Sony Pmw-300K1 XDcam SXS Camcorder with Lens
Sony Sony Pmw-300K1 XDcam SXS Camcorder with Lens $10,130.99
Capable of delivering high-quality images even in low-light environments Ample support for interchangeable lens and a robust metal body further ensure that PMW-300K1 is suitable for a wide range of applications Offers a convenient remote-control and multi-camera operation capability, which allows use with high-end camera systems XDCAM Camcorder 3 x 1/2" Exmor Full-HD CMOS Sensors 14x Fujinon HD Lens 3.5-inch Colour LCD Viewfinder Semi-shoulder Mount Full HD MPEG-2 HD 422 50 Mbps recordings plus XAVC in the future: The PMW-300K1 uses an MPEG HD 422 codec, recording Full HD (1920 x 1080) at 50 Mbps in industry-standard MXF files, along with 24-bit 48 kHz, 4-channel audio It is also capable of recording MPEG-2 HD 420 in Full HD (1920 x 1080) at 35 Mbps Standard Definition options include MPEG IMX and DVCAM The camcorder can also be upgraded in the future to support Sony's revolutionary XAVC codec, extending the lifecycle of the product to ensure maximum return on investment Three 1/2-inch type Exmor CMOS Full HD sensors and low-light 3DNR technology for a wide range of shooting conditions: The three 1/2-inch Exmor Full-HD CMOS sensors offer high light sensitivity and low image noise As a consequence, it delivers clear high-resolution images even when filming in low-light conditions The camcorder also includes Sony?s 3Dimensional Noise Reducer technology(3DNR), which reduce noise between frames and thus creates noticeably clearer images Interchangeable lens system with 14x Fujinon HD lens package option (PMW-300K1): The PMW-300K1 features the same EX-mount interchangeable lens system as the PMW-EX3, making it compatible with a wide range of 1/2-inch and 2/3-inch lenses (with optional ACM-21 adaptor) The camcorder also comes with a 14x auto-focusing zoom lens (PMW-300K1) Lens includes a focus ring for quick switching between auto and manual focus Precision focusing with 3.5-inch colour LCD viewfinder: An enhanced HD-resolution 3.5-inch colour LCD viewfinder (960x540 pixels) enables precision focusing for HD camcorder work 8-pin remote-control and multi-camera operation capability allows the PMW-300K1 to be used in 3D configurations and high-end camera systems Multi-camera operation with 8-pin remote control: The camcorder has a Genlock In and Timecode In/Out interface, so that it can link together with other cameras for multi-camera operation capability and 3D configurations The 8-pin 700-Protocol remote control interface allows for remote adjustment from the RM-B170* or RM-B150** remote control, Sold Separately. * The RM-B750 and the RCP remote control cannot be connected due to the power supply capacity of the PMW-300 ** RM-B150 is discontinued HD/SD-SDI and HDMI interfaces for integration with broadcast infrastructures: The PMW-300K1 has an SDI interface so that it can connect with broadcast infrastructures and professional equipment It's also possible to down-convert from HD to SD There is also an HDMI interface making it possible to link to consumer products, including a standard consumer TV SDI and HDMI interfaces are available in the same time Wide range of frame rates: The camcorder has standard recording modes of 1920 x 1080/25P or 50i and can additionally record at 59.94i, 23.98P and 29.97P in MPEG-2 HD 422 mode At 1280 x 720, the camcorder can record 25P as well as 23.98P, 29.97P, 50P and 59.94P Further recording modes are also possible at MPEG-2 HD 420 and DVCAM Slow and quick motion from 1 fps to 60 fps: Slow motion shooting is possible with up to 60 frames per second (fps) recording in 720P or 30 fps recording in 1080P, when used with the SxS Pro or SxS-1 memory card Quick motion can be obtained by slowing the frame rate down to 1 fps Semi-shoulder robust design with metal body: The PMW-300K1 features an innovative semi-shoulder design with an extendable chest pad mechanism and rotary hand grip, allowing comfortable recording over long periods of time Its magnesium metal body ensures the camcorder is robust and, like its predecessor, the PMW-EX3, can withstand even the harshest production environments Wi-Fi remote control with optional Wi-Fi adaptor: In addition to the 8-pin remote control interface, Apple iPads or Android mobile devices can be used as simple remote controllers By attaching the optional CBK-WA01 Wi-Fi adaptor, the remote can control zoom, focus, iris and white balance as well as the recording functions such as recording trigger Cache recording: Utilizing a 15 second cache recording function, the PMW-300K1 can help prevent the loss of important scenes or events that occur up to 15 seconds before the camcorder's REC start button is pressed Two SxS Memory Card slots plus Memory Stick, SD card and XDQ card options: There are two SxS Memory Card slots, which allows for around four hours of continuous recording, with two hours of HD 422 50 Mbps recorded on each 64GB SxS Memory Card Content can be copied between the two slots The PMW-300K1 can use either SxS Pro or SxS-1 cards It will also accept consumer recording media, including Memory Stick, SD card and XDQ card with an appropriate adaptor for emergency use Planning metadata automatically recorded: By loading a pre-recorded Planning Metadata file (XML file) to the PMW-300K1, either from an SxS memory card or a USB memory, the metadata is automatically generated and recorded as described in the XML file while recording Also the filename of a clip is automatically set as described in the XML file i.LINKInput/Output for DV/HDV recordings: i.LINK (HDV) Out can be activated while SP 1440 (FAT) or DVCAM (FAT) is selected and the i.LINK (HDV) In signal can be recorded while the video format is set appropriately 4 channels 24-bit 48 kHz audio recordings: The PMW-300K1 is equipped with two XLR connectors, which connect to Sony's range of professional microphone products.24-bit 48kHz audio can be recorded in HD 422 50 Mbps, with up to four channels of audio recorded Multiple language system: The PMW-300K1 has multiple language system The language for the menu and warning messages can be selected among English, Chinese, Spanish, Brazilian Portuguese, Russian and Indonesian 4 Neutral Density filters: The PMW-300K1 is equipped with four built-in ND (Neutral Density) filters - Clear, 1/4, 1/16, 1/64 - that help to vary the depth of field with iris control Power on Quick Rec to help get up and running quicker: If the camcorder power is turned on while pushing a REC button, the 'Quick Rec' mode is activated By accelerating the power on process, the camcorder can start up and start recording more quickly than normal Direct access to the thumbnails: With the PMW-300K1, there is no need to switch between Camera and Media mode to access to the recording video The access to the thumbnails is direct and without any reboot internal process Continuous recordings for easier ingest: This mode allows users to create a single, large clip with multiple starts and stops in recording The benefit of this mode is a faster transport speed for single clips - there is no overhead for the file open/close process Please note this function works only in UDF (MXF) mode In the Box: Sony PMW-300K1 XDCAM EX Camcorder VCL-614B2X/1 Exclusive 14x Zoom Lens Rechargeable Lithium-ion Battery Pack Battery Charger/AC Adaptor for BP-U30/U60 Lithium-ion Battery Packs Lens hood with lens cap (pre-installed to the lens) Viewfinder BP-U30 battery pack BC-U1 battery charger Infrared Remote Commander CR2032 Lithium Battery for backing up camcorder settings (pre-installed to the Camcorder) CR2032 Lithium Battery for the IR Remote Commander (pre-installed to the Commander) Shoulder Strap USB cable Cold shoe kit Operation Manual PDFs on CD-ROM
Sony FX6 with FE 24-105mm f/4G Camcorder Sony FX6 with FE 24-105mm f/4G Camcorder
Sony Sony FX6 with FE 24-105mm f/4G Camcorder $9,699.99
FX6 combines the best of Sony's impressive digital cinema imaging technology with advanced imaging features from Sony's industry-leading Alpha mirrorless technology. It becomes the smallest high performer in an exclusive Cinema line which also includes the VENICE and FX9 cameras, that delivers a coveted filmic look cultivated from extensive experience in digital cinema production. Cinema Full-Frame Camera 10.2 MP 4K Exmor R CMOS Sensor FE 24-105mm F4 G OSS Lens 4K 120 fps Recording Built-In Variable ND Filter High sensitivity up to ISO 409,600 and 15+ stop dynamic range 3.5" LCD panel A new line of cinema cameras: Sony's Cinema Line, which also includes the VENICE and FX9 cameras, delivers a coveted filmic look cultivated from extensive experience in digital cinema production. As part of the Cinema Line, the all-new FX6 incorporates Sony's core technologies of image sensor, processing engine, and AF (autofocus) performance. It is also compatible with the wide range of Sony E-mount lenses for creative flexibility and has enhanced operability thanks to an innovative body design, extensive durability and intuitive customizability. Image sensor with blazing fast readout speed: The back-illuminated full-frame Exmor R CMOS sensor, with 10.2 effective megapixels, boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced color filter array boosts color reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality. High performance image-processing engine: The BlONZ XR image-processing engine boasts class-leading speed, providing up to four times faster processing performance compared to the FS5 II, minimizing latency while providing impressive real-time processing capabilities. The engine performs real time processing of autofocus (AF), image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations. High sensitivity, wide dynamic range: Beautiful bokeh expression and high sensitivity performance are delivered by Sony's 10.2-megapixel1 full-frame back-illuminated Exmor R CMOS sensor and a state-of-the-art BIONZ XR processing engine. Thanks to the large pixel size and back illuminated structure of the full frame sensor, the FX6 delivers an incredible 15+ stop wide dynamic range with high sensitivity and low noise throughout the camera's sensitivity range. Its base sensitivity is ISO 800 with an enhanced sensitivity setting of ISO 12,800 - expandable up to 409,600 - for shooting in low and very low light conditions. Acclaimed cinematic-color with S-Cinetone: The inclusion of Sony's acclaimed S-Cinetone look, inherited from the development of the VENICE and FX9 development, allows beautiful images to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colors, with gentle highlight roll-off, for impressive subject depiction. 4K High Frame Rate 120fps recording: Full-frame 4K (QFHD) recording at up to 120fps with autofocus is possible thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, ultra-detailed 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows wide open aperture for beautiful full-frame bokeh to be achieved during slow motion shooting. 10-bit depth and 4:2:2 color sampling: The FX6 is capable of 4K internal recording, encoding 10-bit depth and 4:2:2 color sampling with either Full-HD Long-GOP or 4K All Intra compression. This makes it possible to push your color grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom. Sony's powerful built-in electronic Variable ND Filter: Sony's revolutionary internal electronic variable ND filter offers easy and seamless control of the camera's filter density. Users can adjust the filter density manually in increments from 1/4 to 1/128 or set variable ND to auto for a smooth and seamless transition from 0 to 1/128 ND. Variable ND in auto perfectly exposes images without affecting the depth of field, shutter angle or ISO even during changing lighting conditions. Additional creative control allows the user to change depth of field without changing exposure by adjusting the iris while the variable ND automatically adjusts for exposure. Combined with the camera's ultra-high sensitivity, the electronic variable ND filter provides users with outstanding creative control in almost any shooting environment. 10-bit HLG picture profile: An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for color grading. 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. All-Intra internal recording: In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC 4K Intra recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. 16-bit RAW data output: To facilitating high image quality and more flexible and efficient editing in post-production, the camera supports 16-bit RAW data output to an external recorder via SDI. RAW video output is DCI (4096x2160) or QFHD (3840x2160) data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates. Simultaneous RAW output is possible while recording internal XAVC-I. S-Log3 for better reproduction of gradations: S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15+ stops. Two color gamut settings (S- Gamut3, and S-Gamut3.Cine) make post-production editing and color grading easier when matching the colors of footage shot on the FX6 with Sony's Cinema Line cameras including the FX9 and VENICE. Preset and User 3D LUT compatibility with Scene File: The Scene File function provides powerful color interpretation right in the camera, with a range of presets and custom User 3D LUT imports to fit your production or style requirements. Four preset scene file types are included for SDR shooting (S­Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural). A further 16 slots support User 3D LUT import to achieve custom looks or for specific monitoring or color-space transforms. Fast Hybrid AF for dependable focus during movie shooting: FX6 incorporates Sony's highly acclaimed Fast Hybrid AF (autofocus) in all modes and frame rates. Fast Hybrid AF combines 627 focal plane phase-detection AF points4 with contrast-detection AF. This results in highly precise, smooth tracking of fast­moving subjects even over a wide range with a shallow depth of field, approx. 89% of the imaging area. Adjustable AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users. Both allow preset settings to be recalled during recording by using a customizable button. Real-time Eye AF and Face Detection AF: Powerful Real-time Eye AF and Face Detection AF are built in for reliable focusing on people, especially in unpredictable shooting environments such as news gathering, event and documentary shooting. The real-time processing capability of the BIONZ XR image processing engine automatically maintains accurate eye focus on faces even in profile, looking up or down, or partially obscured - allowing you to concentrate fully on shot composition. Lens-ring AF subject selection: When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. The face selection algorithm has also been improved so that the focus ring can be used to quickly and intuitively select specific individuals from within a group when shooting with Real-time Eye AF or Face Detection. Autofocus operation resumes as soon as the user stops rotating the lens focus ring, and the last subject selected by the focus ring is automatically tracked. Proxy recording for more efficient editing workflow: When capturing higher bit­rate formats such as XAVC-I 4K, low bit-rate HD proxy files can be recorded simultaneously. These smaller proxy files can then be used for editing and previewing prior to final production delivery which reduces computer load and allows faster and more efficient workflows. Proxy files are captured in 8-bit XAVC-L (1920x1080) 9Mbps MP4 wrapper. Proxy files cannot be captured during 16-bit RAW output8. Reliable durability and weather resistance: In response to feedback from working professional, the dust and moisture resistance14 of FX6 have been dramatically improved when compared to FS5 II, thanks to refinements throughout the body. Additional sealing is applied to the media compartment lid, terminal cover and all joints in the chassis. Routes to dust and moisture entry have been re-examined to ensure reliable operation in challenging environments. Even though the dust and moisture resistance and therefore reliability have been significantly improved, the body dimensions remain compact. High-definition 2.76 million-dot (approx.) flexible LCD touch panel: The 3.5" LCD panel (1280 x 720 pixels) is mounted on an extended pedestal and adjustable to a wide range of angles for easy video monitoring regardless of camera rigging and shooting angle. Mounting points are provided at three places on the handle and two on the body. With touch panel support and a quick access control menu, it provides intuitive control for commonly accessed features. Camera operators can change key settings with a single touch - including Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO and Sensitivity, Shooting Mode and Audio Levels. Innovative heat dissipation to prevent thermal shut down: FX6 features an innovative heat dissipation structure to ensure dependable full-frame recording in demanding environments and at high resolutions and frame rates. This includes a complete redesign of the chassis structure, placement of the internal heatsinks and the entire airflow structure, from louvers to circuit board layout. When required, a silent fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance. Magnesium alloy body achieves high durability with light weight: To perform reliably in challenging environments the main chassis, as well as top, front, and rear covers and the handle are constructed from lightweight magnesium alloy. The magnesium alloy main frame achieves high strength and durability with minimum weight in order to maximize mobility. The rigidity of the mount area is also boosted by the provision of six screws for stable attachment of heavy lenses.   A choice of battery types for different applications: FX6 is compatible with BP-U series battery packs. The BP-U35 (supplied), BP-U70, BP-U100t or BP-U60T can be selected according to shooting needs. The BP-U35, for example, is an ideal choice to make most of the camera's mobility when it is to be used handheld. The BP-U100, on the other hand, can provide extended recording time when the FX6 is to be mounted on a tripod or other support. The battery CHECK button allows charge level to be checked even when the battery is not connected to the camera. Professional connectivity: FX6 features a range of professional interfaces including independent 12G-SDI (supports 3G/6G-SDI) suitable for external 16-bit RAW recording as well as HDMI output for program monitoring. Timecode (TC IN/ TC OUT) connectors allow multi-camera sync, and SuperSpeed USB-C 5Gbps (USB 3.2) allows shooting data to be uploaded to a PC at high speed. Smart handle: The smart handle, attachable to the top of FX6, allows stable camerawork and operation in low-angle shooting. It's also equipped with XLR terminals, a mic holder and a digital Ml (Multi Interface) Shoe, allowing use with a variety of existing pro accessories. Two assignable buttons, a multi-selector button and a handle assignable dial have also been added for improved operability. Standard 1/4-inch screw holes for accessory attachment are provided at seven locations on the handle for increased flexibility. Thoughtful touches for adaptable workflows are also considered, such as including storage for the handle protection cap in the handle itself which is used to seal the body connectors if the handle is removed for rigging. Smart grip: FX6's ergonomic Smart Grip is designed for powerful and comfortable camera control even during prolonged or dynamic shooting situations. Three customizable buttons, plus essential zoom and start/stop control and a custom dial suitable for Iris or Variable ND Filter control, are all positioned in easy grip reach. The freely-adjustable telescoping handle and grip angle are set with a single button, for effortless position changes without slowing production Dual card slots, both compatible with SD and CFexpress Type A: Professional workflows demand two identical card slots for peace-of-mind redundant recording or extended record times with additional media options. Both media slots support UHS-I and UHS-II SDXC/SDHC cards as well as new high-speed CFexpress Type A cards for higher overall capacity and faster read/write speeds. CFexpress Type A cards are ideally suited to 4K movie recording at high bit rates and frame rates, providing next-generation write speeds and are capable of quickly clearing camera buffers even when high volumes of movie data are being generated. Data communications to support on­site workflow: To facilitate professional workflows, network communications features support both FTP transfer for movie files as well as remote shooting capability. Wireless 5GHz / 2.4GHz15 LAN connections are supported, and wired connectivity to 1000BASE-l Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type-C® port supporting SuperSpeed USB SGbps (USB 3.2). Dual XLR inputs and enhanced audio capability: The handle of the FX6 carries two independent easy-access XLR audio inputs to connect external professional microphones. Additionally, the Ml (Multi Interface) Shoe allows for compatible MI Shoe microphones to be connected, such as the UWP series wireless microphone or additional XLR kits like the XLR-K3M. The Smart Handle includes built-in stereo microphone while the body houses a monaural microphone - useful for syncing video when only the body is in use. Metadata to facilitate editing with Catalyst: Sony's Catalyst Browse and Prepare software are ideal production partners for FX6 which records three types of metadata: image stabilization, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or cost-effective Catalyst Prepare software. Made for Content Creators on the Go: FX6 delivers on outstanding mobility and operability with its durable magnesium alloy chassis, measuring just 6.125 x 4.625 x 4.5 in (153 x 116 x 114 mm, LxHxW) and weighing just 1.96 pounds (0.89 kg). It has a compact and lightweight design making it easy for users to grab and shoot at any time.   Sony FE 24-105mm F4 G OSS Lens: Wide-range Mid-telephoto Zoom Nano AR Coating Constant F4 and Quiet AF Dust- and Moisture-resistant Wide-range mid-telephoto zoom: A wide 24-105 mm zoom range with constant F4 easily handles subjects such as portraits, snapshots, landscapes, architecture and more. This one lens will cover most shooting needs, minimizing the need to carry extra equipment. Outstanding images at any focal length: Four aspherical elements, two of which are high-precision AA (advanced aspherical) types, are used in an advanced optical design that effectively suppresses distortion while maintaining consistently high corner-to-corner resolution and image quality throughout the lens's zoom range. ED glass enhances resolution and colour: Three ED (Extra-low Dispersion) glass elements strategically deployed in the lens's optical path further enhance resolution by suppressing chromatic aberration. Excellent sharpness and natural colour reproduction are maintained right out to the image edges. Clarity and contrast in any light: Sony's original Nano AR Coating suppresses spurious reflections that can cause flare and ghosting in backlit and other challenging lighting situations, for consistently high contrast and clarity. Freedom from flare over a wide range of incident light angles provides greater framing and composing flexibility. Beautiful blend of sharpness and bokeh: In addition to a circular aperture design, precise control of the lens's spherical aberration shape contributes to the stunning balance between sharpness and luscious bokeh that is a hallmark of the G Lens brand. The ability to combine high resolution and smooth bokeh in creative imagery affords vast expressive potential. A one-lens solution for mobile, versatile shooting: Excellent optical performance and a high zoom ratio are packed into a compact, lightweight design weighing only 663 grams (23.4 oz). The design extends to E-mount bodies for outstanding system mobility and handling ease. This one high-performance lens lets you shoot a wide range of subjects and situations. A minimum focus distance of 0.38 metres (1.25 ft) and built-in optical image stabilization further enhance all-around versatility. Constant F4 and fast, precise, quiet AF are good for stills and movies: A bright, constant F4 maximum aperture throughout the zoom range keeps the brightness even when focal length is changed. Sony's Direct Drive SSM (DDSSM) AF drive system offers fast, precise and quiet focusing. A precision optical design minimizes focus breathing. All of this makes the FE 24-105mm F4 G OSS an excellent choice for both stills and movies. Fluorine coated front element: The lens's front element features a fluorine coating that helps to prevent fingerprints on the lens and stop dirt from sticking, and makes it easier to wipe away any dirt and fingerprints that do appear on the lens surface. High reliability in harsh conditions: The overall design of this lens is dust and moisture resistant for extra protection and reliable operation in challenging environments. Shoot with confidence in light rain or windy conditions. Smooth, versatile operation: A focus hold button, manual focus ring, AF/MF switch and other controls provide versatile fingertip operation. The focus hold button can be customized via a body menu that allows a variety of functions to be assigned to the button to match the user's needs.
Canon XF705 4K HDR UHD Pro Camcorder Canon XF705 4K HDR UHD Pro Camcorder
Canon Canon XF705 4K HDR UHD Pro Camcorder $8,999.99
The XF705 Professional Camcorder offers an outstanding combination of 4K UHD image quality, features and functionality in a compact, portable design ideally suited for news gathering, outdoor events, sports and documentary production. Featuring a 1.0-inch 4K UHD CMOS image sensor and dual DIGIC DV 6 Image Processors, the XF705 can record 4K UHD video up to 60p, as well as slow motion recording up to 120fps in Full HD. The XF705 is also the first Canon camcorder to adopt the H.265/HEVC codec, which improves the efficiency of 4K data handling. The XF705 supports the Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) HDR formats, which offer a much greater range from black to pure white, and an HLG/PQ shooting assist mode helps users record HDR video using their usual shooting methods. A 15x optical zoom lens incorporates a 5-axis optical image stabilization system and maintains 4K UHD quality throughout the entire zoom range, while the camcorder's Dual Pixel CMOS AF helps facilitate fast and accurate autofocus. The XF705 includes an HDMI 2.0 terminal with 4K UHD output support, two XLR terminals with independent audio level control and a 12G-SDI output - which features four times the transmission speed of 3G-SDI - helping to facilitate seamless integration into professional 4K UHD workflows. An adjustable 4.0-inch touch panel LCD monitor and a built-in 0.46-inch electronic viewfinder enhance usability, helping you to shoot in a variety of shooting situations. Canon Log 3 provides post-production flexibility while Live IP Streaming capability furthers broadcast possibilities. Designed to meet the needs of professionals, the XF705 offers a wide range of recording opportunities. 1.0-inch 4K UHD CMOS Image Sensor 15x Optical 4K UHD Zoom Lens 4.0-inch Rotating Touch Screen LCD 0.46-inch OLED Electronic Viewfinder 1.0-inch 4K UHD CMOS Image Sensor: The XF705 Professional Camcorder features a Canon 1.0-inch 4K UHD CMOS image sensor capable of 4K UHD video capture at 60p and slow motion recording up to 120fps in Full HD, making the camcorder a strong contender for professional productions, ENG applications and more. High Sensitivity / Low Noise The XF705 camcorder's 1.0-inch sensor allows for larger photosites compared to smaller-sized sensors, resulting in improved images with less noise in low-light situations. The larger sensor also exhibits a shallower depth of field at large apertures, providing greater depth of field control and creative options. The camcorder's DIGIC DV 6 imaging engine further enhances the high sensitivity and low noise performance of the camcorder. * With Custom Picture Preset Normal1: BT.709, full auto mode, shutter speed 1/30 sec. 15x Optical 4K UHD Zoom Lens with 5-Axis Optical Image Stabilization: The XF705 Professional Camcorder incorporates a Canon 4K video lens that leverages proprietary Canon optical technologies derived from years of experience in developing Cinema, Broadcast and EF-series lenses. Inspired by the same high level of optical precision used in Canon broadcast and photographic lenses, the Canon XF705 camcorder incorporates a Genuine Canon 15x optical zoom lens that maintains 4K UHD quality throughout the entire zoom range, and offers a focal length range of 25.5 to 382.5mm (35mm film equivalent). Users can get up to 30x Advanced Zoom when shooting in Full HD, which utilizes the XF705 camcorder's full 4K UHD sensor to extend the zoom range while maintaining image quality. 5-Axis Optical Image Stabilization The XF705 camcorder also incorporates a 5-axis Optical Image Stabilization (IS) system, featuring three modes of image stabilization: Standard, Dynamic and Powered. In Standard IS mode, the stabilizing angle is made constant, independent of the zoom magnification. Dynamic IS mode extends the stabilizing range at the wide end of the focal length, allowing for image stabilization when shooting while walking. Powered IS mode helps facilitate stabilization in the low frequency range at the tele end, and should be used exclusively for fixed-point shooting which does not involve panning. 9-blade Iris For enhanced versatility and durability, the lens features a 9-blade iris, producing artistic and beautiful out-of-focus areas or "bokeh". The 9 blades allow for attractive circular blurring in out-of-focus regions, while the use of an odd number of blades helps reduce flaring of specular highlights. Independent 3-Density ND Filter A compact and independent internal 3-density ND filter, using a turret (circular) mechanism, allows the user to select from three densities (ND 1/4, ND 1/16 and ND 1/64) or turn the feature off if needed. Density can be adjusted using the dedicated external buttons. Optional Wide and Tele Accessories (Sold Separately): The optional Wide Attachment WA-U58 and the Tele Converter TL-U58 accessories expand the creative capabilities of the XF705 camcorder. The Wide Attachment WA-U58 offers a 0.8x wider angle of view that enables users to capture more of a scene, especially when indoors or in tight spaces, to lend better perspective to your video narrative. The Tele Converter TL-U58 provides extended 1.5x longer telephoto range for the XF705 camcorder's fixed lens, allowing distant subjects to be captured with brilliant clarity.   Dual DIGIC DV 6 Image Processors: The XF705 Professional Camcorder incorporates Canon's dual DIGIC DV 6 Image Processors, which are integral in providing high image quality, advanced performance and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition, image stabilization, slow and fast motion recording and precise Dual Pixel CMOS AF. 4K UHD 59.94p 4:2:2 10-bit Recording: The XF705 Professional Camcorder supports 4K UHD 59.94p 4:2:2 10-bit recording to support natural and realistic 4K video production. H.265/HEVC The XF705 Professional Camcorder is the first Canon video camera that can record in H.265/HEVC, which offers a compression ratio of about 2x the mainstream coding technology of H.264/AVC - improving the efficiency of 4K data handling. By using XF-HEVC, which combines 4K UHD image quality with an extremely efficient compression standard, the XF705 can record many hours of content on versatile SD cards. Internal Recording of Two HDR Formats The XF705 Professional Camcorder records in the two most commonly used HDR formats, Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ), which help ensure full color rendition and wide latitude with a much greater range from black to pure white. HLG is best suited to live broadcast and live streaming events due to its internal gamma curve compatibility with conventional TVs, which helps to better handle relative luminance values. PQ is used for the colour grading and mastering of content. This is a relatively new gamma curve based on human vision characteristics that handles luminance values of up to 10,000 cd/m2 with absolute luminance. Dual SD Card Slots Dual SD card slots allow for simultaneous or relay recording. Simultaneous recording allows you to record on both SD cards at the same time, so that you can use one as a backup. Relay recording allows uninterrupted recording from one card to the other when the first memory card becomes full. Slow and Fast Motion Recording up to 120fps The XF705 Professional Camcorder supports slow and fast motion recording, and can record in a different frame rate from playback for slow and fast motion effects. Slow motion recording of up to 120 fps (x0.2) in Full HD is supported, helping to create an emotionally moving and exciting style of video. Dual Pixel CMOS AF: The XF705 Professional Camcorder features Dual Pixel CMOS AF, Canon's exclusively developed high-speed, high-precision autofocus technology. Dual Pixel CMOS AF assists not only with standard shooting, but also with 4K UHD 60p, Full HD 120p and other high-frame rate applications that require crisp frame-by-frame accuracy. Each pixel in the camcorder's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished with much higher speed and accuracy than was possible with previous technologies. Dual Pixel CMOS AF with Touch Focus The XF705 camcorder's 4.0-inch touch panel LCD enables smooth, intuitive operation of Dual Pixel CMOS AF. This autofocus technology can be employed when shooting a scene by tapping a finger on the desired area of the scene you want the lens to focus on. Dual Pixel CMOS AF offers continuous AF within a horizontal and vertical range of the screen of approximately 80%. It also provides highly accurate Face Detection AF, which assists during single-operator shooting. Users can also use the touch panel to move the autofocus target manually. Face Detection AF The Face Detection AF feature has two modes - Face Priority AF and Face Only AF - that offer users flexibility in how they choose their autofocus for a subject or scene. Dual Pixel Focus Guide Utilizing information from Dual Pixel CMOS AF, Dual Pixel Focus Guide helps achieve precise focus by displaying focus assist information on the screen. It employs a truly innovative user interface that enables the user to see if they are focused in front of or behind the subject through visual observation, and allows quick and accurate manual focus to be achieved. This helps simplify the focusing process when shooting in 4K UHD, which requires strict focus accuracy.   HDR Recording with HLG/PQ Shooting Assist: The XF705 Professional Camcorder supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) formats. This helps ensure full colour rendition and wide latitude with a much greater range from black to pure white - ideal for the delivery of live streams, broadcasts and post-production projects. The XF705 also features a variety of assist functions to support auto/manual exposure control during HDR shooting, allowing users to record HDR video using their usual shooting methods. LCD Display A built-in, high-luminance LCD display offers the ability to closely monitor HDR video capture during shooting. A viewing assist function lets users check images recorded in HLG and PQ on the SDR viewfinder. Auto Iris / Auto Exposure An Auto Iris feature controls the iris based on spotlight metering or standard metering (metering at the centre of the screen), and automatically makes adjustments so that bright areas are not too bright. Shift adjustment with the proper exposure standard is also possible with the camcorder's Auto Exposure (AE) shift mode. HDR->SDR Gain The XF705 Professional Camcorder includes a helpful feature to allow shooters to adjust exposure levels (gain) during simultaneous HDR and SDR recording. SDR gain difference vs. HDR can be fine-tuned from -7.5dB to +7.5dB. When HDR video is shot at proper exposure outdoors, SDR may become too bright, so the brightness level can be adjusted using a negative gain. When HDR video is shot at the proper exposure indoors, SDR images may become too dark, so the brightness can be set to a positive gain. Canon Log 3: Designed with creative post-processing in mind, Canon Log 3 is a gamma designed for simple grading at a deep level for toning up dark areas and adjusting colour tone/gradation to make noise less noticeable. By shooting in Canon Log 3, users can manipulate the information that's recorded, from dark areas to highlights. This makes the range for color grading wider and enables video to be produced with generous latitude that couldn't be reproduced with video gammas. Simple previews can also be performed on-site with Look-Up Table (LUT) accuracy. Canon Log 3 shooting can be especially effective for documentaries and other settings with drastic changes, along with outdoor and other locations where light conditions change frequently, or where monitoring setups may be insufficient. Wide DR Gamma (800%) Support The XF705 Professional Camcorder supports Wide DR Gamma. For natural and realistic-looking image capture that faithfully represents the scene at hand, Wide DR Gamma achieves a wide dynamic range of 800% to produce almost seamless tone gradations, resulting in smooth detail and virtually no blown-out highlights.   4.0-inch Rotating Touch Panel LCD and 0.46-inch OLED Electronic Viewfinder: An adjustable 4.0-inch rotating touchscreen LCD monitor and a built-in 0.46-inch OLED electronic viewfinder enhance usability. The monitor allows for on-camera monitoring of footage in real time and features a rotating design that brings flexibility and user preference to support 4K shooting, which demands strict focus accuracy. It rotates both left and right to support various shooting scenes, including walls and narrow spaces. The screen can be opened an additional 35 degrees forward from the usual set position to prevent accidental shock or to allow the director to check a scene in the camcorder during shooting. The OLED viewfinder displays approx. 1.23 million dots, allowing shooters to see bright parts in the image and dark shadow detail. The EVF can then be used to adjust parameters and camcorder settings accordingly. HDMI 2.0 Terminal with 4K UHD 60p Output Support: The XF705 Professional Camcorder features an HDMI 2.0 terminal that supports 4K UHD 60p output. The HDMI 2.0 terminal allows the camcorder to be connected to a standard external SSD/HDD recorder, enabling conversion to ProRes and DNx formats for efficient editing and storage. External Recorder: Internal recording not enabled. 4K UHD 60P Output: Restrictions apply only when shooting in 4K UHD 60P. OSD overlay disabled / Browser remote Live View disabled. 12G-SDI, Genlock SMPTE Time Code and Other Terminals: The XF705 Professional Camcorder features a 12G-SDI terminal with four times the transmission speed of 3G-SDI. Leveraging XF-HEVC (4:2:2 10-bit) and XF-AVC (4:2:0 8-bit) compression, the camcorder's 4K 59.94p output - which used to require four cables in 3G-SDI - can be delivered with just one cable. This means 4K can be handled with the same number of transmission cables as Full HD. A 12G-SDI feed directly out of the XF705 and an external HDMI output facilitate easy connection to a 4K UHD-compatible or standard HD interlace video monitor. External Recorder: Internal recording not enabled. Other terminal connections that help streamline workflows include dedicated jacks for: headphone, mic, USB (mini-B), Remote A, Remote B (RS422), Ethernet, Genlock/Sync OUT and SMPTE Time Code. Live IP Streaming: The XF705 Professional Camcorder offers the ability to stream video live online using IP transmission in either the H.265/HEVC or H.264/AVC encoding format. Live H.265 streams (16Mbps at 59.94p) can be used to reliably distribute either 4K UHD or Full HD data efficiently to a variety of TV and social media platforms. The livestream can be viewed directly from the camcorder using the on-board LCD monitor, sent to a standalone HEVC IP encoder or redirected to a 4K UHD monitor for a confidence check and public viewing. In addition, Live HDR data (Message/Mastering Display Colour Volume) can be added in the H.265 stream if required to help improve picture quality. Flexible Audio Inputs with Linear PCM 4-channel Support: The XF705 Professional Camcorder offers a variety of ways to record high-quality linear PCM 4ch audio: through two XLR terminals, an internal stereo mini-jack mic terminal or from the camcorder's internal stereo mic. The on-board 4ch audio independent settings let users set recording levels, input sensitivity and limiters for each channel. RC-V100 Remote Controller Support: The XF705 Professional Camcorder is compatible with Canon's optional RC-V100 Remote Controller, enabling image quality adjustments and other important operations to be set from a distance. The RC-V100 plugs into the XF705 through the remote terminal on the rear panel. Compact, Lightweight and Ergonomic Design: The XF705 Professional Camcorder is compact and lightweight, making it especially useful for on-the-go Electronic News Gathering (ENG) and documentary production applications. Network Connections for FTP Transfer and Browser Remote (Wired and Wi-Fi Connectivity): The XF705 Professional Camcorder offers both wired and wireless connectivity to enable recorded files to be shared and transmitted back to the station or home base via FTP for editing or live streaming. The camcorder can also be accessed remotely from a typical web browser running on a laptop or a compatible smart device to control functions such as record start/stop, record mode and frame rate, AF/MF switching, focus/zoom settings and white balance mode*. Background transfer of video files via FTP links is also possible, enabling the latest news images, for example, to be distributed quickly over the Internet. * Compatible with iOS versions 9/10, Android smartphone and tablet versions 4.4/5.0/5.1/6.0.
Sony PXW-Z280 4K XDcam Camcorder
Sony Sony PXW-Z280 4K XDcam Camcorder $8,695.00
World's first 1/2-type 3CMOS Sensor for broadcast 4K: The Z280's all-new Exmor R imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you're delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see. 4K 3-chip CMOS 1/2" Exmor R Sensor 17x Professional HD Zoom Lens 12G-SDI Accelerated Workflow 4K/60p Image Processing 2 HDR Workflows: S-Log2/3 and Hybrid Log-Gamma 17x professional HD zoom lens with three independent rings with end-stop and large focal length: The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment. The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender. Spectacular HDR performance: Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows. S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content Amazingly fast precision autofocus: The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus. Built-in electronic Variable ND Filters: Sony's ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed. 12G-SDI accelerated workflow: Revolutionize your workflow with 12Gbps content transfer - four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you've tried it, you won't want to use anything else. Accurate OLED viewfinder: An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED's superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon. Dual Multi-Interface (MI) Shoe: MI Shoe provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light *Connectors at front and back of camcorder maximise operational flexibility. *Accessories sold separately. HVL-LBPC light does not draw power from PXW-Z280. Dual XLR and 4 Channel Audio: The PXW-Z280 offers superior professional audio capabilities with independent volume dials enabling precision control of external audio inputs, including an MI-shoe attached microphone. Dual SxS media slots: The camcorder is equipped with two SxS memory card slots, which can record in Simul, Relay or Back up mode. Simul mode permits simultaneous recording to two memory cards, including simultaneous recordings of MPEG HD exFAT and UDF recordings, ideal for archival purposes. Relay mode automatically switches recording from the first to the second memory card when the first is full to extend recording times. In Back up mode, users can set up the two Start/Stop buttons on the PXW-Z280, one on the grip and one on the camcorder body, to independently start and stop recording on different memory cards while recording in Simul mode. Networked for high mobility: The PXW-Z280 comes with 5GHz* and 2.4GHz Wi-Fi as standard - simply turn on and log onto your preferred network to enable a host of advanced wireless production features: *5GHz support dependent on country/regional regulation IBM Cloud Video Direct Streaming allows you to share scenes as they happen with high quality picture and sound without a switcher High quality Sony QoS Streaming to Network RX station *Sold separately and XDCAM air allows images to be streamed live from the camcorder for viewing at a remote location FTP Transfer allows content files recorded with MPEG HD 422/420 proxy feature and other content files shot in XAVC (QFHD/FHD) to be sent over the internet for remote storage on an FTP server even while shooting. In case of signal interruption, the system will automatically resume as soon as connection restored Trimming function is available for both proxy and PGM without need for a PC. Any clip can have its start and endpoints selected to eliminate time wasted transferring unnecessary content XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting's still going on, saving even more valuable time when a story's breaking Wi-Fi/NFC (Near Field Communication) with Content Browser Mobile allows the PXW-Z280 to be remotely controlled from a smartphone or tablet computer (iOS 9.0 - 10.3 or Android 4.4 through 7.1) via a Wi-Fi connection. One-touch authentication is also possible with smartphones that offer NFC connectivity Wired LAN port allows you to connect the PXW-Z280 to the Internet with a standard Ethernet cable, allowing files to be streamed or transferred by FTP *The Content Browser Mobile application can be downloaded from the Google Play Store or App Store. Wi-Fi operation cannot be guaranteed with all smartphones and tablet computers High performance, proven recording formats: PXW-Z280 offers complete production flexibility with built-in support for a wide variety of production formats. High quality XAVC Intra and XAVC Long GOP recordings XAVC technology is based on the H.264 standard, which provides an exceptionally robust and efficient compression technology. XAVC Intra (frame) compression means that every frame is encoded independent of the other frames - providing a better quality picture, without compromises. XAVC Long GOP applies compression across multiple frames - reducing file sizes, which can make for fast ingest and editing as well as providing budget savings on recording media. The XAVC codec adopts 10-bit sampling for high definition recording with rich tonal expression. Broadcast-standard MPEG HD422 and MPEG HD High-quality MPEG HD422 50 Mbps is fully compliant with the latest EBU recommendations for long-form broadcast production and is widely accepted in broadcasting stations and production houses. This recording capability makes PXW-Z280 ideal for a wide range of different applications, including newsgathering and documentary production. DVCAM at 25 Mbps in MXF file format Many broadcasters and production houses still utilize the proven DVCAM format and PXW-Z280 provides support at the flick of a switch.
Sony FX6 Body Only Cine Camcorder Sony FX6 Body Only Cine Camcorder
Sony Sony FX6 Body Only Cine Camcorder $7,999.99
FX6 combines the best of Sony's impressive digital cinema imaging technology with advanced imaging features from Sony's industry-leading Alpha mirrorless technology. It becomes the smallest high performer in an exclusive Cinema line which also includes the VENICE and FX9 cameras, that delivers a coveted filmic look cultivated from extensive experience in digital cinema production. A new line of cinema cameras: Sony's Cinema Line, which also includes the VENICE and FX9 cameras, delivers a coveted filmic look cultivated from extensive experience in digital cinema production. As part of the Cinema Line, the all-new FX6 incorporates Sony's core technologies of image sensor, processing engine, and AF (autofocus) performance. It is also compatible with the wide range of Sony E-mount lenses for creative flexibility and has enhanced operability thanks to an innovative body design, extensive durability and intuitive customizability. Cinema Full-Frame Camera 10.2 MP 4K Exmor R CMOS Sensor 4K 120 fps Recording Built-In Variable ND Filter High sensitivity up to ISO 409,600 and 15+ stop dynamic range 3.5" LCD panel Image sensor with blazing fast readout speed: The back-illuminated full-frame Exmor R CMOS sensor, with 10.2 effective megapixels, boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced color filter array boosts color reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality. High performance image-processing engine: The BlONZ XR image-processing engine boasts class-leading speed, providing up to four times faster processing performance compared to the FS5 II, minimizing latency while providing impressive real-time processing capabilities. The engine performs real time processing of autofocus (AF), image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations. High sensitivity, wide dynamic range: Beautiful bokeh expression and high sensitivity performance are delivered by Sony's 10.2-megapixel1 full-frame back-illuminated Exmor R CMOS sensor and a state-of-the-art BIONZ XR processing engine. Thanks to the large pixel size and back illuminated structure of the full frame sensor, the FX6 delivers an incredible 15+ stop wide dynamic range with high sensitivity and low noise throughout the camera's sensitivity range. Its base sensitivity is ISO 800 with an enhanced sensitivity setting of ISO 12,800 - expandable up to 409,600 - for shooting in low and very low light conditions. Acclaimed cinematic-color with S-Cinetone: The inclusion of Sony's acclaimed S-Cinetone look, inherited from the development of the VENICE and FX9 development, allows beautiful images to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colors, with gentle highlight roll-off, for impressive subject depiction. 4K High Frame Rate 120fps recording: Full-frame 4K (QFHD) recording at up to 120fps with autofocus is possible thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, ultra-detailed 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows wide open aperture for beautiful full-frame bokeh to be achieved during slow motion shooting. 10-bit depth and 4:2:2 color sampling: The FX6 is capable of 4K internal recording, encoding 10-bit depth and 4:2:2 color sampling with either Full-HD Long-GOP or 4K All Intra compression. This makes it possible to push your color grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom. Sony's powerful built-in electronic Variable ND Filter: Sony's revolutionary internal electronic variable ND filter offers easy and seamless control of the camera's filter density. Users can adjust the filter density manually in increments from 1/4 to 1/128 or set variable ND to auto for a smooth and seamless transition from 0 to 1/128 ND. Variable ND in auto perfectly exposes images without affecting the depth of field, shutter angle or ISO even during changing lighting conditions. Additional creative control allows the user to change depth of field without changing exposure by adjusting the iris while the variable ND automatically adjusts for exposure. Combined with the camera's ultra-high sensitivity, the electronic variable ND filter provides users with outstanding creative control in almost any shooting environment. 10-bit HLG picture profile: An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for color grading. 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. All-Intra internal recording: In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC 4K Intra recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. 16-bit RAW data output: To facilitating high image quality and more flexible and efficient editing in post-production, the camera supports 16-bit RAW data output to an external recorder via SDI. RAW video output is DCI (4096x2160) or QFHD (3840x2160) data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates. Simultaneous RAW output is possible while recording internal XAVC-I. S-Log3 for better reproduction of gradations: S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15+ stops. Two color gamut settings (S- Gamut3, and S-Gamut3.Cine) make post-production editing and color grading easier when matching the colors of footage shot on the FX6 with Sony's Cinema Line cameras including the FX9 and VENICE. Preset and User 3D LUT compatibility with Scene File: The Scene File function provides powerful color interpretation right in the camera, with a range of presets and custom User 3D LUT imports to fit your production or style requirements. Four preset scene file types are included for SDR shooting (S­Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural). A further 16 slots support User 3D LUT import to achieve custom looks or for specific monitoring or color-space transforms. Fast Hybrid AF for dependable focus during movie shooting: FX6 incorporates Sony's highly acclaimed Fast Hybrid AF (autofocus) in all modes and frame rates. Fast Hybrid AF combines 627 focal plane phase-detection AF points4 with contrast-detection AF. This results in highly precise, smooth tracking of fast­moving subjects even over a wide range with a shallow depth of field, approx. 89% of the imaging area. Adjustable AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users. Both allow preset settings to be recalled during recording by using a customizable button. Real-time Eye AF and Face Detection AF: Powerful Real-time Eye AF and Face Detection AF are built in for reliable focusing on people, especially in unpredictable shooting environments such as news gathering, event and documentary shooting. The real-time processing capability of the BIONZ XR image processing engine automatically maintains accurate eye focus on faces even in profile, looking up or down, or partially obscured - allowing you to concentrate fully on shot composition. Lens-ring AF subject selection: When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. The face selection algorithm has also been improved so that the focus ring can be used to quickly and intuitively select specific individuals from within a group when shooting with Real-time Eye AF or Face Detection. Autofocus operation resumes as soon as the user stops rotating the lens focus ring, and the last subject selected by the focus ring is automatically tracked. Proxy recording for more efficient editing workflow: When capturing higher bit­rate formats such as XAVC-I 4K, low bit-rate HD proxy files can be recorded simultaneously. These smaller proxy files can then be used for editing and previewing prior to final production delivery which reduces computer load and allows faster and more efficient workflows. Proxy files are captured in 8-bit XAVC-L (1920x1080) 9Mbps MP4 wrapper. Proxy files cannot be captured during 16-bit RAW output8. Reliable durability and weather resistance: In response to feedback from working professional, the dust and moisture resistance14 of FX6 have been dramatically improved when compared to FS5 II, thanks to refinements throughout the body. Additional sealing is applied to the media compartment lid, terminal cover and all joints in the chassis. Routes to dust and moisture entry have been re-examined to ensure reliable operation in challenging environments. Even though the dust and moisture resistance and therefore reliability have been significantly improved, the body dimensions remain compact. High-definition 2.76 million-dot (approx.) flexible LCD touch panel: The 3.5" LCD panel (1280 x 720 pixels) is mounted on an extended pedestal and adjustable to a wide range of angles for easy video monitoring regardless of camera rigging and shooting angle. Mounting points are provided at three places on the handle and two on the body. With touch panel support and a quick access control menu, it provides intuitive control for commonly accessed features. Camera operators can change key settings with a single touch - including Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO and Sensitivity, Shooting Mode and Audio Levels. Innovative heat dissipation to prevent thermal shut down: FX6 features an innovative heat dissipation structure to ensure dependable full-frame recording in demanding environments and at high resolutions and frame rates. This includes a complete redesign of the chassis structure, placement of the internal heatsinks and the entire airflow structure, from louvers to circuit board layout. When required, a silent fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance. Magnesium alloy body achieves high durability with light weight: To perform reliably in challenging environments the main chassis, as well as top, front, and rear covers and the handle are constructed from lightweight magnesium alloy. The magnesium alloy main frame achieves high strength and durability with minimum weight in order to maximize mobility. The rigidity of the mount area is also boosted by the provision of six screws for stable attachment of heavy lenses. A choice of battery types for different applications: FX6 is compatible with BP-U series battery packs. The BP-U35 (supplied), BP-U70, BP-U100t or BP-U60T can be selected according to shooting needs. The BP-U35, for example, is an ideal choice to make most of the camera's mobility when it is to be used handheld. The BP-U100, on the other hand, can provide extended recording time when the FX6 is to be mounted on a tripod or other support. The battery CHECK button allows charge level to be checked even when the battery is not connected to the camera. Professional connectivity: FX6 features a range of professional interfaces including independent 12G-SDI (supports 3G/6G-SDI) suitable for external 16-bit RAW recording as well as HDMI output for program monitoring. Timecode (TC IN/ TC OUT) connectors allow multi-camera sync, and SuperSpeed USB-C 5Gbps (USB 3.2) allows shooting data to be uploaded to a PC at high speed. Smart handle: The smart handle, attachable to the top of FX6, allows stable camerawork and operation in low-angle shooting. It's also equipped with XLR terminals, a mic holder and a digital Ml (Multi Interface) Shoe, allowing use with a variety of existing pro accessories. Two assignable buttons, a multi-selector button and a handle assignable dial have also been added for improved operability. Standard 1/4-inch screw holes for accessory attachment are provided at seven locations on the handle for increased flexibility. Thoughtful touches for adaptable workflows are also considered, such as including storage for the handle protection cap in the handle itself which is used to seal the body connectors if the handle is removed for rigging. Smart grip: FX6's ergonomic Smart Grip is designed for powerful and comfortable camera control even during prolonged or dynamic shooting situations. Three customizable buttons, plus essential zoom and start/stop control and a custom dial suitable for Iris or Variable ND Filter control, are all positioned in easy grip reach. The freely-adjustable telescoping handle and grip angle are set with a single button, for effortless position changes without slowing production Dual card slots, both compatible with SD and CFexpress Type A: Professional workflows demand two identical card slots for peace-of-mind redundant recording or extended record times with additional media options. Both media slots support UHS-I and UHS-II SDXC/SDHC cards as well as new high-speed CFexpress Type A cards for higher overall capacity and faster read/write speeds. CFexpress Type A cards are ideally suited to 4K movie recording at high bit rates and frame rates, providing next-generation write speeds and are capable of quickly clearing camera buffers even when high volumes of movie data are being generated. Data communications to support on­site workflow: To facilitate professional workflows, network communications features support both FTP transfer for movie files as well as remote shooting capability. Wireless 5GHz / 2.4GHz15 LAN connections are supported, and wired connectivity to 1000BASE-l Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type-C® port supporting SuperSpeed USB SGbps (USB 3.2). Dual XLR inputs and enhanced audio capability: The handle of the FX6 carries two independent easy-access XLR audio inputs to connect external professional microphones. Additionally, the Ml (Multi Interface) Shoe allows for compatible MI Shoe microphones to be connected, such as the UWP series wireless microphone or additional XLR kits like the XLR-K3M. The Smart Handle includes built-in stereo microphone while the body houses a monaural microphone - useful for syncing video when only the body is in use. Metadata to facilitate editing with Catalyst: Sony's Catalyst Browse and Prepare software are ideal production partners for FX6 which records three types of metadata: image stabilization, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or cost-effective Catalyst Prepare software. Made for Content Creators on the Go: FX6 delivers on outstanding mobility and operability with its durable magnesium alloy chassis, measuring just 6.125 x 4.625 x 4.5 in (153 x 116 x 114 mm, LxHxW) and weighing just 1.96 pounds (0.89 kg). It has a compact and lightweight design making it easy for users to grab and shoot at any time.
Canon CN-E 70-200mm T4.4 L IS Ef
Canon Canon CN-E 70-200mm T4.4 L IS Ef $6,799.99
COMPACT-SERVO 70-200mm T4.4 EF lens combines high level 4K optical performance with a compact size of only 7.2 in. in length and a weight of only 2.76 lbs. provides outstanding mobility. Acknowledging the need to control zoom, focus and iris, Canon has developed this zoom lens with full external servo control. The integrated servo drive unit is compatible with broadcast industry-standard lens controllers including Canon's standard broadcast lens controllers (ZSD-300D/FPD-400D). The optional ZSG-C10 Zoom Servo Grip can mount to the lens for handheld operation. Three levels of Image Stabilization and incorporated autofocus functions set the COMPACT-SERVO 70-200mm T4.4 EF lens apart from traditional Super 35mm Cinema lenses. A 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. The lens also features a 2.8x zoom magnification, a focal length range of 70-200mm and a 130 degree smooth rotating focus ring. The lens is also compatible with our Canon EF 1.4x III and EF 2x III Extenders. The 70-200mm T4.4 EF lens offers professional video functionality all at an affordable price, making it ideal for a wide range of video applications including documentary, cinema, news gathering, wedding and other video production. Telephoto Cinema Lens 2.8x Zoom 3 Levels of Image Stabilization 4K Optical 130 degree smooth rotating focus ring LENS DESIGN OPTIMIZED FOR VIDEO APPLICATION: Different aspects of lens performance are emphasized when shooting video as opposed to still images. A zoom range through commonly used focal lengths, high level 4K optical performance and a smooth aperture iris designed for motion picture capture all demonstrate the COMPACT-SERVO70-200mm T4.4 EF lens's optimization for video. Telephoto Zoom that Covers the Commonly-Used Focal Length of 70-200mm A telephoto zoom can be useful in narrative or documentary video production for capturing medium to tight fields of view. The 70-200mm T4.4 EF lens is also compatible with Canon's EF 1.4x III and EF 2x III Extenders. Parfocal Operation - Precise Focus Through the Entire Zoom Range The 70-200mm T4.4 EF lens is parfocal in both manual and autofocus modes. The lens employs a special compensating lens group that moves to maintain precise focus while a separate lens group performs the zooming action. Maintaining focus while changing focal length allows the lens to be used in video production where zooming while recording is required. Consistent Brightness Throughout the Entire Zoom Range The 70-200mm T4.4 EF lens maintains a wide aperture of T4.4 (F4.0) throughout their zoom range. This allows zooming while at maximum aperture without any dimming of the image. High Level 4K Optical Performance The 4K optical performance of the 70-200mm T4.4 EF lens produces a significantly sharper image than 2K/HD. The various advanced design strategies used help to ensure over 4K resolution at picture center and a careful control of falloff of image sharpness at picture extremities. The excellent contrast range associated with High Dynamic Range (HDR) imaging helps ensure both deep black reproduction and the excellent handling of scene specular highlights. HDR image capture significantly enhances both the contrast and the richness of colours in a scene, but it also poses a potential challenge in exacerbating the visibility of any lens chromatic aberrations. The 70-200mm T4.4 EF lens was designed to help minimize such aberrations. Colour Consistency with Canon Cinema Lenses Canon's colour science has become highly refined over generations of lens designs, paying the closest attention to a pleasing skin tone reproduction. The 70-200mm T4.4 EF lens can be used interchangeably with other Canon Cinema lenses during the same production since both have the same warm, cine-look colour characteristics - making it easier to maintain consistent colour when multiple lenses are used. Iris Mechanism for Motion Picture The 70-200mm T4.4 EF lens can smoothly adjust between open and closed for precise exposure control and live in-shot changes. The 9-blade iris creates a rounded aperture so out-of-focus highlights appear circular. An odd number of iris blades also helps create a less distracting flare. The iris on the lens can also be completely closed, which is useful when adjusting black balance. Continuous Iris Control Capability with Iris Ring A Cinema lens requires an iris that can be smoothly adjusted between wide open and closed. Continuous adjustment allows not only for precise exposure control, but also smooth adjustment live in shot while recording. This can be useful to help compensate for change in exposure due to spotty clouds or moving between indoor and outdoor light levels within a shot. 9-Blade Iris More iris blades create a rounder aperture, resulting in out-of-focus highlights that appear more circular. An odd number of iris blades means that there will be a larger number of small radiating points on a flare, helping to prevent distracting artifact. Iris Closing The aperture on the 70-200mm T4.4 EF lens can close completely, allowing no light to pass through. This is useful in black balancing a camera. Auto Iris Available The auto exposure system in the 70-200mm T4.4 EF lens capitalizes on Canon's Electromagnetic Diaphragm (EMD) technology that has been highly refined over many years in the EF lens series. This technology integrates the lens iris assembly and a miniature stepping motor in a single unit. Electronic pulses from the camera controls the motor to map numerous steps across the full range of the iris mechanism. This AE control loop is fast and silent. An AE Shift mode allows a small manual override for fine adjustments to exposure. Flange Back Adjustment A flange back adjustment mechanism is built-in allowing you to adjust on site which helps to provide even greater optical performance among various cameras.   SERVO CAPABILITY IN A COMPACT AND LIGHTWEIGHT DESIGN: The COMPACT-SERVO 70-200mm T4.4 EF lens includes the functionality of professional broadcast and cinema lenses along with compatibility with professional lens accessories. It fits these features in Canon's unique design that allows it to remain compact and lightweight. This best-of-both-worlds approach allows the versatility to shoot with the lens in a wide range of productions. Servo Zoom Drive Unit The 70-200mm T4.4 EF lens incorporates a servo drive unit directly in the body of the lens. The servo drive unit allows electronic control over zoom, and provides an option to be disengaged for direct manual control. The integrated design can power the servo drive through the lens mount on appropriate cameras, or power can be input through a separate port as in traditional lens servo systems. The servo control is compatible with Canon's ZSG-C10 Zoom Servo Grip which can be mounted directly onto the 70-200mm T4.4 EF lens, as well as standard broadcast style controllers (including Canon's FPD-400D and ZSD-300D) for remote operation. Servo Control Capability for Zoom Function The integrated servo drive allows for electronic control over the zoom. The control is electromechanical, rotating the actual geared rings on the lens housing via servo motors. These motors can also be disengaged, allowing for full manual control. The zoom servo can be remotely controlled or operated using a rocker switch on the side of the lens. Power Provided via Camera Mount On select Cinema EOS cameras, the EF lens mounts electrical contacts provide the necessary power to operate the servos on the 70-200mm T4.4 EF lens. This helps eliminates cabling and possible mounting issues. The lens can also be powered remotely through an accessory power port. Compatible with Broadcast Style Servo Lens Controllers The 70-200mm T4.4 EF lens's Servo Control can be operated remotely for tripod or other non-handheld use. Canon's FPD-400D Digital Focus Servo Demand for Canon Lens Control Kits can be used for remote focus control and the ZSD-300D Digital Zoom Servo Demand for digital ENG/EFP lenses used for remote zoom control. For use in studio configurations, an optional Zacuto Z-CNYC Y-cable can be used to connect zoom and focus controllers to each lens. This configuration allows for simultaneous zoom and focus operation with Compact-Servo lenses. Optional ZSG-C10 Zoom Servo Grip For handheld operation, the 70-200mm T4.4 EF lens incorporates a rosette mounting point for the optional ZSG-C10 Zoom Servo Grip. This handgrip features a rocker control for the zoom servo, a button to engage One-Shot Autofocus. It can be rotated on the mounting rosette and adjusted for comfort. Accessory mounting is available for use on camera front rods. Compact (7.2 in. in length) and Lightweight (2.76 lbs.) for Increased Mobility and Versatility The 70-200mm T4.4 EF lens borrows from Canon's experience in EF lenses to make a compact and lightweight design while retaining performance and functionality. This allows the lens to be used handheld and in various conditions, providing a high amount of mobility and versatility. The 70-200mm T4.4 EF lens is the same size and nearly the same weight as its sister lens, the COMPACT-SERVO 18-80mm T4.4 EF lens. Supports a Wide Range of Optional Accessories The 70-200mm T4.4 EF lens is built to be compact and fully compatible with a variety of professional lens accessories. The front diameter is 84mm for mattebox mounting, with a removable sunshade included. The front ring's inner diameter is threaded for use with 77mm screw-in filters. An integrated support foot can be used to stabilize the lens on standard camera bracketry, and the zoom, focus and iris rings are geared for use with follow focus and other traditional mechanical and electronic controllers. ENHANCED COMPATIBILITY WITH OUR CINEMA EOS CAMERAS: Canon has designed the COMPACT-SERVO 70-200mm T4.4 EF lens specifically to work with compatible Cinema EOS cameras, resulting in a complete kit that adds enhanced functionality. Integrated autofocus, smooth image stabilization, connected control and metadata information as well as lateral chromatic aberration correction are all available when using the lens on compatible Cinema EOS cameras. Autofocus Function Canon cameras feature advanced autofocus functions. The 70-200mm T4.4 EF lens is designed to work with select Cinema EOS cameras to offer fast and accurate autofocus control. All autofocus controls can be switched off to allow manual focus. Continuous AF Different Canon cameras offer various types of continuous autofocus functionality. The fast servo response of the 70-200mm T4.4 EF lens allows for continuous smooth autofocus as with select Cinema EOS cameras. All electrical control of the lens is done directly through the EF-mount. One-Shot AF One-Shot Autofocus is a quick reference setting of focus using the autofocus servo system. The camera sets focus of the image the moment the AF button is pushed. Once the control is released, the focus will remain set to that distance. This temporary engagement of autofocus can be useful for selective artistic focus control. Focus Guide Select Cinema EOS cameras can use autofocus technology even with the servo control on the 70-200mm T4.4 EF lens disabled. Even with the lens in manual mode, the camera will detect its focus setting and can indicate suggestions in the viewfinder on adjustments for focus in the image. Image Stabilization (IS) The 70-200mm T4.4 EF lens is a medium to telephoto zoom. The longer the focal length the more sensitive it is to any shake in the movement. The lens offers three levels of Image Stabilization, including the standard mode for handheld operation, a maximum mode for high-frequency movement and a smooth mode intended for tripod-based operating. The IS function can also be switched off entirely. EF Communication Functions There are a host of functions designed to help maximize the integration of the 70-200mm T4.4 EF lens with select Cinema EOS cameras. Integrated autofocus, smooth image stabilization, connected control and metadata information, and lateral chromatic aberration correction are all included when using the lens on compatible Canon Cinema cameras. Remote Control of Zoom, Focus and Iris via Camera Select Cinema EOS cameras can power and control the servo drive of the 70-200mm T4.4 EF lens by electrical connection through the EF-mount. A zoom control on the camera body can alter focal length, the autofocus modes of the camera can directly engage the lens focus servo, and the auto exposure camera functions can operate the lens iris to adjust light transmission. Integrating these controls allows easier single-person camera operation, and the 70-200mm T4.4 EF lens can be switched into a partial or fully manual mode if desired. REC Start/Stop from ZSG-C10 Zoom Servo Grip Through the EF-mount, the ZSG-C10 Zoom Servo Grip that mounts to the 70-200mm T4.4 EF lens can control record triggering on select Cinema EOS cameras. The optional handgrip also features a zoom servo rocker control and an autofocus engage button. Peripheral Illumination Correction Select Cinema EOS cameras can communicate with the 70-200mm T4.4 EF lens to profile its illumination characteristics, and electronically compensate for image brightness dimming in the edges of the frame. Lateral Chromatic Aberration Correction The 70-200mm T4.4 EF lens was designed to help minimize lateral chromatic aberration for Super 35mm sensors. Any remaining minimal lateral chromatic aberration is mathematically mapped so that the lens can communicate with select Cinema EOS cameras, which then in turn electronically correct for the artifact. Lens Meta Data Record The 70-200mm T4.4 EF lens sends reference information constantly to the camera, noting precise settings for focus, iris and zoom. Data is also transmitted about the lens model itself, and on select Cinema EOS cameras. This information can be recorded for use in post processing. This is useful when matching cameras as well as in VFX work. Some of this data can also be displayed in the camera viewfinder. T Number/F Number Display Select The 70-200mm T4.4 EF lens sends metadata information of the iris position through the EF-mount to the camera. On select Cinema EOS cameras, this information can be displayed as a T-stop, which indicates the amount of transmitted light through the aperture. It can also be displayed as an F-stop.
DJI Matrice 600 Pro DJI Matrice 600 Pro
DJI DJI Matrice 600 Pro $6,499.99
Simply Professional Performance: The Matrice 600 Pro (M600 Pro) inherits everything from the M600 with improved flight performance and better loading capacity. Pre-installed arms and antennas reduce time required for setup, and the system's modular design makes it easy to mount additional modules. The airframe is equipped with the latest DJI technologies, including the A3 Pro flight controller, Lightbridge 2 HD transmission system, Intelligent Batteries and Battery Management system. All Zenmuse cameras and gimbals are natively compatible and full integration with third party software and hardware make the M600 Pro ideal for professional aerial photography and industrial applications. Modular Design Drone A3 Pro Flight Controller Quick-release Landing Gear Folding Frame Arms Pro HD Transmission System A3 Pro Flight Controller. Superlative Performance: The A3 Pro Flight Controller has triple modular redundancy and diagnostic algorithms that compare sensor data from three sets of GNSS units, with additional analytical redundancies for a total of six. A new dampening system for the A3's modules enable precise control of multi-rotor aircraft, providing accurate data for stable flight performance. Self-adaptive systems will automatically adjust flight parameters based on different payloads. Compatibility with D-RTK GNSS means that the A3 Pro can withstand magnetic interference, providing centimeter-level accuracy, suitable for various industrial applications. Complete Integration Ultra Convenient: The M600 Pro is simple and easy to set up, ready to fly in a matter of minutes. Its airframe has been optimized for easier transportation with a quick-release landing gear design and folding frame arms. Under the new upper cover, the positions of GNSS modules and sensors have been revamped and a new dampening system for the IMU units increases reliability during flight. The M600 Pro also comes with a durable, customizable case that absorbs impact from shakes or falls, providing all-round protection when carried or transported. Charge Six Batteries Simultaneously: The M600 Pro charger has six charging hubs, enabling it to charge six Intelligent Batteries simultaneously. All six batteries can be fully charged in a short amount of time*, for quick and efficient preparation. *92 minutes for TB47S and 110 minutes for TB48S. Aerial Imaging Solution: Dustproof propulsion systems simplify maintenance and active cooling motors ensure that operation is reliable for extended periods of time. The M600 Pro is natively compatible with current Zenmuse cameras and gimbals. With a maximum payload of 6kg, it effortlessly supports the Ronin-MX gimbal, DJI Focus and a range of cameras from Micro Four Thirds systems to the RED EPIC. Extended Flight Time and Transmission Range: The M600 Pro has an extended flight time and a 5km* long-range transmission. A comprehensive battery management system means that if any of its six Intelligent Batteries are turned on or off, the rest will follow suit. The battery management system monitors every battery during flight, ensuring safe landing in the event of single battery failure. Compared to traditional non-intelligent batteries, the M600 Pro?s battery management system simplifies maintenance while enhancing security. Professional HD Transmission: DJI Lightbridge 2 has been designed to meet all the requirements of professional broadcasting, offering high frame rates and HD live streaming. USB, mini-HDMI, 3G-SDI ports and Lightbridge 2 Ground Unit all support video output at up to 1080p/60fps. Dynamic, self-adaptive wireless data links enable long-range transmission with ultra-low latency, supporting a broadcast standard output of 720p/59.94fps and 1080i/50fps, enabling even more creative opportunities for aerial imaging. D-RTK GNSS: Using dual antennas, the D-RTK GNSS system is a significant breakthrough for high-precision industrial applications. It is able to withstand strong magnetic interference and provides centimeter-level accuracy in environments with metal structures. Open SDK Development: The M600 Pro is fully compatible with the DJI Onboard SDK and Mobile SDK to meet the requirements of those building software for various industrial applications. It has four - dual parallel - CAN ports and one API port for connecting DJI devices, including the D-RTK GNSS units or third party components of your choice. Powerful App Control: The M600 Pro supports the DJI GO app and DJI Assistant 2. Get a live HD view, battery status, redundancy status, transmission strength and much more, straight from the DJI GO app. DJI GO is also the control center for the camera, giving access to shutter speed, ISO, photo or video capture, on any Zenmuse series camera and remote focus and aperture control on the Zenmuse X5 and X5R cameras. DJI Assistant 2 supports firmware updates and Ground Station, and comes with a built-in flight simulator. Specifications: Aircraft Diagonal Wheelbase: 1133 mm Dimensions: 1668 x 1518 x 727 mm with propellers, frame arms and GPS mount unfolded (including landing gear); 437 x 402 x 553 mm with propellers, frame arms and GPS mount folded (excluding landing gear) Package Dimensions: 525 x 480 x 640 mm Weight (with six TB47S batteries): 9.5 kg Weight (with six TB48S batteries): 10 kg Max Takeoff Weight Recommended: 15.5 kg Hovering Accuracy (P-GPS): Vertical: +-0.5 m, Horizontal: +-1.5 m Max Angular Velocity: Pitch: 300 degrees/s, Yaw: 150 degrees/s Max Pitch Angle: 25 degrees Max Wind Resistance: 8 m/s Max Ascent Speed: 5 m/s Max Descent Speed: 3 m/s Max Service Ceiling Above Sea Level: 2170R propellers: 2500 m; 2195 propellers: 4500 m Max Speed: 40 mph / 65 kph (no wind) Hovering Time* (with six TB47S batteries): No payload: 32 min, 6 kg payload: 16 min Hovering Time* (with six TB48S batteries): No payload: 38 min, 5.5 kg payload: 18 min Supported DJI Gimbals: Ronin-MX; Zenmuse Z30, Zenmuse X5/X5R, Zenmuse X3, Zenmuse XT; Zenmuse Z15 Series HD Gimbal: Z15-A7, Z15-BMPCC, Z15-5D III, Z15-GH4 Flight Control System: A3 Pro Propulsion System: Motor model: DJI 6010; Propeller model: DJI 2170R Retractable Landing Gear: Standard Operating Temperature: 14 degrees F to 104 degrees F (-10 degrees C to 40 degrees C) Remote Controller Operating Frequency: 920.6 MHz to 928 MHz (Japan); 5.725 GHz to 5.825 GHz; 2.400 GHz to 2.483 GHz Max Transmission Distance: FCC Compliant: 3.1 mi (5 km), CE Compliant: 2.2 mi (3.5 km) (Unobstructed, free of interference) Transmitter Power (EIRP): 10 dBm @ 900M, 13 dBm @ 5.8G, 20 dBm @ 2.4G Video Output Port: HDMI, SDI, USB Operating Temperature: 14 to 104 degrees F (-10 to 40 degrees C) Battery: 6000 mAh LiPo 2S Standard Battery (Model: TB47S) Capacity: 4500 mAh Voltage: 22.2 V Battery Type: LiPo 6S Energy: 99.9 Wh Net Weight: 595 g Operating Temperature: 14 to 104 degrees F (-10 to 40 degrees C) Max Charging Power: 180 W Charger (Model: MC6S600) Voltage Output: 26.1 V Rated Power: 600 W Single Battery Port Output Power: 100 W Optional Battery (Model: TB48S) Capacity: 5700 mAh Voltage: 22.8 V Battery Type: LiPo 6S Energy: 129.96 Wh Net Weight: 680 g Operating Temperature: 14 to 104 degrees F (-10 to 40 degrees C) Max Charging Power: 180 W
DJI Mavic 3 Drone Cine Combo DJI Mavic 3 Drone Cine Combo
DJI DJI Mavic 3 Drone Cine Combo $6,419.99
Imaging Above Everything Capture legendary content with a 4/3 CMOS Hasselblad camera and enjoy smooth flight with omnidirectional obstacle sensing. Every upgrade on the DJI Mavic 3 sets a new benchmark for what aerial photography can be. Fly with Mavic 3 and discover imaging above everything. 4/3 CMOS Hasselblad Camera Tele Camera Apple ProRes 422 HQ Encoding Omnidirectional Obstacle Sensing RC Pro Remote Controller Battery Charging Hub ND Filters Set (ND4\8\16\32) ND Filters Set (ND64\128\256\512) Convertible Carrying Bag Two Cameras: Hasselblad & Tele Hasselblad L2D-20c Camera: The Legacy Continues: Iconic Swedish camera brand Hasselblad has customized the L2D-20c aerial camera for the DJI Mavic 3, embedding a professional-grade 4/3 CMOS in a sleek and compact form. Rigorous Hasselblad standards are applied to both hardware performance and software algorithms, bringing imaging quality to an entirely new level. 4/3 CMOS Hasselblad Camera 20MP Photos 12.8 Stops of Dynamic Range f/2.8-f/11 Adjustable Aperture 24mm Equivalent Focal Length Vision Detection Auto Focus (VDAF) 4/3 CMOS A larger image sensor not only gives Mavic 3 higher resolution and dynamic range, it also more effectively suppresses noise in low-light environments. 12.8 Stops of Dynamic Range The 4/3 CMOS sensor comes with a 12.8-stop dynamic range to retain more details in highlights and shadows, elevating imagery to a professional level. Adjustable Aperture Adjustable aperture is available to meet the needs of aerial photographer in a wide variety of lighting scenarios. Wide 84 degrees FOV Weighing just 12.5 grams, the 24mm equivalent autofocus lens has an 84 degree FOV to capture more details with sharp clarity. Vision Detection Autofocus (VDAF) The Hasselblad camera on Mavic 3 features VDAF technology, which works with multiple vision sensors to utilize distance data and optimize focusing speed. Hasselblad Natural Colour Solution: Mavic 3 features the Hasselblad Natural Colour Solution (HNCS), which is the result of decades of photographic experience. This ensures vividly accurate natural colours that look spectacular even without presets or editing in post. No Need for Post-Processing Relying on complex post-processing has never been part of Hasselblad's philosophy. Starting from the pixel level of the sensors, the Hasselblad Natural Colour Solution (HNCS) ensures natural and highly accurate colours are captured, no matter where you're shooting. Pixel-Level Calibration To ensure Mavic 3 captures colour with the same iconic quality as other Hasselblad cameras do, the L2D-20c lens adopts the same rigorous standards, with every pixel of the sensor calibrated with the HNCS embedded. Accurate Colours During shooting, RGB colour data obtained by the sensor will be converted through Hasselblad's unique image processing algorithm and colour processing mode, delivering the best possible natural colours in any scene. Results Speak for Themselves: Create professional imagery with the Hasselblad L2D-20c camera system. Higher dynamic range allows for more natural transitions between highlights and shadows, preserving rich visual information with a greater sense of depth. A larger sensor size keeps images clean in low light. Professional Video Specifications: 5.1K Video Recording DCI 4K/120fps Apple ProRes 422 HQ *1 10-bit D-Log Colour Profile Mavic 3 uses its professional imaging performance to record aerial videos at high resolutions and frame rates. Its camera also captures up to one billion colours thanks to a 10-bit D-Log colour profile, offering natural colour gradations and advanced flexibility in post-production. Mavic 3 Cine supports Apple ProRes 422 HQ encoding with a maximum data rate of 3,772 Mbps. *1 It also supports a built-in 1 TB SSD and 10Gbps lightspeed data cable to further facilitate professional filming, editing, and creation. DJI Mavic 3 Cine supports Apple ProRes 422 HQ and H.264/H.265 encoding, while DJI Mavic 3 only supports H.264/H.265 encoding. Tele Camera: Explore Mode A unique tele camera makes Explore mode the perfect way to scout and plan your shots. 28x Hybrid Zoom 162mm, f/4.4 When scenes or subjects are far away, use the tele camera to zoom in and save time. You can even use it to record subjects from a distance without disturbing the scene. Fly On: Flight Safety: Omnidirectional Obstacle Sensing The advanced safety features of Mavic 3 let you spend more of your time focused on getting the perfect shot. Multiple wide-angle vision sensors work seamlessly with a high-performance vision computing engine to sense obstacles in all directions precisely and plan safe flight routes to avoid them. Advanced RTH Finish any flight on a high note with Advanced RTH, which allows Mavic 3 to automatically determine the optimal route back to its home point and complete a safe return flight on its own. Whether activated by the user or triggered by signal loss, Mavic 3 can easily return to the home point. Enjoy the Flight: APAS 5.0 Mavic 3 also makes flight more fun with recording that is no longer interrupted by obstacles along the way. When flying, Mavic 3 continually senses objects in all directions and bypasses them smoothly and quickly. Enjoy your flight without concern of collision, even when flying in complicated environments. Record smooth footage even when encountering obstacles. Upgraded Performance: 46 Minutes: Extended Flight Time 15 km: Video Transmission Range *2 1080p/60fps: FHD High-Frame-Rate Live Feed 4G Transmission: Enabled with the DJI Cellular Transmission Dongle Precision Positioning: Highly Accurate Positioning Technology Unobstructed, free of interference, and when FCC-compliant. Maximum flight range specification is a proxy for radio link strength and resilience. Always follow local rules and regulations and fly your drone within your visual line of sight unless otherwise permitted. See how DJI did it: Extended Flight Time Execute every step from route planning to composition and even record a hyperlapse video, all during a single flight. Mavic 3's wind resistance is 50% stronger than its predecessor, using a more efficient propulsion system and a high-capacity battery to extend the flight time to an incredible 46 minutes. Fly Farther, See More With a 15km transmission range, Mavic 3 not only flies farther, it also transmits signals with higher stability and less video lag, offering you greater peace of mind during flight. FHD High-Frame-Rate Transmission with Smooth Live Feed Mavic 3 is the first the first DJI drone that can transmit a 1080p/60fps live feed. This means the camera view is displayed at a resolution close to what the camera actually records. It also makes Mavic 3 more responsive to your control. A New Layer of Flight Safety: DJI Cellular Transmission Dongle With the Cellular Transmission Dongle attached, Mavic 3 can switch to 4G networks for smooth, stable connection when O3+ signals are blocked by buildings, trees, or other structures. During flight, the O3+ transmission system coordinates with 4G transmission, switching seamlessly to ensure an uninterrupted shooting experience. High-Precision Positioning High-precision positioning makes Mavic 3 unbelievably stable during hovering. This ensures photos are crysta clear, improves long-exposure shots, and helps you capture smoother timelapse and hyperlapse videos. Even More Functions: Waypoints 3.0 ActiveTrack 5.0 MasterShots Wi-Fi 6 QuickTransfer 100MP Pano Trimmed Download Specifications: Aircraft Takeoff Weight: 900 g / 31.75 oz Dimensions (LxWxH)(Folded/Unfolded): Folded (without propellers) 221 x 96.3 x 90.3 mm / 8.70 x 3.79 x 3.55 in; Unfolded (without propellers) 347.5 x 283 x 107.7 mm / 13.68 x 11.14 x 4.24 in Wheelbase: Diagonal: 380.1 mm / 14.96 in Max Ascent Speed: 1 m/s (C mode), 6 m/s (N mode), 8 m/s (S mode) Max Descent Speed: 1 m/s (C mode), 6 m/s (N mode), 6 m/s (S mode) Max Flight Speed (at sea level, no wind): 5 m/s (C mode), 16 m/s (N mode), 21 m/s (S mode) Max Service Ceiling Above Sea Level: 6 km / 3.73 miles Max Flight Time (no wind): 46 minutes Max Hovering Time (no wind): 40 minutes Max Flight Distance: 30 km / 18.64 miles Max Wind Speed Resistance: 12 m/s Max Tilt Angle: 25 degrees (C mode), 30 degrees (N mode), 35 degrees (S mode) Max Angular Velocity: 200 degrees/s Operating Temperature: -10 to 40 degrees C / 14 to 104 F GNSS: GPS + Galileo + BeiDou Hovering Accuracy Range: Vertical: +-0.1 m / 0.33 ft (with Vision Positioning); +-0.5 m / 1.64 ft (with GNSS Positioning) Horizontal: +-0.3 m / 0.98 ft (with Vision Positioning); +-0.5 m / 1.64 ft (with High Precision Positioning System) Internal Storage: Mavic 3: 8 GB (available space is approx. 7.2 GB); Mavic 3 Cine: 1 TB (available space is approx. 934.8 GB) Hasselblad Camera Sensor: 4/3 CMOS, Effective pixels: 20 MP Lens: FOV: 84 degrees, Format Equivalent: 24 mm, Aperture: f/2.8 to f/11, Focus: 1 m / 3.28 ft to infinity (with Autofocus) ISO Range: Video: 100-6400, Still Image: 100-6400 Shutter Speed: Electronic Shutter: 8-1/8000 s Max Image Size: Main Unit: 5280 x 3956 Still Photography Modes: Single shot: 20MP Photos; Automatic Exposure Bracketing (AEB): 20 MP, 3/5 bracketed frames at 0.7 EV; Timed: 20 MP, 2/3/5/7/10/15/20/30/60s Video Resolution: Apple ProRes 422 HQ: 5.1K: 5120 x 2700 @24/25/30/48/50fps, DCI 4K: 4096 x 2160 @24/25/30/48/50/60/120*fps, 4K: 3840 x 2160 @24/25/30/48/50/60/120*fps; H.264/H.265: 5K: 5120 x 700 @24/25/30/48/50p, DCI 4K: 4096 x 2160 @24/25/30/48/50/60/120*fps, 4K: 3840 x 2160 @24/25/30/48/50/60/120*fps, FHD: 1920 x 1080p @24/25/30/48/50/60/120*/200*fps * Frame rates above are recording frame rates. Videos will be played as slow-motion videos. Max Video Bitrate: H.264/H.265 Bitrate: H.264 Max 200Mbps, H.265 Max 140Mbps Supported File Formats: exFAT Photo Format: JPEG/DNG (RAW) Video Formats: Mavic 3: MP4/MOV (MPEG-4 AVC/H.264, HEVC/H.265); Mavic 3 Cine: MP4/MOV (MPEG-4 AVC/H.264, HEVC/H.265), MOV (Apple ProRes 422 HQ) Tele Camera Sensor: 1.27 cm / 1/2" CMOS Lens: FOV: 15 degrees, Format Equivalent: 162 mm, Aperture: f/4.4, Focus: 3 metres / 9.84 ft to infinity ISO Range: Video: 100-6400, Still Image: 100-6400 Shutter Speed: Electronic Shutter: 2-1/8000 s Max Image Size: 4000 x 3000 Photo Format: JPEG Video Formats: MP4/MOV (MPEG-4 AVC/H.264, HEVC/H.265) Still Photography Modes: Single shot: 12MP Photos Video Resolution: H264/H.265: 4K: 3840 x 2160 @30; FHD: 1920 x 1080 @30 Digital Zoom: 4 times Gimbal Stabilization: 3-axis mechanical (tilt, roll, pan) Mechanical Range: Tilt: -135 to 100 degrees, Roll: -45 to 45 degrees, Pan: -27 to 27 degrees Controllable Range: Tilt: -90 to 35 degrees, Pan: -5 to 5 degrees Max Control Speed (tilt): 100 degrees/s Angular Vibration Range: +-0.007 degrees Sensing Sensing System: Omnidirectional binocular vision system, supplemented with an infrared sensor at the bottom of the aircraft Forward Vision System: Measurement Range: 0.5-20 m / ; Detection Range: 0.5-200 m / ; Effective Sensing Speed: Flight Speed <= 16m/s; FOV: Horizontal 90 degrees, Vertical 103 degrees Backward: Measurement Range: 0.5-16 m / 1.64-52.49 ft; Effective Sensing Speed: Flight Speed <= 14m/s; FOV: Horizontal 90 degrees, Vertical 103 degrees Lateral Sensing System: Measurement Range: 0.5-25 m / 1.64-82.02 ft; Effective Sensing Speed: Flight Speed <= 16m/s, FOV: Horizontal 90 degrees, Vertical 85 degrees Upward: Measurement Range: 0.2-10 m / 0.66-32.81 ft; Effective Sensing Speed: Flight Speed <= 6 m/s; FOV: Front and Back 100 degrees, Left and Right 90 degrees Downward Vision System: Measurement Range: 0.3-18 m / 0.98-59.05 ft; Effective Sensing Speed: Flight Speed <= 6 m/s; FOV: Front and Back 130 degrees, Left and Right 160 degrees Operating Environment: Forward, Backward, Left, Right, and Upward: Surface with a clear pattern and adequate lighting (lux>15); Downward: Surface with a clear pattern and adequate lighting (lux>15). Diffuse reflective surface with diffuse reflectivity>20% (e.g. wall, tree, person) Video Transmission Video Transmission System: O3+ Live View Quality: Remote Controller: 1080p@30fps/1080p@60fps Operation Frequency: 2.400-2.4835 GHz, 5.725-5.850 GHz Max Transmission Distance (unobstructed, free of interference and aligned with controller): FCC: 15 km / 9.32 miles, CE: 8 km / 4.97 miles, SRRC: 8 km / 4.97 mles, MIC: 8 km / 4.97 miles Max Download Bitrate: SDR: 5.5MB/s (with RC-N1 remote controller), 15MB/s (with DJI RC Pro remote controller); Wi-Fi 6: 80MB/s Latency (depending on environmental conditions and mobile device): 130 ms (with RC-N1 remote controller), 120 ms (with DJI RC Pro remote controller) Antennas: 4 antennas, 2T4R Transmitter Power (EIRP): 2.4 GHz: <=33 dBm (FCC); <=20 dBm (CE/SRRC/MIC); 5.8 GHz: <=33 dBm (FCC), <=30 dBm(SRRC), <=14 dBm(CE) Battery Capacity: 5000 mAh Voltage: 15.4 V Charging Voltage Limit: 17.6 V Battery Type: LiPo 4S Energy: 77 Wh Weight: 335.5 g / 11.83 oz Charging Temperature: 5 to 40 degrees C / 41 to 104 degrees F Battery Charger Input: 100-240 V AC, 47-63 Hz, 2.0 A USB-C Output: USB-C: 5.0 V, 5.0 A/9.0, 5.0 A/12.0 V, 5.0 A/15.0 V, 4.3 A/20.0 V, 3.25 A/5.0 to 20.0 V, 3.25 A USB-A Output: USB-A: 5 V, 2 A Rated Power: 65 W Charging Hub Input: USB-C: 5-20 V, 5.0 A max Output: Battery: 12-17.6 V, 5.0 A max Rated Power: 65 W Charging Type: Charges three batteries in sequence Charging Temperature Range: 5 to 40 degrees C / 41 to 104 degrees F Storage Supported SD Cards: SDXC or UHS-I microSD card with a capacity of up to 2 TB (theoretically) Recommended microSD Cards: SanDisk Extreme PRO 64GB V30 A2 microSDXC SanDisk High Endurance 64GB V30 microSDXC SanDisk Extreme 128GB V30 A2 microSDXC SanDisk Extreme 256GB V30 A2 microSDXC SanDisk Extreme 512GB V30 A2 microSDXC Lexar 667x 64GB V30 A2 microSDXC Lexar High-Endurance 64GB V30 microSDXC Lexar High-Endurance 128GB V30 microSDXC Lexar 667x 256GB V30 A2 microSDXC Lexar 512GB V30 A2 microSDXC Samsung EVO 64GB V30 microSDXC Samsung EVO Plus 128GB V30 microSDXC Samsung EVO Plus 256GB V30 microSDXC Samsung EVO Plus 512GB V30 microSDXC Kingston 128GB V30 microSDXC SSD Specs: Capacity: 1 TB, Max Read Speed: 700MB/s*, Max Write Speed: 471MB/s* * Data refers to the read and write speed inside the aircraft. Actual read and write speed of computer and other external devices may affect actual speed. DJI RC Pro Remote Controller 1,000-nit Display High-performance processor 15km max video transmission range
Canon CN-E 18-80mm T4.4 L IS EF Mount Canon CN-E 18-80mm T4.4 L IS EF Mount
Canon Canon CN-E 18-80mm T4.4 L IS EF Mount $6,299.99
The COMPACT-SERVO 18-80mm T4.4 EF-mount lens combines the benefits of compact size and light weight (only 2.7 lbs.) for outstanding mobility. Designed to shoot video, this lens can be ideal for the cinematographer moving up from our EF lenses, combining the functionality of our EF lenses with the video shooting features of our Cinema lenses. Acknowledging the need to control zoom, focus and iris/aperture, Canon has developed this zoom lens with full external servo control for drama, documentary and other video productions. The servo drive unit is compatible with industry-standard lens controllers including Canon's standard broadcast lens controllers (ZSD-300D/FPD-400D). The optional ZSG-C10 grip designed exclusively for this lens adds additional flexibility for the ENG style 'run-and-gun" video shooter. Our first Cinema style lens that incorporates both an Image Stabilization function and Autofocus function, the lens is also fully 4K-ready, with a high optical resolution and support for Super35mm large-format cameras. A 9-blade aperture diaphragm helps ensure an artistic and beautiful representation of out-of-focus areas (or "Bokeh"). The lens also features a 4.4x zoom magnification, a focal length range of 18mm to 80mm, and a 180 degrees smooth rotating focus ring. Overall, the video features and functionality of the COMPACT-SERVO 18-80mm T4.4 EF-mount lens make it an ideal choice for a wide range of professional video shooting environments. 4.4x Zoom Video Lens Image Stabilization Autofocus 4K-ready Lens Design Optimized for Video Acquisition: Broad Focal Length Coverage Covering the commonly used focal length, 18mm to 80mm Maintains focus throughout the zoom range Performance that is stable across the entire zoom range Brightness across the entire zoom range constant at T4.4 (equal to F4.0) High Level 4K Optical Performance Optical performance that is commensurate with 4K cameras with S35 format sensors Same Colour Characteristics as the existing Cinema Lens lines Iris Mechanism for Motion Picture Seamless Control Capability with iris ring 9-Blade Iris Iris Closing Auto Iris available* Minimized Focus Breathing Servo Capability in a Compact Lightweight Design: Newly Developed Servo Drive Unit Servo Control Capability for all zoom, focus and iris Power provided via camera mount* Compatible with broadcast style servo lens controllers Optional ZSG-C10 Grip for shoulder mount applications Compact (182.3mm in Length) and Lightweight (2.65 lbs.) for Increased Mobility and Versatility Supports a Wide Range of Optional Accessories Enhanced Compatibility with our Cinema EOS Digital Cameras: Auto Focus Function* Continuous AF One-Shot AF Focus Guide Image Stabilization* Other EF Functions* Remote Control of Zoom, Focus and Iris via Camera REC Start/Stop from ZSG-C10 Grip Unit Peripheral Illumination Correction Chromatic Aberration Correction Lens Meta Data Record T Number/F Number Display Select Compatible with EF-mount Cameras only *These functions are enabled with compatible EF-mount camera models only, including Canon's Cinema EOS C300 Mark II and EOS C100 Mark II.
CANON XF605 4K UHD VIDEO CAMCORDER CANON XF605 4K UHD VIDEO CAMCORDER
Canon CANON XF605 4K UHD VIDEO CAMCORDER $6,299.99
The XF605 Professional Camcorder is the next-generation XF-series camera providing excellent mobility, connectivity, and superb 4K UHD HDR image quality. Equipped with Canon's renowned Dual Pixel CMOS AF, the XF605 achieves high-speed and high-accuracy focusing, and is the first XF-series model to include Eye Detection AF, as well as iTR AF X technology for improved face and head detection for more accurate and stable tracking of subjects. The XF605 features a 4K L-series 15x Optical Zoom lens with 3-ring manual control. XF605 can shoot 10-bit 4:2:2 4K UHD footage in XF-AVC and MP4 formats to dual SD cards for easy post-production and quick delivery. It features multiple recording modes including Frame, Interval, and Slow and Fast motion up to 120fps in FHD. An ideal tool for news gathering, XF605 features a new CTM (Content Transfer Mobile) iPhone application which allows for proxy footage, audio, and metadata to be exchanged between a newsroom server through the phone connection in the field and integrates into newsroom assignment planning software. XF605&#8239;features a Multi-Function Shoe that is compatible with a new XLR&#8239;microphone adapter (developed by TEAC Corporation) for increasing the total number of XLR inputs to 4, providing a flexible audio recording workflow. The camera features built-in Wi-Fi/Ethernet for Browser Remote, CTM (Content Transfer Mobile) app, IP streaming, and FTP transfer.&#8239;The camera is also the first XF-series camera to feature USB Video Class allowing use as a webcam without the need for&#8239;a 3rd&#8239;Party HDMI to USB adapter.&#8239; 1.0-inch 4K UHD CMOS Sensor 15x Optical 4K UHD L Zoom Lens 3.5-inch Rotating Touch Panel LCD 0.36-inch OLED Electronic Viewfinder 1.0-inch 4K UHD CMOS Sensor: The XF605 Professional Camcorder features a Canon 1.0-inch 4K UHD CMOS image sensor capable of 4K UHD video capture at 60p and slow motion recording up to 120fps in Full HD, making the camcorder a strong contender for professional productions, ENG applications and more. The XF605 camcorder's 1.0-inch sensor allows for larger photosites compared to smaller-sized sensors, resulting in improved images with less noise in low-light situations. The larger sensor also exhibits a shallower depth of field at large apertures, providing greater depth of field control and creative options. The camcorder's DIGIC DV 7 imaging engine further enhances the high sensitivity and low noise performance of the camcorder. 15x Optical 4K UHD L Zoom Lens with 5-Axis Optical Image Stabilization: The XF605 Professional Camcorder incorporates a Canon 4K video lens that leverages proprietary Canon optical technologies derived from years of experience in developing Cinema, Broadcast and EF-series lenses. Inspired by the same high level of optical precision used in Canon broadcast and photographic lenses, the Canon XF605 camcorder incorporates a Genuine Canon 15x L-series optical zoom lens that maintains 4K UHD quality throughout the entire zoom range, and offers a focal length range of 25.5 to 382.5mm (35mm film equivalent). Users can get up to 30x Advanced Zoom when shooting in Full HD, which utilizes the XF605 camcorder's full 4K UHD sensor to extend the zoom range while maintaining image quality. 5-Axis Optical Image Stabilization: The XF605 camcorder also incorporates a 5-axis Optical Image Stabilization (IS) system, featuring three modes of image stabilization: Standard, Dynamic and Powered. In Standard IS mode, the stabilizing angle is made constant, independent of the zoom magnification. Dynamic IS mode extends the stabilizing range at the wide end of the focal length, allowing for image stabilization when shooting while walking. Powered IS mode helps facilitate stabilization in the low frequency range at the tele end and should be used exclusively for fixed-point shooting which does not involve panning. 9-blade Iris: For enhanced versatility and durability, the lens features a 9-blade iris, producing artistic and beautiful out-of-focus areas or "bokeh". The 9 blades allow for attractive circular blurring in out-of-focus regions, while the use of an odd number of blades helps reduce flaring of specular highlights. Independent 3-Density ND Filter: A compact and independent internal 3-density ND filter, using a turret (circular) mechanism, allows the user to select from three densities (ND 1/4, ND 1/16, and ND 1/64) or turn the feature off if needed. Density can be adjusted using the dedicated external buttons. 4K UHD 59.94P 4:2:2 10-bit Recording in XF-AVC and MP4 formats: The XF605 Professional Camcorder supports 4K UHD 59.94p 4:2:2 10-bit recording to support natural and realistic 4K video production. Users can choose between MXF-based XF-AVC and versatile MP4 formats.   Optional Wide and Tele Accessories: The optional Wide Attachment WA-U58 and the Tele Converter TL-U58 accessories expand the creative capabilities of the XF605 camcorder. The Wide Attachment WA-U58 offers a 0.8x wider angle of view that enables users to capture more of a scene, especially when indoors or in tight spaces, to lend better perspective to your video narrative. The Tele Converter TL-U58 provides extended 1.5x longer telephoto range for the XF605 camcorder's fixed lens, allowing distant subjects to be captured with brilliant clarity.   DIGIC DV 7 Image Processor: The XF605 features Canon's DIG!C DV7 image processor that takes the extensive RAW information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Pixel CMOS Autofocus, HDR (PQ/HLG) output, and proxy recording. HDR Recording with HLG/PQ Shooting Assist: The XF605 Professional Camcorder supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) formats. This helps ensure full colour rendition and wide latitude with a much greater range from black to pure white - ideal for the delivery of live streams, broadcasts, and post-production projects. The XF605 also features a variety of assist functions to support auto/manual exposure control during HDR shooting, allowing users to record HDR video using their usual shooting methods. Canon Log 3: Designed with creative post-processing in mind, Canon Log 3 is a gamma designed for simple grading at a deep level for toning up dark areas and adjusting colour tone/gradation to make noise less noticeable. By shooting in Canon Log 3, users can manipulate the information that's recorded, from dark areas to highlights. This makes the range for colour grading wider and enables video to be produced with generous latitude that couldn't be reproduced with video gammas. Simple previews can also be performed on-site with Look-Up Table (LUT) accuracy. Canon Log 3 shooting can be especially effective for documentaries and other settings with drastic changes, along with outdoor and other locations where light conditions change frequently, or where monitoring setups may be insufficient. Wide DR Gamma (800%) Support: The XF605 Professional Camcorder supports Wide DR Gamma. For natural and realistic-looking image capture that faithfully represents the scene at hand, Wide DR Gamma achieves a wide dynamic range of 800% to produce almost seamless tone gradations, resulting in smooth detail and virtually no blown-out highlights, all without requiring post-production. Dual SD Card Slots: The XF605 has dual SD card slots for simultaneous recording in different formats, including 4K/HD and XF-AVC/MP4. Double Slot Recording and Relay Recording modes are also available. Slow and Fast Motion Recording up to 120fps: The XF605 Professional Camcorder supports slow and fast motion recording, and can record in a different frame rate from playback for slow and fast motion effects. Slow motion recording of up to 120 fps (x0.2) in Full HD is supported, helping to create an emotionally moving and exciting style of video. Dual Pixel CMOS AF, Eye Detection AF, EOS iTR AF X, Dual Pixel Focus Guide: Canon's Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus and to capture actual image information, offering users high precision focusing and exceptional image quality. The XF605 is the first XF-series camera to feature Eye Detection AF which further increases the accuracy of focus on human subjects. The XF605 is also the first XF-series camera to feature EOS iTR AF X, which includes a head detection algorithm developed with deep learning technology. In Face Detection mode, the AF works with this advanced algorithm to dramatically improve distance measuring and tracking reliability. The XF605 also features Dual Pixel Focus Guide, which is an innovative UI that gives users both front- and back-focus information telling users if the focus position is in the back or the front, aiding in smooth pulls during manual focus. Direct Touch Control: The XF605 is equipped with Direct Touch Control which allows easy access to commonly used menu settings on the fully-rotatable LCD screen. Users will be able to simply touch the screen to start/stop recording, access file format and resolution, set ISO/Gain, colour temperature and iris, and display important settings. Shooting settings that were once in various places of the menu can now be accessed with one hand, allowing for on-the-spot changes while holding the camera. UVC Support: XF605 is the first Professional Camcorder to support UVC (USB Video Class) which enables use as a webcam, allowing for simple connectivity and advanced shooting capabilities such as autofocus tracking and zoom for basic webcam applications. Look File for Recording (User LUT): Look File allows you to import '.Cube' type 3D LUTs for use while recording. This function greatly improves the flexibility of XF605 in professional workflows. High Sensitivity Mode: Allows for shooting in dark environments by boosting gain to 36 db. 3.5-inch Rotating Touch Panel LCD and 0.36-inch OLED Electronic Viewfinder: The monitor allows for on-camera monitoring of footage in real time and features a rotating design that brings flexibility and user preference to support 4K shooting, which demands strict focus accuracy. The OLED viewfinder displays approx. 1.77 million dots, allowing shooters to see bright parts in the image and dark shadow detail. The EVF can then be used to adjust parameters and camcorder settings accordingly. 12G-SDI, Genlock, Time Code, and Other Terminals: The XF605 Professional Camcorder features a 12G-SDI terminal with four times the transmission speed of 3G-SDI. The camcorder's 4K 59.94p output - which used to require four cables in 3G-SDI - can be delivered with just one cable. This means 4K can be handled with the same number of transmission cables as Full HD. A 12G-SDI feed directly out of the XF605 and an external HDMI output facilitate easy connection to a 4K UHD-compatible or standard HD interlace video monitor. Other terminal connections that help streamline workflows include dedicated jacks for: headphone, mic, USB (Type-C and Type-A), Remote A, Remote B (RS422), Ethernet, Genlock/Sync OUT and SMPTE Time Code. Flexible Audio Inputs with Linear PCM 4-channel Support: The XF605 Professional Camcorder offers a variety of ways to record high-quality linear PCM 4ch audio: through two XLR terminals, a stereo mini-jack mic terminal, or from the camcorder's internal stereo mic. The on-board 4ch audio independent settings let users set recording levels, input sensitivity and limiters for each channel. Multi Function Shoe: Supports new XLR accessory which adds two additional XLR ports. The additional XLR ports allow for additional audio inputs and flexibility when recording ENG footage and HOW services. Live IP Streaming: The XF605 Professional Camcorder offers the ability to stream video live online using IP transmission in H.264/AVC encoding format. The livestream can be viewed directly from the camcorder using the on-board LCD monitor, sent to a standalone IP encoder, or redirected to a monitor for a confidence check and public viewing. RC-V100 Remote Controller Support: The XF605 Professional Camcorder is compatible with Canon's optional RC-V100 Remote Controller, enabling image quality adjustments and other important operations to be set from a distance. The RC-V100 plugs into the XF605 through the remote terminal on the rear panel. Compact, Lightweight and Ergonomic Design: The XF605 Professional Camcorder is compact and lightweight, making it especially useful for on-the-go Electronic News Gathering (ENG) and documentary production applications. NEW CTM (Content Transfer Mobile) iPhone Application: Allows for immediate transfer of proxy footage and metadata to be transferred to newsroom planning servers using ML-G2. Metadata can be edited before and after shooting. Canon's new CTM (Content Transfer Mobile) application and workflow is designed to assist in the quick and seamless delivery of video files and footage from remote operators in the field. Network Connections for FTP Transfer and Browser Remote (Wired and Wi-Fi Connectivity): The XF605 Professional Camcorder offers both wired and wireless connectivity to enable recorded files to be shared and transmitted back to the station or home base via FTP for editing or live streaming. The camcorder can also be accessed remotely from a typical web browser running on a laptop or a compatible smart device to control functions such as record start/stop, record mode and frame rate, AF/MF switching, focus/zoom settings and white balance mode. Background transfer of video files via FTP links is also possible, enabling the latest news images, for example, to be distributed quickly over the Internet.
SONY PXW-X180 XDCAM EX 3CMOS 3X1/3 SONY PXW-X180 XDCAM EX 3CMOS 3X1/3
Sony SONY PXW-X180 XDCAM EX 3CMOS 3X1/3" $6,182.99
Three 1/3-inch type Exmor CMOS Full HD sensors for a wide range of shooting conditions: PXW-X180 incorporates three 1/3-inch type Full-HD Exmor CMOS sensors to achieve high resolution, high sensitivity, low noise, and wide dynamic range The sensor has 2 million effective pixels and achieves full HD 1920 x 1080 shooting without pixel interpolation, enhancing shooting under severe lighting conditions and providing more freedom of creative expression XDCAM Camcorder 3 x 1/3 inch Exmor CMOS Sensors 25x HD Zoom Lens 0.5-inch OLED Viewfinder 3.5-type Colour LCD Wi-Fi/NFC (Near Field Communication) with Content Browser Mobile GPS functionality Three 1/3-inch type Exmor CMOS Full HD sensors G Series fixed 25x professional HD zoom lens High quality XAVC Intra and XAVC Long GOP recordings on SxS memory cards Dual ND filter control mechanism for more flexibility Wi-Fi/NFC (Near Field Communication) with Content Browser Mobile 25x professional HD zoom lens with three independent rings with end-stop and large focal length: PXW-X180 is equipped with a G Series fixed 25x zoom lens with 26mm wide-angle Due to a quick electric zoom function, the change of shooting from wide-angle to tele-angle can be made quickly The lens has three independent control rings with end-stop, which means focus, zoom and iris can be manually controlled, making for better and faster adjustment High quality XAVC Intra and XAVC Log GOP recordings: PXW-X180 supports not only MPEG HD 422 50 Mbps in MXF (Material eXchange Format), which is widely accepted by major broadcasters worldwide, but also XAVC Intra and XAVC Long GOP codecs XAVC technology is based on the H.264 standard, which provides an exceptional performance compression technology XAVC Intra (frame) compression means that every frame is encoded independent of the other frames - providing a better quality picture, without compromises With a Long GOP codec, only certain frames are encoded individually This allows the codec to squeeze the video into a much smaller bitrate than Intra technology The main benefit is faster ingest and editing XAVC Long GOP files also require less storage space than XAVC Intra files, providing budget savings on recording media The XAVC codec adopts 10 bit sampling for high definition recording with rich tonal expression The bite rate of XAVC recording is 111 or 112 Mbps at 1080/59.94i or 50i and 89, or 112 Mbps at 1080/23.98P or 25p The high bit rate gives a better quality picture Switchable recordings for greater flexibility: As well as shooting at XAVC HD, MPEG HD 422 50 Mbps and MPEG HD 420 35 Mbps, the camcorder also supports DVCAM at 25 Mbps in MXF file format and AVCHD in MTS file format, which is compatible with NXCAM camcorders MPEG HD 422 gives a high quality image with more detailed colour reproduction, as well as being ideal for chromakeying It is also compatible with other XDCAM HD 422 and NXCAM camcorders, including the PMW-500, the PMW-200, HXR-NX3/VG1 and many others, which streamlines workflow and reduces time in the edit High-quality MPEG HD422 50 Mbps is fully compliant with the latest EBU recommendations for long-form broadcast production and is widely accepted in broadcasting stations and production houses This recording capability makes the PXW-X180 ideal for a wide range of different applications, including newsgathering and documentary production Wi-Fi/NFC (Near Field Communication) with Content Browser Mobile: By attaching the supplied dongle IFU-WLM3, the PXW-X180 can be remotely controlled from a smartphone or tablet computer (iOS 4.3 through 7.0 or Android 2.3 through 4.3) via a Wi-Fi connection, and recorded video files can be transferred from camcorder to smartphone in MP4 format.* One-touch authentication is also possible with smartphones that offer NFC connectivity The required Content Browser Mobile mobile smartphone application can be downloaded from the Google Play Store or App Store * Wi-Fi operation cannot be guaranteed with all smartphones and tablet computers Proxy recording on SD card: PXW-X180 can record proxy video H.264 on an SD card The resolution and bitrate of proxy video can be changed for a more flexible workflow The proxy files are recorded in MP4 format for better compatibility with broadcast systems The lightweight proxy video files are generated separately from the main line recording and recorded to SD cards for quick sharing of content over low-bandwidth mobile networks. Dual SxS media slots, "Simul" or "Relay" recording, and independent record control: PXW-X180 is equipped with two SxS memory card slots The camcorder is compatible with SxS PRO+ and SxS-1 memory cards, XQD, SDXC and SDHC cards can be also used with an appropriate card adaptor Two media slots can record in either "Simul" or "Relay" mode "Simul" mode permits simultaneous recording to two memory cards, while "Relay" mode automatically switches recording from the first to the second memory card when the first is full The user can set up the two Start/Stop buttons on the PXW-X180, one on the grip and one on the camcorder body, to independently start and stop recording on different memory cards while recording in Simul mode Variable dual ND filter control mechanism: PXW-X180 is equipped with a variable ND Filter function, allowing you to choose either four conventional mechanical ND filter positions or the linear control dial The optical filter changes the density electrically, allowing the light amount to be reduced more conveniently The density can be changed gradually and fluidly. Different from conventional optical ND filters, the ND filter on the PXW-X180 can be controlled from 1/4ND to 1/128ND linearly By choosing the density value properly, the iris control has more flexibility Multi Interface Shoe (MI Shoe) for flexible connection without XLR cable: PXW-X180 is equipped with a Multi Interface Shoe (MI Shoe) that has an electric interface in its mechanical attachment allowing the camcorder to communicate with an attached accessory Accessories attached to the MI Shoe can be controlled by the camcorder Using an MI Shoe connection, the audio signal from a UWP-D11 or UWP-D12 wireless microphone package can be input from the wireless microphone receiver to the PXW-X180 without an XLR cable The power can be supplied from the PXW-X180 to the receiver and a battery is not required for the receiver operation So, for example, if the HVL-LBPC video light is attached to the MI Shoe, video light power can be switched on and off from the camcorder Viewfinder includes amazing OLED technology: 0.5-inch OLED viewfinder has the incredible clarity of 1024 x 768 High Definition, plus superb OLED brightness, contrast and response The high resolution of the viewfinder allows better precision of manual focus operations and eliminates any colour-breaking phenomenon Wide choice of connections: The camcorder offers numerous connections to suit the broadcast workflow, including 3G HD-SDI, HDMI, USB, composite output, timecode input/output and genlock input The 3G-SDI connector is able to output the 1080/59.94P or 50P signal Down-conversion output from HD to SD is also possible. Simultaneous output from both SDI and HDMI is possible The Rec Trigger signal can be sent through SDI and HDMI to link an external recording device Lens Remote (LANC): The PXW-X180 has a LANC interface. Using a LANC remote controller such as the RM-1BP and the VCT-PG11RMB, the focus, zoom, rec start/stop and rec review can be controlled remotely GPS functionality: The PXW-X180 is equipped with a GPS device The GPS data is automatically recorded in two file locations Included: PXW-X180 XDCAM Camcorder Lens hood (1), pre-installed to the Camcorder EVF large eyecup (1) USB cable (1) Audio connecting cable (1) Infrared Remote Commander (1) Lithium battery (CR2025 for the IR Remote Commander) (1) CD-ROM: Operating instructions in PDF (1) AC adaptor (1) BC-U1 battery charger (1) BP-U30 battery pack (1) AC Cable (2) COLD SHOE KIT (1) Shoulder strap (1) Wireless LAN module (1) Warranty booklet (1) Accessory shoe kit (accessory shoe (1), accessory shoe plate (1), screws (4) SD card adaptor (1) except for PXW-X180 UC model XQD card adaptor (1) PXW-X180 UC model only
Insta360 Pro 2 8K with Farsight Monitoring Insta360 Pro 2 8K with Farsight Monitoring
Insta360 Insta360 Pro 2 8K with Farsight Monitoring $6,089.99
Insta360 Pro 2 Panoramic CameraInsta360 FarsightFlowState Stabilization8K 3D VR Features: Farsight Live Monitoring FlowState Stabilization 8K 3D VR HDR Video + Photo 120 Mbps Per Lens CrystalView 8K Playback "No-Stitch" Editing in Adobe Premiere Pro Spherical Audio   FlowState Stabilization: Make your move. Ready for 3D capture Farsight 360 degree Live Monitoring: Long range. Low latency. Live control. Compatible with: Phone, Tablet, Computer 3 hours per charge: Supports external power 5.18 GHz: Built to cut through the noise 1080P: High-res, real-time preview   Adobe: No stitching. No wait. Just start your edit. Full Integration with Adobe Premiere Pro Less waiting. More creating. Upgraded Workflow: Simple, smooth, no waste motion Curve Adjustment: Nail the shot with intuitive controls and instant feedback. Compatible with 3D, aerial and first-person-view shooting In-Camera HDR: Capture the world as we see it. HDR comparison 120Mbps-per-lens Bitrate: Every detail. In every direction. Onboard Spherical Audio Capture: Hear it like you're there. Four built-in mics capture full-sphere Ambisonic audio Zoom H3-VR Ready: Plays nice with your mic. Purpose-built mounting points for industry-favoured 360 degree audio tools CrystalView 8K Playback: Deliver what you really shot: Why shoot 8K if your viewers are on a headset or smartphone that can only render 4K? Insta360's new CrystalView player solves this problem. It lets viewers watch 8K 360 degree video in full quality on Samsung Gear VR, Oculus Go, and mainstream iOS and Android phones. CrystalView 8K Playback: Clear and crisp. Any way you look at it: CrystalView works by converting your footage into a specially segmented sphere. When a viewer plays it back in this format, their device will render exactly the area of the scene they're looking at - in full 8K quality - adapting in real time as they look around. Versatile control apps for any shoot: Windows / Mac / iOS / Android Avaialble for Download   Specifications: Lenses: 6 x F2.4 fish-eye lenses Storage: 6 x microSD cards + 1 x Full SD card Power: 12V 5A adapter Material: Aluminum alloy Exposure modes: Auto, Manual, Lens-by-Lens Custom, Shutter Priority (photo only), ISO Priority (photo only) Diameter: 143mm Weight: 1550g ISO Range: 100-6400 Battery Capacity: 5100mAh removable battery White Balance Modes: Auto, Manual Bitrate per lens: Up to 120 Mbps Video Files: MP4 Video Coding: H264 in-camera, H265 available when post stitching Video Post-processing Stitching: 7680 x 3840 @ 30 fps HDR (8K 2D), 7680 x 7680 @ 30 fps (8K 3D), 7680 x 3840 @ 60 fps (8K 2D), 6400 x 6400 @ 60 fps (6K 2D/3D), 3840 x 3840 @ 120 fps (4K 2D/3D Binning) Video Real-time Stitching: 3840 x 3840 @ 30 fps (3D), 3840 x 1920 @ 30 fps (2D) Live-streaming Protocol: rtsp, rtmp, hls Live-streaming Modes: Built-in server \ Custom server \ HDMI output (Note: Simultaneous live-streaming + recording is supported.) Video Modes: Standard \ Binning (Note: i-Log is available in all modes and HDR is available in some modes.) Photo Files: JPEG / DNG Photos Real-time Stitching: 7680 x 7680 (3D), 7680 x 3840 (2D) Photos Post-Processing Stitching: 7680 x 7680 (3D), 7680 x 3840 (2D), 12000 x 12000 12K Super High-Res, (Multi-Photo Composite) (2D/3D) Photo Modes: Single shot \ Burst (10 continuous shots) \ Timelapse \ AEB (Auto Exposure Bracket, optional 3, 5, 7, and 9 photos for in-camera HDR photos) (Note: Raw and JPG are both available in all modes) Video Transmission: Insta360 Farsight provides ground-to-ground range of up to 300 meters and ground-to-air range of up to 1000 meters, with 30 FPS preview. Stabilization: Ultra-precise 9-axis gyroscope Image Stabilization: FlowState stabilization Antennae: GPS signal antenna + Wi-Fi signal antenna GPS: Built-in module Ethernet Port: Yes Control software: Windows / Mac / iOS / Android Wi-Fi specifications: 802.11 b/g/n, 2.4GHz. Signal range is about 20 metres in open space. Max preview frame rate of 30 FPS, supported in roughly 5-metre range. Audio: 4 Mono Mic Video Color Space: YUVJ420P, offering a wide color range Audio coding format: AAC Spatial audio: Ambisonic Stitching: Optical Flow / Template Exposure Range: 12 stop Proxy File: Six low-res proxy files (one per lens) automatically saved in video mode; tailored for smooth editing in Adobe Premiere Pro
DJI Matrice 200
DJI DJI Matrice 200 $5,979.99
Built to Endure: High-performance motors paired with 17-inch propellers ensure stable flight in strong winds. The new dual-battery power system automatically heats batteries when flying in sub-zero temperatures, while an enclosed design ensures weather and water resistance, so you can fly in a wide range of environments. Operation Range: 7 km Max Flight Time: 38 min Ingress Protection: IP43 level Max Payload Capacity: 2 kg High-performance Motors Stable Flight in Strong Winds Water and Weather Resistant Flies in Sub-Zero Conditions Foldable Intelligent Flight Modes: ActiveTrack Keep moving subjects in frame while you fly with ease to capture detailed data. Perfect for keeping track of missing persons while you relay their position to a rescue team. Point of Interest Easily circle your object of interest to focus on capturing the data needed for a detailed inspection, compatible with the X4S and X5S cameras. Obstacle Avoidance: A robust FlightAutonomy system with front, bottom and upper sensors detect and avoid obstacles while enabling precision hovering so that you can fly with confidence. Powerful Controls: App Compatibility Conveniently control and customize your M200 Series drone with DJI GO 4 or DJI Pilot, an Android app built for enterprise users. Flight planning can be done using DJI GS Pro. Transmission The M200 series uses DJI's top of the line Lightbridge transmission system, enabling low-latency controls and live feeds from the aircraft. DJI AirSense With a built-in ADS-B receiver, the M200 Series enhances airspace safety by automatically providing the operator with real-time information about nearby manned aircraft. Reliable Power: Pilots can fly the slim TB50 batteries for improved portability or the larger TB55 batteries to properly support a dual gimbal configuration and increase flight times. Always Ready: The M200 Series drones fold down in a snap and unfold just as quickly. Gimbal mounting plates and aircraft arms stay mounted during transportation so that you're ready to fly within minutes. Aircraft size: 716 x 220 x 236 mm Weight: 3.80 kg Specifications: Aircraft Package Dimensions: 790 x 390 x 290mm (31.1 x 15.4 x 11.4 inch) Dimensions (unfolded): 887 x 880 x 378 mm (34.9 x 34.6 x 14.9 inch) Dimensions (folded): 716 x 220 x 236 mm (28.2 x 8.7 x 9.3 inch) Folding Method: Folded Inward Diagonal Wheelbase: 643 mm (25.3 inch) Number of Batteries: 2 Weight (TB50): Approx. 3.80 kg Weight (TB55): Approx. 4.53 kg Max Takeoff Weight: 6.14 kg Max Payload (2 TB50): Approx.2.34 kg (with two standard batteries) Max Payload (2 TB55): Approx.1.61kg (with two standard batteries) Hovering Accuracy (P-mode with GPS): Vertical: +- 0.5m (1.64 feet) or +- 0.1m (0.33 feet), Downward Vision System enabled) Horizontal: +- 1.5m (4.92 feet) or +- 0.3m (0.98 feet). Downward Vision System enabled) Max Angular Velocity: Pitch: 300 degrees/s; Yaw: 150 degrees/s Max Pitch Angle P Mode: 30 degrees (Forward Vision System enabled: 25 degrees); A Mode: 35 degrees; S Mode: 35 degrees Max Ascent Speed: 5 m/s (16.4 ft/s) Max Descent Speed: Vertical: 3 m/s (9.8 ft/s) Max Speed: S Mode: 82.8 kph (51.4 mph); P Mode: 61.2 kph (38 mph); A Mode: 82.8 kph (51.4mph) Max Service Ceiling Above Sea Level: 3000 m (1.86 mi) Max Wind Resistance: 12 m/s (39.4 ft/s) Max Flight Time (No Payload, with TB50): 27min Max Flight Time (No Payload, with TB55): 38min Max Flight Time (Full Payload, with TB50): 13min Max Flight Time (Full Payload, with TB55): 24min Motor Model: DJI 3515 Propeller Model: 1760S Operating Temperature: -20 to 45 degrees C (-4 to 113 degrees F) IP Rating: IP43 Gimbal Installation Downward Gimbal Mount: Supported Upward Gimbal Mount: Not Supported Downward Dual Gimbal: Not Supported Battery (Standard) Model: TB50 Capacity: 4280 mAh Voltage: 22.8V Battery Type: LiPo 6S Energy: 97.58 Wh Net Weight: Approx. 520g Operating Temperature: -20 to 45 degrees C (-4 to 113 degrees F) Storage Temperature: Less than 3 months: -20 to 45 degrees C (-4 to 113 degrees F) More than 3 months: 22 to 28 degrees C (72 to 82 F) Charging Temperature: 5 to 40 degrees C (41 to 104 degrees F) Max Charging Power: 180 W Charger Model: IN2C180 Voltage: 26.1 V Rated Power: 180 W Forward Vision System Obstacle Sensing Range: 0.7-30 m (2.3-98.4 feet) FOV: Horizontal 60 degrees, Vertical 54 degrees Operating Environment: Surfaces with clear patterns and adequate lighting (> 15 lux) Downward Vision System Velocity Range: < 10 m/s (32.8 ft/s) at the height of 2 m (6.56 feet) Altitude Range: < 10 m (32.8 feet) Operating Range: < 10 m (32.8 feet) Operating Environment: Surfaces with clear patterns and adequate lighting (> 15 lux) Ultrasonic Sensor Operating Range: 10-500 cm (0.33-16.4 feet) Ultrasonic Sensor Operating Environment: Non-absorbing material, rigid surface (thick indoor carpeting will reduce performance) Gimbal Compatible Gimbals: Zenmuse X4S, Zenmuse X5S, Zenmuse Z30, Zenmuse XT Remote Controller Model: GL6D10A Operating Frequency: 2.400-2.483 GHz, 5.725-5.850 GHz Max Transmitting Distance (unobstructed, free of interference): 2.4 GHz: 7 km, FCC (4.3 miles); 3.5 km, CE (2.2 miles); 4 km, SRRC (2.5 miles); 5.8 GHz: 7 km, FCC (4.3 miles); 2 km, CE (1.2 miles); 5 km, SRRC (3.1 miles) EIRP: 2.4 GHz: 26 dBm (FCC); 17 dBm (CE); 20 dBm (SRRC); 5.8 GHz: 28 dBm (FCC); 14 dBm (CE); 20 dBm (SRRC) Video Output Ports: USB, HDMI Power Supply: Built-in battery Charging: DJI charger Dual User Capability: Host-and-Slave connection Mobile Device Holder: Tablet or Smart Phone Max Mobile Device Width: 170 mm Output Power: 9 W (Without supplying power to smart device) Operating Temperature: -20 to 45 degrees C (-4 to 104 degrees F) Storage Temperature: Less than 3 months: -20 to 45 degrees C (-4 to 113 degrees F); More than 3 months: 22 to 28 degrees C (72 to 82 degrees F) Charging Temperature: 0 to 40 degrees C (32 to 104 degrees F) Battery: 6000mAh 2S LiPo USB Supply Power: iOS: 1 A @ 5.2 V (Max); Android: 1.5 A @ 5.2 V (Max) Battery (Optional) Model: TB55 Capacity: 7660 mAh Voltage: 22.8V Battery Type: LiPo 6S Energy: 176.93Wh Net Weight: Approx. 885g Operating Temperature: -20 to 45 degrees C (-4 to 113 degrees F) Storage Temperature: Less than 3 months: -20 to 45 degrees C; More than 3 months: 22 to 28 degrees C Charging Temperature: 5 to 40 degrees C (41 to 104 degrees F) Max Charging Power: 180 W DJI GO 4 APP Name: DJI GO 4 Mobile Device System Requirements: iOS 9.0 or later,Android 4.4.0 or later Supported Mobile Devices: iOS: iPhone 5s, iPhone SE, iPhone 6, iPhone 6 Plus, iPhone 6s, iPhone 6s Plus, iPhone 7, iPhone 7 Plus, iPad Air, iPad Air Wi-Fi + Cellular, iPad mini 2, iPad mini 2 Wi-Fi + Cellular, iPad Air 2, iPad Air 2 Wi-Fi + Cellular, iPad mini 3, iPad mini 3 Wi-Fi + Cellular, iPad mini 4 and iPad mini 4 Wi-Fi + Cellular. This app is optimized for iPhone 7, iPhone 7 Plus. Android:Samsung tabs 705c, Samsung S6, Samsung S5, Samsung NOTE4, Samsung NOTE3, Google Nexus 6p, Nexus 9, Google Nexus 7 II, Ascend Mate7, Huawei P8 Max, Huawei Mate 8, LG V20, Nubia Z7 mini, Sony Xperia Z3, MI 3, MI PAD, Smartisan T1. *Support for additional devices available as testing and development continues. Upward Infrared Sensor Obstacle Sensing Range: 0-5 m (0-16.4 feet) FOV: +-5 degrees Operating Environment: Large-sized object with diffuse relecting surface or high relective rate (> 10%&#65289;
Fujinon Mk 50-135mm T2.9 X-Mnt Cine Lens Fujinon Mk 50-135mm T2.9 X-Mnt Cine Lens
Fujinon Fujinon Mk 50-135mm T2.9 X-Mnt Cine Lens $5,799.99
Growth of video production has created a demand among videographers and cinematographers for lenses optimized to shoot. The new MKX lenses deliver high optical performance and comfortable operation for professional video shooting. The MKX50-135mm is one of the most frequently used focal lengths in video production and achieves a constant T2.9 aperture across the entire zoom range, allowing a shallow depth of field as well as a beautiful bokeh effect. The lens design is optimized for shooting videos as they minimize focus shift and optical axis shift while zooming, and reduce lens breathing (the change of angle of view during focusing). It also feature three rings to enable manual and independent operation of focus, zoom and iris (aperture), all with the gear pitch of 0.8M (module). Constant T2.9 Aperture Beautiful Bokeh Effect Macro Function Filter Diameter: 82mm Highlights: Optical construction of 22 elements in 17 groups (includes 2 extra low dispersion elements and 2 super extra low dispersion elements) Achieves a constant T2.9* aperture across the entire zoom range, allowing a shallow depth of field and beautiful bokeh effect, that eliminates the need to readjust lighting and shortens shooting time (*T-stop value is an index that indicates brightness of a lens based on its F-stop value and transmission rate. The smaller the value, the greater amount of light the lens transmits.) Compact and lightweight body achieves advanced optical performance by incorporating a short flange focal distance of X Mount into optical design to the maximum extent. This accommodates shooting with a limited number of people Electrical contact to communicate with the X Series camera corrects the distortion and colour/brightness shading, and achieves various colour expressions with Film Simulation modes Front focusing group of lens elements and zooming group of lens elements are driven independently from one another to suppress focus shift while zooming, which eliminates the need to re-focus after zooming in or out. The optical and mechanical approach means there is no time lag as seen in an electrical control system Use of the front inner-focusing system controls lens breathing (change of angle of view during focusing which achieves smooth focusing) Focus ring features a rotation of a full 200 degrees to allow precise focusing even when shooting with a shallow depth-of-field where a high degree of precision is required Features three fully manual rings to allow independent adjustment of focus, zoom and iris (aperture) for intuitive operations without time lag All operation rings have a gear pitch of 0.8M, similar to other FUJINON cinema lenses, which allows the use of all standard third party accessories for video production, e.g. Follow Focus that enable accurate and smooth focusing Iris supports seamless adjustment free of clicking forprecise and silent exposure adjustment while preventing camera shake caused by the clicking Gears for the three rings are positioned in the same place to eliminate the need to re-position accessories when switching lenses Macro function allows shooting close-up (Minimum Object Distance of 0.38m -wide end) to broaden the range of scenes that can be covered with one lens Accommodates 82mm filter size Compatible with FUJIFILM X Mount cameras
Sigma Cine 50-100mm T2 Canon EF Mount
Sigma Sigma Cine 50-100mm T2 Canon EF Mount $5,699.99
The Sigma 50-100mm T2 Cine High-Speed Zoom Lens (Feet) with a Canon EF mount provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes. Compact Size 180 degree Focus Rotation Super 35mm Format Filter Diameter: 82mm Standardized Essentials: Gear position, Color Correction, Filter Size & Front Diameter

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