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Mid-range focal lengths for the Super 35mm format, and is engineered to offer superb 4K optical performance for demanding high-end productions, meeting and exceeding industry standards Intended for the working professional, the CN-E30-105mm T2.8 L SP lens has markings on angled surfaces on and both sides of the barrel, making it easy to read settings from behind, or from either side of the camera Focus markings can even be switched from standard labelling to metric, depending on production need This lens is equipped with control rings designed to maintain the proper amount of resistance with consistent operating torque, and a covered flange-back adjustment mechanism to meet numerous of production application needs Designed to fulfill contemporary 4K production standards, this phenomenal lens surpasses the performance requirements of any HD imaging system It features advanced optical design with fluorite and large aspherical lens elements to achieve sharp, consistent images throughout their zoom range Canon engineers also incorporated geared inner focusing to minimize focus-induced changes in the angle of view, reducing focus breathing virtually to zero The 11-blade aperture diaphragm ensures smooth out-of-focus areas, while innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies Mid-range Cinema Zoom PL Lens 3.5x Zoom Geared Inner Focusing Front Diameter: 114mm SPECIFICATIONS: Mount Type: PL Zoom Ratio: 3.5x Focal Length Range: 30-105mm Angular Field of View: 1.78:1 (24.0 x 13.5mm): (H) 43.6° (Wide)/13.0° (Tele); (W) 25.4° (Wide)/7.4° (Tele) 1.9:1 (26.2 x 13.8mm): (H) 47.2° (Wide)/14.2° (Tele); (W) 25.9° (Wide)/7.5° (Tele) Number Of Blades: 11 Maximum Photometric Aperture T Number: T 2.8 (30-105mm) MOD From Front of Lens: 2' / 0.6m Size Length mm mod: 114 x 125 x 210 mm Weight: 4.8lbs / 2.2 kg Front Diameter: 114mm

Telephoto focal length for the Super 35mm format, and is engineered to offer unrivalled optical performance for demanding high-end productions, meeting and exceeding industry standards Intended for the working professional, the CN-E30-300mm T2.95-3.7 L SP lens has markings on angled surfaces on both sides of the barrel, making it easy to read settings from behind, or from either side of the camera Focus markings can even be switched from standard labelling to metric, depending on production need This lens is equipped with control rings designed to maintain the proper amount of resistance with consistent operating torque, and a covered flange-back adjustment mechanism to meet numerous production application needs Designed to fulfill contemporary 4K production standards, this phenomenal lens surpasses the performance requirements of any HD imaging system It features advanced optical design with fluorite and large aspherical lens elements to achieve sharp, consistent images throughout their zoom range Canon engineers also incorporated geared inner focusing to minimize focus-induced changes in the angle of view, reducing focus breathing virtually to zero The 11-blade aperture diaphragm ensures smooth out-of-focus areas, while innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies Telephoto Cinema Zoom PL Lens 10x Zoom Geared Inner Focusing Front Diameter: 136mm SPECIFICATIONS: Mount Type: PL (SP) Zoom Ratio: 10x Focal Length Range: 30-300mm Angular Field of View: 1.78:1 (24.0 x 13.5mm): 43.6° x 25.4° at 30mm; 4.6° x 2.6° at 300mm 1.78:1 (24.6 x 13.8mm): 44.6° x 25.9° at 30mm; 4.7° x 2.6° at 300mm Number Of Blades: 11 Maximum Photometric Aperture T Number at 30-240mm: 1:2.95 Maximum Photometric Aperture T Number at 300mm: 1:3.7 MOD From Front of Lens: 5' / 1.5m Scene Object Dimensions at MOD 1.78:1 (24.0 x 13.5mm): 98.8 x 55.6cm at 30mm; 9.6 x 5.4cm at 300mm 1.78:1 (24.6 x 13.8mm): 101.3 x 56.8cm at 30mm; 9.9 x 5.6cm at 300mm Size Length mm mod: 5.67 x 6.58 x 13.47 in. / 144.0 x 167.1 x 342.1mm Weight: 12.79 lb. / 5.8 kg Front Diameter: 136mm

COMPACT-SERVO 70-200mm T4.4 EF lens combines high level 4K optical performance with a compact size of only 7.2 in. in length and a weight of only 2.76 lbs. provides outstanding mobility. Acknowledging the need to control zoom, focus and iris, Canon has developed this zoom lens with full external servo control. The integrated servo drive unit is compatible with broadcast industry-standard lens controllers including Canon's standard broadcast lens controllers (ZSD-300D/FPD-400D). The optional ZSG-C10 Zoom Servo Grip can mount to the lens for handheld operation. Three levels of Image Stabilization and incorporated autofocus functions set the COMPACT-SERVO 70-200mm T4.4 EF lens apart from traditional Super 35mm Cinema lenses. A 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. The lens also features a 2.8x zoom magnification, a focal length range of 70-200mm and a 130 degree smooth rotating focus ring. The lens is also compatible with our Canon EF 1.4x III and EF 2x III Extenders. The 70-200mm T4.4 EF lens offers professional video functionality all at an affordable price, making it ideal for a wide range of video applications including documentary, cinema, news gathering, wedding and other video production. Telephoto Cinema Lens 2.8x Zoom 3 Levels of Image Stabilization 4K Optical 130 degree smooth rotating focus ring LENS DESIGN OPTIMIZED FOR VIDEO APPLICATION: Different aspects of lens performance are emphasized when shooting video as opposed to still images. A zoom range through commonly used focal lengths, high level 4K optical performance and a smooth aperture iris designed for motion picture capture all demonstrate the COMPACT-SERVO70-200mm T4.4 EF lens's optimization for video. Telephoto Zoom that Covers the Commonly-Used Focal Length of 70-200mm A telephoto zoom can be useful in narrative or documentary video production for capturing medium to tight fields of view. The 70-200mm T4.4 EF lens is also compatible with Canon's EF 1.4x III and EF 2x III Extenders. Parfocal Operation - Precise Focus Through the Entire Zoom Range The 70-200mm T4.4 EF lens is parfocal in both manual and autofocus modes. The lens employs a special compensating lens group that moves to maintain precise focus while a separate lens group performs the zooming action. Maintaining focus while changing focal length allows the lens to be used in video production where zooming while recording is required. Consistent Brightness Throughout the Entire Zoom Range The 70-200mm T4.4 EF lens maintains a wide aperture of T4.4 (F4.0) throughout their zoom range. This allows zooming while at maximum aperture without any dimming of the image. High Level 4K Optical Performance The 4K optical performance of the 70-200mm T4.4 EF lens produces a significantly sharper image than 2K/HD. The various advanced design strategies used help to ensure over 4K resolution at picture center and a careful control of falloff of image sharpness at picture extremities. The excellent contrast range associated with High Dynamic Range (HDR) imaging helps ensure both deep black reproduction and the excellent handling of scene specular highlights. HDR image capture significantly enhances both the contrast and the richness of colours in a scene, but it also poses a potential challenge in exacerbating the visibility of any lens chromatic aberrations. The 70-200mm T4.4 EF lens was designed to help minimize such aberrations. Colour Consistency with Canon Cinema Lenses Canon's colour science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The 70-200mm T4.4 EF lens can be used interchangeably with other Canon Cinema lenses during the same production since both have the same warm, cine-look colour characteristics - making it easier to maintain consistent colour when multiple lenses are used. Iris Mechanism for Motion Picture The 70-200mm T4.4 EF lens can smoothly adjust between open and closed for precise exposure control and live in-shot changes. The 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. An odd number of iris blades also helps create a less distracting flare. The iris on the lens can also be completely closed, which is useful when adjusting black balance. Continuous Iris Control Capability with Iris Ring A Cinema lens requires an iris that can be smoothly adjusted between wide open and closed. Continuous adjustment allows not only for precise exposure control, but also smooth adjustment live in shot while recording. This can be useful to help compensate for change in exposure due to spotty clouds or moving between indoor and outdoor light levels within a shot. 9-Blade Iris More iris blades create a rounder aperture, resulting in out-of-focus highlights that appear more circular. An odd number of iris blades means that there will be a larger number of small radiating points on a flare, helping to prevent distracting artifact. Iris Closing The aperture on the 70-200mm T4.4 EF lens can close completely, allowing no light to pass through. This is useful in black balancing a camera. Auto Iris Available The auto exposure system in the 70-200mm T4.4 EF lens capitalizes on Canon's Electromagnetic Diaphragm (EMD) technology that has been highly refined over many years in the EF lens series. This technology integrates the lens iris assembly and a miniature stepping motor in a single unit. Electronic pulses from the camera controls the motor to map numerous steps across the full range of the iris mechanism. This AE control loop is fast and silent. An AE Shift mode allows a small manual override for fine adjustments to exposure. Flange Back Adjustment A flange back adjustment mechanism is built-in allowing you to adjust on site which helps to provide even greater optical performance among various cameras.   SERVO CAPABILITY IN A COMPACT AND LIGHTWEIGHT DESIGN: The COMPACT-SERVO 70-200mm T4.4 EF lens includes the functionality of professional broadcast and cinema lenses along with compatibility with professional lens accessories. It fits these features in Canon's unique design that allows it to remain compact and lightweight. This best-of-both-worlds approach allows the versatility to shoot with the lens in a wide range of productions. Servo Zoom Drive Unit The 70-200mm T4.4 EF lens incorporates a servo drive unit directly in the body of the lens. The servo drive unit allows electronic control over zoom, and provides an option to be disengaged for direct manual control. The integrated design can power the servo drive through the lens mount on appropriate cameras, or power can be input through a separate port as in traditional lens servo systems. The servo control is compatible with Canon's ZSG-C10 Zoom Servo Grip which can be mounted directly onto the 70-200mm T4.4 EF lens, as well as standard broadcast style controllers (including Canon's FPD-400D and ZSD-300D) for remote operation. Servo Control Capability for Zoom Function The integrated servo drive allows for electronic control over the zoom. The control is electromechanical, rotating the actual geared rings on the lens housing via servo motors. These motors can also be disengaged, allowing for full manual control. The zoom servo can be remotely controlled or operated using a rocker switch on the side of the lens. Power Provided via Camera Mount On select Cinema EOS cameras, the EF lens mounts electrical contacts provide the necessary power to operate the servos on the 70-200mm T4.4 EF lens. This helps eliminates cabling and possible mounting issues. The lens can also be powered remotely through an accessory power port. Compatible with Broadcast Style Servo Lens Controllers The 70-200mm T4.4 EF lens's Servo Control can be operated remotely for tripod or other non-handheld use. Canon's FPD-400D Digital Focus Servo Demand for Canon Lens Control Kits can be used for remote focus control and the ZSD-300D Digital Zoom Servo Demand for digital ENG/EFP lenses used for remote zoom control. For use in studio configurations, an optional Zacuto Z-CNYC Y-cable can be used to connect zoom and focus controllers to each lens. This configuration allows for simultaneous zoom and focus operation with Compact-Servo lenses. Optional ZSG-C10 Zoom Servo Grip For handheld operation, the 70-200mm T4.4 EF lens incorporates a rosette mounting point for the optional ZSG-C10 Zoom Servo Grip. This handgrip features a rocker control for the zoom servo, a button to engage One-Shot Autofocus. It can be rotated on the mounting rosette and adjusted for comfort. Accessory mounting is available for use on camera front rods. Compact (7.2 in. in length) and Lightweight (2.76 lbs.) for Increased Mobility and Versatility The 70-200mm T4.4 EF lens borrows from Canon's experience in EF lenses to make a compact and lightweight design while retaining performance and functionality. This allows the lens to be used handheld and in various conditions, providing a high amount of mobility and versatility. The 70-200mm T4.4 EF lens is the same size and nearly the same weight as its sister lens, the COMPACT-SERVO 18-80mm T4.4 EF lens. Supports a Wide Range of Optional Accessories The 70-200mm T4.4 EF lens is built to be compact and fully compatible with a variety of professional lens accessories. The front diameter is 84mm for mattebox mounting, with a removable sunshade included. The front ring's inner diameter is threaded for use with 77mm screw-in filters. An integrated support foot can be used to stabilize the lens on standard camera bracketry, and the zoom, focus and iris rings are geared for use with follow focus and other traditional mechanical and electronic controllers. ENHANCED COMPATIBILITY WITH OUR CINEMA EOS CAMERAS: Canon has designed the COMPACT-SERVO 70-200mm T4.4 EF lens specifically to work with compatible Cinema EOS cameras, resulting in a complete kit that adds enhanced functionality. Integrated autofocus, smooth image stabilization, connected control and metadata information as well as lateral chromatic aberration correction are all available when using the lens on compatible Cinema EOS cameras. Autofocus Function Canon cameras feature advanced autofocus functions. The 70-200mm T4.4 EF lens is designed to work with select Cinema EOS cameras to offer fast and accurate autofocus control. All autofocus controls can be switched off to allow manual focus. Continuous AF Different Canon cameras offer various types of continuous autofocus functionality. The fast servo response of the 70-200mm T4.4 EF lens allows for continuous smooth autofocus as with select Cinema EOS cameras. All electrical control of the lens is done directly through the EF-mount. One-Shot AF One-Shot Autofocus is a quick reference setting of focus using the autofocus servo system. The camera sets focus of the image the moment the AF button is pushed. Once the control is released, the focus will remain set to that distance. This temporary engagement of autofocus can be useful for selective artistic focus control. Focus Guide Select Cinema EOS cameras can use autofocus technology even with the servo control on the 70-200mm T4.4 EF lens disabled. Even with the lens in manual mode, the camera will detect its focus setting and can indicate suggestions in the viewfinder on adjustments for focus in the image. Image Stabilization (IS) The 70-200mm T4.4 EF lens is a medium to telephoto zoom. The longer the focal length the more sensitive it is to any shake in the movement. The lens offers three levels of Image Stabilization, including the standard mode for handheld operation, a maximum mode for high-frequency movement and a smooth mode intended for tripod-based operating. The IS function can also be switched off entirely. EF Communication Functions There are a host of functions designed to help maximize the integration of the 70-200mm T4.4 EF lens with select Cinema EOS cameras. Integrated autofocus, smooth image stabilization, connected control and metadata information, and lateral chromatic aberration correction are all included when using the lens on compatible Canon Cinema cameras. Remote Control of Zoom, Focus and Iris via Camera Select Cinema EOS cameras can power and control the servo drive of the 70-200mm T4.4 EF lens by electrical connection through the EF-mount. A zoom control on the camera body can alter focal length, the autofocus modes of the camera can directly engage the lens focus servo, and the auto exposure camera functions can operate the lens iris to adjust light transmission. Integrating these controls allows easier single-person camera operation, and the 70-200mm T4.4 EF lens can be switched into a partial or fully manual mode if desired. REC Start/Stop from ZSG-C10 Zoom Servo Grip Through the EF-mount, the ZSG-C10 Zoom Servo Grip that mounts to the 70-200mm T4.4 EF lens can control record triggering on select Cinema EOS cameras. The optional handgrip also features a zoom servo rocker control and an autofocus engage button. Peripheral Illumination Correction Select Cinema EOS cameras can communicate with the 70-200mm T4.4 EF lens to profile its illumination characteristics, and electronically compensate for image brightness dimming in the edges of the frame. Lateral Chromatic Aberration Correction The 70-200mm T4.4 EF lens was designed to help minimize lateral chromatic aberration for Super 35mm sensors. Any remaining minimal lateral chromatic aberration is mathematically mapped so that the lens can communicate with select Cinema EOS cameras, which then in turn electronically correct for the artifact. Lens Meta Data Record The 70-200mm T4.4 EF lens sends reference information constantly to the camera, noting precise settings for focus, iris and zoom. Data is also transmitted about the lens model itself, and on select Cinema EOS cameras. This information can be recorded for use in post processing. This is useful when matching cameras as well as in VFX work. Some of this data can also be displayed in the camera viewfinder. T Number/F Number Display Select The 70-200mm T4.4 EF lens sends metadata information of the iris position through the EF-mount to the camera. On select Cinema EOS cameras, this information can be displayed as a T-stop, which indicates the amount of transmitted light through the aperture. It can also be displayed as an F-stop.

Crafted with high-quality design tools including optical-simulation and 3D-design technologies, theCanon HD lens ensures minimal axial and lateral chromatic aberrations, coma aberrations, and geometric distortion. Furthermore, the lens features optical materials and multilayer optical coatings that minimize optical artifacts stimulated by strong light sources. Macro focusing ability effectively reduces the minimum object distance to only 10mm from the front of the lens. Advanced Drive Unit technology provides a convenient control when using Canon portable HD lenses. Thanks to its ergonomic design, the drive unit touts a comfortable grip and an improved balance, which further enhances your tactile connection with the lens.

The PL 20-120mm Cabrio XK (XK6x20) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The XK6x20 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 20-120mm focal range, weight of only 2.9kg including servo motors, a T Stop of T3.5 end to end, The Cabrio XK is sure to become the "go-to" lens. Videographers used to shooting video in a typical ENG-style will be very comfortable with the servo. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. Plus, the lens has all the lens data output that appeals to a Cine-style shooter. LDS and /i metadata compatibility is very useful when you want to record the position information of zoom, iris and focus for computer animation and other uses. The digital servo on the 20-120mm Cabrio XK has 16-bit encoding, so operators can be assured that all lens data output is extremely accurate. The 20-120mm covers S35 sensor size (Super 35 Film Format - 24.84 x 13.97mm) PL 20-120mm on a digital cinema style camera. While sensors on standard broadcast cameras are all the same size, sensors on digital cine cameras vary greatly. This new zoom ensures the image captured will cover large sensors for optimal, full-frame resolution. A nine-blade iris part of the design as well, creating the most natural-looking imagery possible. Barrel markings are luminous for visibility in dark shooting situations. Distances are listed in feet or meters and can be changed in the field. The 20-120mm can be controlled using cinema industry standard wireless controllers, as well as existing Fujinon wired and wireless units. Whether you are from a film background or a video one, the Premier PL 20-120mm offers uncompromising quality and unprecedented flexibility. With Detachable Digital Drive Unit Flange Focal Distance Adjustment LDS & /i Compatible Lens Hood Included - accepts M127 filter Principal Key Features: Wireless Control Enabled Macro Focus 0.8 Cine gearing 9 Blade Iris Luminous Barrel Markings 16-bit Encoders LDS and /i Tech lens data Hot Shoe to camera External connections High optical performance - lightweight and compact design: Designed utilizing our latest optical simulation technology Compact size and light weight with integrated drive unit with the lens High optical performance is kept not only the center but also the corners Latest lens Coating Technology - HT-EBC Flexible: Use with attached Servo Drive Unit - hand held "run & gun" Use without the servo in Cine mode - with rods, matte box, and a host of industry standard motors and controls, wired or wireless!

Outstanding optical performance and low distortion with T2.9 speed across the entire zoom range Ultra-compact and "less than 1kg" lightweight design thanks to Super 35mm/APS-C sensor compatibility with dedicated E-mount design Fully manual lens rings for focus, zoom, and iris with 0.8M gear pitch 200 degree focus rotation angle for accurate focusing Seamless iris to avoid vibrations and noise that you get with clicking mechanism Resolves issues of interchangeable lenses for still digital cameras such as "focus shift and optical axis shift while zooming" and "lens breathing" 85mm front diameter, 82mm filter diameter, and position of 0.8M Features macro function Features flange focal length adjustment function Standard Zoom Lens Ultra-compact and Lightweight Consistent T2.9 Speed Filter Diameter: 82mm Suppress focus shifts while zooming: With a conventional DSLR lens, the focal point shifts while zooming, This means you have to refocus the lens each time you change the angle of view. MK Lenses suppress focus shifts by driving the front focus group and zoom group independently. Since MK Lenses suppress optically and mechanically, it also eliminates the time lags you get with electric controls. Suppress lens breathing: When you are focusing with a conventional DSLR lens, you may notice an unnatural change in the angle of view - making it look as if you are zooming. This effect, called "lens breathing", is suppressed thanks to MK Lenses' front inner focus system. This allows you smooth and comfortable focusing of dramatically important scenes. Suppress optical axis shifts while zooming: In a conventional DSLR lens, optical axis shifts occur while zooming, causing the lens to skew off centre from the subject. MK Lenses suppress such skewing by adopting assembly technologies proven in FUJINON Cine Lenses. This lets you shoot a composition just the way you intended. 200 degree focus rotation angle: MK Lenses feature a 200 degree focus rotation angle - more than double that of a typical DSLR lens. This allows you to focus on images with shallow depths of field, which requires high accuracy. 0.8M standardized gear pitch: Each of the three operating rings (focus, zoom, and iris) features an identical 0.8M gear pitch - the same as on all FUJINON Cine Lenses. This allows you to use follow-focus and other standard cine accessories. Fully manual operation with three mechanical lens rings: MK Lenses are equipped with three independently operated mechanical lens rings for focus, zoom, and iris. Because you can adjust the zoom, focus, and iris via fully manual mechanisms, you can operate the camera intuitively without the time lags you get with electric controls. Seamless iris: The iris ring features a seamless mechanism that gives you greater precision when adjusting exposure. It operates without the vibrations and noise that you get with a clicking mechanism. Continuing the legacy of superior optical performance of "Made in Japan" FUJINON Cine Lenses MK Lenses feature outstanding optical performance and low distortion - from the centre to the corners across the entire zoom range. Colour is standardized in line with all of the FUJINON HK, ZK, and XK series, simplifying the calibration of colour grading when you use multiple lenses together. Compact, lightweight body: A compact, lightweight body is due to Super 35mm sensor compatibility and dedicated E-mount design. this portability is ideal for solo operation and run-and-gun shooting, where mobility is crucial. T2.9 speed across the entire zoom range: Features a consistent T2.9 speed throughout the 18-55mm focal length. This allows you to shoot with shallow depths of field with a beautiful bokeh effect. The constant T-stop also contributes to reduced effort readjusting the lighting and consequently shorter overall shooting times. Covering the standard focal lengths for cinema production: The focal lengths of the MK18-55mm and MK50-135mm (Sold Separately) overlap between 50 and 55mm. The two MK Lenses together fully cover the standard 18-135mm focal lengths uses in cinema production. Front diameter: 85mm: MK Lenses feature a front diameter of 85mm, ensuring compatibility with standard matte boxes: Filter diameter: 82mm: The filter diameter of MK Lenses is standardized at 82mm, making if easy to share filters between models. Gear rings are located at the same position: The gear rings for focus, zoom, and iris are located at the same position on two MK Lenses, so there's no need to readjust the position of accessories. Macro function: MK Lenses feature a macro function that lets you close focus from 0.38 m with the MK18-55mm and from 0.85 m with the MK50-135mm (Sold Separately) at the wide end. Flange focal distance adjustment function: MK Lenses feature a flange focal distance adjustment mechanism, which lets you adjust the distance for individual cameras. Bundled lens hood: A dedicated lens hood to suppress flare and ghosting further expands the possibilities for visual representation.

Growth of video production has created a demand among videographers and cinematographers for lenses optimized to shoot. The new MKX lenses deliver high optical performance and comfortable operation for professional video shooting. The MKX 18-55mm is one of the most frequently used focal lengths in video production and achieves a constant T2.9 aperture across the entire zoom range, enabling a shallow depth of field as well as a beautiful bokeh effect. The lens design is optimized for shooting videos as they minimize focus shift and optical axis shift while zooming, and reduce lens breathing (the change of angle of view during focusing). It also features three rings to allow manual and independent operation of focus, zoom and iris (aperture), all with a gear pitch of 0.8M (module). Constant T2.9 Aperture Beautiful Bokeh Effect Macro Function Filter Diameter: 82mm Highlights: Optical construction of 22 elements in 17 groups (Includes 2 extra low dispersion elements and 6 super extra low dispersion elements) Achieves a constant T2.9* aperture across the entire zoom range, enabling a shallow depth of field as well as a beautiful bokeh effect and eliminating the need to readjust lighting (*T-stop value is an index that indicates brightness of a lens based on its F-stop value and transmission rate. The smaller the value, the greater amount of light the lens transmits.) Compact and lightweight body achieves advanced optical performance by incorporating a short flange focal distance of X Mount into optical design to the maximum extent. This accommodates shooting with a limited number of people Electrical contact to communicate with FUJIFILM X Series camera corrects the distortion and the colour/brightness shading, and achieves various colour expressions with Film Simulation modes The front focusing group of lens elements and the zooming group of lens elements are driven independently from one another to suppress focus shift while zooming, which eliminates the need to re-focus after zooming in or out so there is no time lag as seen in an electrical control system Front inner-focusing system controls lens breathing (change of angle of view during focusing which achieves smooth focusing) The focus ring features a rotation of a full 200 degrees to facilitate precise focusing even when shooting with a shallow depth-of-field where a high degree of precision is required Features three fully manual rings to allow independent adjustment of focus, zoom and iris (aperture) for intuitive operations without time lag Operation rings have a gear pitch of 0.8M, similar to other FUJINON cinema lenses, which allows the use of all standard third party accessories for video production, e.g. Follow Focus that enable accurate and smooth focusing Iris supports seamless adjustment that is free of clicking for precise and silent exposure adjustment while preventing camera shake caused by the clicking Gears for the three rings are positioned in the same place to eliminate repositioning accessories when switching lenses Macro function allows shooting close-up (Minimum Object Distance of 0.38m -wide end) to broaden the range of scenes that can be covered with one lens Accommodates 82mm filter size Compatible with FUJIFILM X Mount cameras

Outstanding optical performance and low distortion with T2.9 speed across the entire zoom range Ultra-compact and "less than 1kg" lightweight design thanks to Super 35mm/APS-C sensor compatibility with dedicated E-mount design Fully manual lens rings for focus, zoom, and iris with 0.8M gear pitch 200 degree focus rotation angle for accurate focusing Seamless iris to avoid vibrations and noise that you get with clicking mechanism Resolves issues of interchangeable lenses for still digital cameras such as "focus shift and optical axis shift while zooming" and "lens breathing" 85mm front diameter, 82mm filter diameter, and position of 0.8M Telephoto Zoom Lens Ultra-compact and Lightweight Consistent T2.9 Speed Filter Diameter: 82mm Features macro function Features flange focal length adjustment function Suppress focus shifts while zooming: With a conventional DSLR lens, the focal point shifts while zooming, This means you have to refocus the lens each time you change the angle of view. MK Lenses suppress focus shifts by driving the front focus group and zoom group independently. Since MK Lenses suppress optically and mechanically, it also eliminates the time lags you get with electric controls. Suppress lens breathing: When you are focusing with a conventional DSLR lens, you may notice an unnatural change in the angle of view - making it look as if you are zooming. This effect, called "lens breathing", is suppressed thanks to MK Lenses' front inner focus system. This allows you smooth and comfortable focusing of dramatically important scenes. Suppress optical axis shifts while zooming: In a conventional DSLR lens, optical axis shifts occur while zooming, causing the lens to skew off centre from the subject. MK Lenses suppress such skewing by adopting assembly technologies proven in FUJINON Cine Lenses. This lets you shoot a composition just the way you intended. 200 degree focus rotation angle: MK Lenses feature a 200 degree focus rotation angle - more than double that of a typical DSLR lens. This allows you to focus on images with shallow depths of field, which requires high accuracy. 0.8M standardized gear pitch: Each of the three operating rings (focus, zoom, and iris) features an identical 0.8M gear pitch - the same as on all FUJINON Cine Lenses. This allows you to use follow-focus and other standard cine accessories. Fully manual operation with three mechanical lens rings: MK Lenses are equipped with three independently operated mechanical lens rings for focus, zoom, and iris. Because you can adjust the zoom, focus, and iris via fully manual mechanisms, you can operate the camera intuitively without the time lags you get with electric controls. Seamless iris: The iris ring features a seamless mechanism that gives you greater precision when adjusting exposure. It operates without the vibrations and noise that you get with a clicking mechanism. Continuing the legacy of superior optical performance of "Made in Japan" FUJINON Cine Lenses MK Lenses feature outstanding optical performance and low distortion - from the centre to the corners across the entire zoom range. Colour is standardized in line with all of the FUJINON HK, ZK, and XK series, simplifying the calibration of colour grading when you use multiple lenses together. Compact, lightweight body: A compact, lightweight body is due to Super 35mm sensor compatibility and dedicated E-mount design. this portability is ideal for solo operation and run-and-gun shooting, where mobility is crucial. T2.9 speed across the entire zoom range: Features a consistent T2.9 speed throughout the 50-135mm focal length. This allows you to shoot with shallow depths of field with a beautiful bokeh effect. The constant T-stop also contributes to reduced effort readjusting the lighting and consequently shorter overall shooting times. Covering the standard focal lengths for cinema production: The focal lengths of the MK18-55mm (Sold Separately) and MK50-135mm overlap between 50 and 55mm. The two MK Lenses together fully cover the standard 18-135mm focal lengths uses in cinema production. Front diameter: 85mm: MK Lenses feature a front diameter of 85mm, ensuring compatibility with standard matte boxes: Filter diameter: 82mm: The filter diameter of MK Lenses is standardized at 82mm, making if easy to share filters between models. Gear rings are located at the same position: The gear rings for focus, zoom, and iris are located at the same position on two MK Lenses, so there's no need to readjust the postion of accessories. Macro function: MK Lenses feature a macro function that lets you close focus from 0.38 m with the MK18-55mm (Sold Separately) and from 0.85 m with the MK50-135mm at the wide end. Flange focal distance adjustment function: MK Lenses feature a flange focal distance adjustment mechanism, which lets you adjust the distance for individual cameras. Bundled lens hood: A dedicated lens hood to suppress flare and ghosting further expands the possibilities for visual representation.

Growth of video production has created a demand among videographers and cinematographers for lenses optimized to shoot. The new MKX lenses deliver high optical performance and comfortable operation for professional video shooting. The MKX50-135mm is one of the most frequently used focal lengths in video production and achieves a constant T2.9 aperture across the entire zoom range, allowing a shallow depth of field as well as a beautiful bokeh effect. The lens design is optimized for shooting videos as they minimize focus shift and optical axis shift while zooming, and reduce lens breathing (the change of angle of view during focusing). It also feature three rings to enable manual and independent operation of focus, zoom and iris (aperture), all with the gear pitch of 0.8M (module). Constant T2.9 Aperture Beautiful Bokeh Effect Macro Function Filter Diameter: 82mm Highlights: Optical construction of 22 elements in 17 groups (includes 2 extra low dispersion elements and 2 super extra low dispersion elements) Achieves a constant T2.9* aperture across the entire zoom range, allowing a shallow depth of field and beautiful bokeh effect, that eliminates the need to readjust lighting and shortens shooting time (*T-stop value is an index that indicates brightness of a lens based on its F-stop value and transmission rate. The smaller the value, the greater amount of light the lens transmits.) Compact and lightweight body achieves advanced optical performance by incorporating a short flange focal distance of X Mount into optical design to the maximum extent. This accommodates shooting with a limited number of people Electrical contact to communicate with the X Series camera corrects the distortion and colour/brightness shading, and achieves various colour expressions with Film Simulation modes Front focusing group of lens elements and zooming group of lens elements are driven independently from one another to suppress focus shift while zooming, which eliminates the need to re-focus after zooming in or out. The optical and mechanical approach means there is no time lag as seen in an electrical control system Use of the front inner-focusing system controls lens breathing (change of angle of view during focusing which achieves smooth focusing) Focus ring features a rotation of a full 200 degrees to allow precise focusing even when shooting with a shallow depth-of-field where a high degree of precision is required Features three fully manual rings to allow independent adjustment of focus, zoom and iris (aperture) for intuitive operations without time lag All operation rings have a gear pitch of 0.8M, similar to other FUJINON cinema lenses, which allows the use of all standard third party accessories for video production, e.g. Follow Focus that enable accurate and smooth focusing Iris supports seamless adjustment free of clicking forprecise and silent exposure adjustment while preventing camera shake caused by the clicking Gears for the three rings are positioned in the same place to eliminate the need to re-position accessories when switching lenses Macro function allows shooting close-up (Minimum Object Distance of 0.38m -wide end) to broaden the range of scenes that can be covered with one lens Accommodates 82mm filter size Compatible with FUJIFILM X Mount cameras

Super Telephoto Conversion lens is made of the high index coated optical glass elements with concept of lens designing using two-group/four-element lens formula High definition Telephoto lens of the 200 lines/mm resolution power at center (MTF30%) Super Telephoto Conversion Lens High-Resolution: 200-line/mm Mounting Thread: 37mm For HD Camcorders Ideal item for HDV, AVCHD Compact High Definition Camcorders SPECIFICATIONS: Magnification: Nominal 2.2x, Actual 2.17x Diagonal, 2.17x Horizontal Lens construction: 2-group/4-element, Coated optical glass elements Front Filter thread: 55mm Mounting thread: 37mm Dimensions: 76mm x 59mm Weight: 105g / 3.7oz Accessories: 5-adapter ring, Lens shade, Lens caps, Lens case, Instruction manuals

Semi Fish-eye conversion lens is designed to broaden the angle of view, including 180% more area in the picture, when attached to the lens of Digital Video Camcorder or Digital Cameras It's compatible with up to 6x zoom (Camcorder) area and stays in focus The HD-3035PRO has achieved an amazing high definition standard of 520 lines/mm resolution power at center (MTF30%) in the Semi-Fish Eye formula Semi Fish-eye Conversion Lens High-Resolution: 520-line/mm Ultra Wide-angle: 0.3x Mounting Thread: 37mm SPECIFICATIONS: Magnification: Nominal 0.3x; On the Digital camera: Actual 0.3x Diagonal, 0.42x Horizontal; On the Camcorder: Actual 0.34x Diagonal, 0.44x Horizontal Lens constructio: 2-group/2-element, Coated optical glass elements Image distortion: -45% on the digital camera (max.wide-angle), -39% on the Camcorder (max.wide-angle) Front Filter thread: None Mounting thread: 37mm Dimensions: 45mm x 70mm Weight: 143g / 5.0oz Accessories: 5-adapter ring, Lens shade mask, Lens caps, Lens case, Instruction manuals Suitable for: 27mm/ 30mm/ 30.5mm / 34mm/ 37mm/ 43mm filter sizes