
Suppress focus shifts while zooming:
With a conventional DSLR lens, the focal point shifts while zooming, This means you have to refocus the lens each time you change the angle of view. MK Lenses suppress focus shifts by driving the front focus group and zoom group independently. Since MK Lenses suppress optically and mechanically, it also eliminates the time lags you get with electric controls.
Suppress lens breathing:
When you are focusing with a conventional DSLR lens, you may notice an unnatural change in the angle of view - making it look as if you are zooming. This effect, called "lens breathing", is suppressed thanks to MK Lenses' front inner focus system. This allows you smooth and comfortable focusing of dramatically important scenes.
Suppress optical axis shifts while zooming:
In a conventional DSLR lens, optical axis shifts occur while zooming, causing the lens to skew off centre from the subject. MK Lenses suppress such skewing by adopting assembly technologies proven in FUJINON Cine Lenses. This lets you shoot a composition just the way you intended.
200 degree focus rotation angle:
MK Lenses feature a 200 degree focus rotation angle - more than double that of a typical DSLR lens. This allows you to focus on images with shallow depths of field, which requires high accuracy.
0.8M standardized gear pitch:
Each of the three operating rings (focus, zoom, and iris) features an identical 0.8M gear pitch - the same as on all FUJINON Cine Lenses. This allows you to use follow-focus and other standard cine accessories.
Fully manual operation with three mechanical lens rings:
MK Lenses are equipped with three independently operated mechanical lens rings for focus, zoom, and iris. Because you can adjust the zoom, focus, and iris via fully manual mechanisms, you can operate the camera intuitively without the time lags you get with electric controls.
Seamless iris:
The iris ring features a seamless mechanism that gives you greater precision when adjusting exposure. It operates without the vibrations and noise that you get with a clicking mechanism.
Continuing the legacy of superior optical performance of "Made in Japan" FUJINON Cine Lenses
MK Lenses feature outstanding optical performance and low distortion - from the centre to the corners across the entire zoom range. Colour is standardized in line with all of the FUJINON HK, ZK, and XK series, simplifying the calibration of colour grading when you use multiple lenses together.
Compact, lightweight body:
A compact, lightweight body is due to Super 35mm sensor compatibility and dedicated E-mount design. this portability is ideal for solo operation and run-and-gun shooting, where mobility is crucial.
T2.9 speed across the entire zoom range:
Features a consistent T2.9 speed throughout the 18-55mm focal length. This allows you to shoot with shallow depths of field with a beautiful bokeh effect. The constant T-stop also contributes to reduced effort readjusting the lighting and consequently shorter overall shooting times.
Covering the standard focal lengths for cinema production:
The focal lengths of the MK18-55mm and MK50-135mm (Sold Separately) overlap between 50 and 55mm. The two MK Lenses together fully cover the standard 18-135mm focal lengths uses in cinema production.
Front diameter: 85mm:
MK Lenses feature a front diameter of 85mm, ensuring compatibility with standard matte boxes:
Filter diameter: 82mm:
The filter diameter of MK Lenses is standardized at 82mm, making if easy to share filters between models.
Gear rings are located at the same position:
The gear rings for focus, zoom, and iris are located at the same position on two MK Lenses, so there's no need to readjust the position of accessories.
Macro function:
MK Lenses feature a macro function that lets you close focus from 0.38 m with the MK18-55mm and from 0.85 m with the MK50-135mm (Sold Separately) at the wide end.
Flange focal distance adjustment function:
MK Lenses feature a flange focal distance adjustment mechanism, which lets you adjust the distance for individual cameras.
Bundled lens hood:
A dedicated lens hood to suppress flare and ghosting further expands the possibilities for visual representation.


Fujinon
Fujinon Mk 18-55mm T2.9 X-Mnt Cine Lens
$5,399.99
Growth of video production has created a demand among videographers and cinematographers for lenses optimized to shoot. The new MKX lenses deliver high optical performance and comfortable operation for professional video shooting. The MKX 18-55mm is one of the most frequently used focal lengths in video production and achieves a constant T2.9 aperture across the entire zoom range, enabling a shallow depth of field as well as a beautiful bokeh effect. The lens design is optimized for shooting videos as they minimize focus shift and optical axis shift while zooming, and reduce lens breathing (the change of angle of view during focusing). It also features three rings to allow manual and independent operation of focus, zoom and iris (aperture), all with a gear pitch of 0.8M (module).
Constant T2.9 Aperture
Beautiful Bokeh Effect
Macro Function
Filter Diameter: 82mm
Highlights:
Optical construction of 22 elements in 17 groups (Includes 2 extra low dispersion elements and 6 super extra low dispersion elements)
Achieves a constant T2.9* aperture across the entire zoom range, enabling a shallow depth of field as well as a beautiful bokeh effect and eliminating the need to readjust lighting (*T-stop value is an index that indicates brightness of a lens based on its F-stop value and transmission rate. The smaller the value, the greater amount of light the lens transmits.)
Compact and lightweight body achieves advanced optical performance by incorporating a short flange focal distance of X Mount into optical design to the maximum extent. This accommodates shooting with a limited number of people
Electrical contact to communicate with FUJIFILM X Series camera corrects the distortion and the colour/brightness shading, and achieves various colour expressions with Film Simulation modes
The front focusing group of lens elements and the zooming group of lens elements are driven independently from one another to suppress focus shift while zooming, which eliminates the need to re-focus after zooming in or out so there is no time lag as seen in an electrical control system
Front inner-focusing system controls lens breathing (change of angle of view during focusing which achieves smooth focusing)
The focus ring features a rotation of a full 200 degrees to facilitate precise focusing even when shooting with a shallow depth-of-field where a high degree of precision is required
Features three fully manual rings to allow independent adjustment of focus, zoom and iris (aperture) for intuitive operations without time lag
Operation rings have a gear pitch of 0.8M, similar to other FUJINON cinema lenses, which allows the use of all standard third party accessories for video production, e.g. Follow Focus that enable accurate and smooth focusing
Iris supports seamless adjustment that is free of clicking for precise and silent exposure adjustment while preventing camera shake caused by the clicking
Gears for the three rings are positioned in the same place to eliminate repositioning accessories when switching lenses
Macro function allows shooting close-up (Minimum Object Distance of 0.38m -wide end) to broaden the range of scenes that can be covered with one lens
Accommodates 82mm filter size
Compatible with FUJIFILM X Mount cameras

Fujinon
Fujinon Mk 50-135mm T2.9 Sony E-Mnt Cine
$5,499.00
Outstanding optical performance and low distortion with T2.9 speed across the entire zoom range
Ultra-compact and "less than 1kg" lightweight design thanks to Super 35mm/APS-C sensor compatibility with dedicated E-mount design
Fully manual lens rings for focus, zoom, and iris with 0.8M gear pitch
200 degree focus rotation angle for accurate focusing
Seamless iris to avoid vibrations and noise that you get with clicking mechanism
Resolves issues of interchangeable lenses for still digital cameras such as "focus shift and optical axis shift while zooming" and "lens breathing"
85mm front diameter, 82mm filter diameter, and position of 0.8M
Telephoto Zoom Lens
Ultra-compact and Lightweight
Consistent T2.9 Speed
Filter Diameter: 82mm
Features macro function
Features flange focal length adjustment function
Suppress focus shifts while zooming:
With a conventional DSLR lens, the focal point shifts while zooming, This means you have to refocus the lens each time you change the angle of view. MK Lenses suppress focus shifts by driving the front focus group and zoom group independently. Since MK Lenses suppress optically and mechanically, it also eliminates the time lags you get with electric controls.
Suppress lens breathing:
When you are focusing with a conventional DSLR lens, you may notice an unnatural change in the angle of view - making it look as if you are zooming. This effect, called "lens breathing", is suppressed thanks to MK Lenses' front inner focus system. This allows you smooth and comfortable focusing of dramatically important scenes.
Suppress optical axis shifts while zooming:
In a conventional DSLR lens, optical axis shifts occur while zooming, causing the lens to skew off centre from the subject. MK Lenses suppress such skewing by adopting assembly technologies proven in FUJINON Cine Lenses. This lets you shoot a composition just the way you intended.
200 degree focus rotation angle:
MK Lenses feature a 200 degree focus rotation angle - more than double that of a typical DSLR lens. This allows you to focus on images with shallow depths of field, which requires high accuracy.
0.8M standardized gear pitch:
Each of the three operating rings (focus, zoom, and iris) features an identical 0.8M gear pitch - the same as on all FUJINON Cine Lenses. This allows you to use follow-focus and other standard cine accessories.
Fully manual operation with three mechanical lens rings:
MK Lenses are equipped with three independently operated mechanical lens rings for focus, zoom, and iris. Because you can adjust the zoom, focus, and iris via fully manual mechanisms, you can operate the camera intuitively without the time lags you get with electric controls.
Seamless iris:
The iris ring features a seamless mechanism that gives you greater precision when adjusting exposure. It operates without the vibrations and noise that you get with a clicking mechanism.
Continuing the legacy of superior optical performance of "Made in Japan" FUJINON Cine Lenses
MK Lenses feature outstanding optical performance and low distortion - from the centre to the corners across the entire zoom range. Colour is standardized in line with all of the FUJINON HK, ZK, and XK series, simplifying the calibration of colour grading when you use multiple lenses together.
Compact, lightweight body:
A compact, lightweight body is due to Super 35mm sensor compatibility and dedicated E-mount design. this portability is ideal for solo operation and run-and-gun shooting, where mobility is crucial.
T2.9 speed across the entire zoom range:
Features a consistent T2.9 speed throughout the 50-135mm focal length. This allows you to shoot with shallow depths of field with a beautiful bokeh effect. The constant T-stop also contributes to reduced effort readjusting the lighting and consequently shorter overall shooting times.
Covering the standard focal lengths for cinema production:
The focal lengths of the MK18-55mm (Sold Separately) and MK50-135mm overlap between 50 and 55mm. The two MK Lenses together fully cover the standard 18-135mm focal lengths uses in cinema production.
Front diameter: 85mm:
MK Lenses feature a front diameter of 85mm, ensuring compatibility with standard matte boxes:
Filter diameter: 82mm:
The filter diameter of MK Lenses is standardized at 82mm, making if easy to share filters between models.
Gear rings are located at the same position:
The gear rings for focus, zoom, and iris are located at the same position on two MK Lenses, so there's no need to readjust the postion of accessories.
Macro function:
MK Lenses feature a macro function that lets you close focus from 0.38 m with the MK18-55mm (Sold Separately) and from 0.85 m with the MK50-135mm at the wide end.
Flange focal distance adjustment function:
MK Lenses feature a flange focal distance adjustment mechanism, which lets you adjust the distance for individual cameras.
Bundled lens hood:
A dedicated lens hood to suppress flare and ghosting further expands the possibilities for visual representation.


Fujinon
Fujinon Mk 50-135mm T2.9 X-Mnt Cine Lens
$5,799.99
Growth of video production has created a demand among videographers and cinematographers for lenses optimized to shoot. The new MKX lenses deliver high optical performance and comfortable operation for professional video shooting. The MKX50-135mm is one of the most frequently used focal lengths in video production and achieves a constant T2.9 aperture across the entire zoom range, allowing a shallow depth of field as well as a beautiful bokeh effect. The lens design is optimized for shooting videos as they minimize focus shift and optical axis shift while zooming, and reduce lens breathing (the change of angle of view during focusing). It also feature three rings to enable manual and independent operation of focus, zoom and iris (aperture), all with the gear pitch of 0.8M (module).
Constant T2.9 Aperture
Beautiful Bokeh Effect
Macro Function
Filter Diameter: 82mm
Highlights:
Optical construction of 22 elements in 17 groups (includes 2 extra low dispersion elements and 2 super extra low dispersion elements)
Achieves a constant T2.9* aperture across the entire zoom range, allowing a shallow depth of field and beautiful bokeh effect, that eliminates the need to readjust lighting and shortens shooting time (*T-stop value is an index that indicates brightness of a lens based on its F-stop value and transmission rate. The smaller the value, the greater amount of light the lens transmits.)
Compact and lightweight body achieves advanced optical performance by incorporating a short flange focal distance of X Mount into optical design to the maximum extent. This accommodates shooting with a limited number of people
Electrical contact to communicate with the X Series camera corrects the distortion and colour/brightness shading, and achieves various colour expressions with Film Simulation modes
Front focusing group of lens elements and zooming group of lens elements are driven independently from one another to suppress focus shift while zooming, which eliminates the need to re-focus after zooming in or out. The optical and mechanical approach means there is no time lag as seen in an electrical control system
Use of the front inner-focusing system controls lens breathing (change of angle of view during focusing which achieves smooth focusing)
Focus ring features a rotation of a full 200 degrees to allow precise focusing even when shooting with a shallow depth-of-field where a high degree of precision is required
Features three fully manual rings to allow independent adjustment of focus, zoom and iris (aperture) for intuitive operations without time lag
All operation rings have a gear pitch of 0.8M, similar to other FUJINON cinema lenses, which allows the use of all standard third party accessories for video production, e.g. Follow Focus that enable accurate and smooth focusing
Iris supports seamless adjustment free of clicking forprecise and silent exposure adjustment while preventing camera shake caused by the clicking
Gears for the three rings are positioned in the same place to eliminate the need to re-position accessories when switching lenses
Macro function allows shooting close-up (Minimum Object Distance of 0.38m -wide end) to broaden the range of scenes that can be covered with one lens
Accommodates 82mm filter size
Compatible with FUJIFILM X Mount cameras
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